Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print October 31, 2019 5 comments

The Great Alaskan Race

Spencer J. Quinn

1,501 words

It’s always nice when a film presupposes that empathy is a universal human trait. Films that do this rarely go much beyond being merely nice, however. They tend to cling to their PG rating and their predictable story arcs until the obligatory uplifting ending. There is good in all of us, and if we’re just honest with ourselves and God, redemption can appear almost like a present at Christmas. True as this can be, stories that use inherent human goodness to push a plot tend to preclude the most painful – and therefore most meaningful – forms of conflict. Only kids believe in Santa Claus. Only the naïve buy into contrived happy endings wherein God steps in to set things right. Do these sorts of things happen in real life?

Why, yes they do. The Great Alaskan Race tells such a story, and so has a chance of being one of those feel-good movies that goes beyond being merely nice. It’s uplifting, yes – but also riveting and real.

Written, directed, and starring Brian Presley, The Great Alaskan Race tells the incredible story of the 1925 Serum Run to Nome in which twenty mushers and one hundred and fifty sled dogs delivered diphtheria antitoxin to the isolated subarctic town and saved it from a deadly epidemic. The story opens seven years earlier, when Leonhard Seppala (played by a rugged and taciturn Presley) buries his Inuit wife during the influenza epidemic which was ravaging the town. He’s left with his infant daughter Sigrid. Cut to 1925, and the widower Leonhard seems to be in the same rut, spurning the affections of Constance, the local doctor’s daughter, and raising Sigrid (played by Presley’s real-life daughter Emma) in strict, humorless fashion.

Then the epidemic hits, and the kind and avuncular Doctor Welch (played by Treat Williams) is quickly overwhelmed and worried that all the children in Nome are vulnerable. He calls the Mayor, who then calls the Governor. As the Governor contacts all the hospitals on the western seaboard for whatever antitoxin they can spare, the Mayor holds a town council. With the ocean frozen over, extreme winter storms expected, and airplane technology still too shaky to be relied upon, the council decides on mushing the medicine in from the train depot in Nenana, 674 miles away. Normally, the mail takes twenty-five days along that route. Nome needs the medicine in less than a week or nearly all the children there will die. Seppala agrees to be one of the mushers, and realizes that he has something personal at stake when Sigrid falls ill as well. In the end, he heroically covers ninety-one miles, almost forty more than any other musher, and helps deliver the medicine in time.

So, there’s your story: The classic Man vs. Nature match up, with Nature seemingly having an insurmountable edge at the onset. And the stakes couldn’t be higher. In order for Man to win this ancient and deadly struggle, all the mushers have to be on board with the program, which requires Herculean efforts, Christ-like suffering, and St. Francis of Assisi-levels of altruism and love for animals (or, in this case, sled dogs). This is not a story about characters. Under extreme circumstances in which the goal is to survive, character differences thin to insignificance. They all want the same thing, and they all want it desperately. Aside from Seppala, nearly all the white male characters in The Great Alaskan Race are interchangeable, differing only in the mannerisms of the actors portraying them. They all care. They are all filled with Christian goodness. And they will all do whatever it takes to save those children.

Once you accept these parameters and the fact that the film’s PG rating means that children as young as 8 are expected to be in the audience, The Great Alaskan Race becomes a thrilling ride. The film’s technical flaws become less important than the heart it evinces. You’re not going to find many films with greater heart than this one.

And what are its flaws? I count four:

  • Trite Native American narrator whose relation to the story is never revealed.
  • Clunky dialogue (for example, “Anything is possible when you have hope and courage”).
  • Baffling action scenes – with so many mushers along the relay route from Nenana to Nome, it’s not always easy to follow who’s doing what and why, especially when everyone is wearing parkas in a blizzard.
  • Cheesy special effects – I guess the film’s producers had concerns about going over budget when filming some of the blizzard scenes.

The film employs a newsreel-like narrative device in which a radio announcer describes the goings-on to a national audience over black-and-white footage. It’s not a sophisticated conceit, but it’s easy to get used to once you realize that children will appreciate the exposition, and to them the device will seem novel.

The film is also somewhat liberal in its Christian imagery. Especially in the hospital scenes, we’ll often see Welch or Constance worrying over the dying children with a big cross on the wall behind them. The Great Alaskan Race is Christian in character but not in purpose. There are no overt calls to convert, no eulogies to Jesus, no references to scripture. Yet the film makes no attempt to hide that its characters, even the Indian ones, are Christians behaving according to the tenets of Christ. In a sense, the film is so confident of its Christianity that it doesn’t even try to sell it. The fact that the Serum Race to Nome actually happened and that Presley takes little dramatic license in retelling the story lets the story’s Christianity sell itself.

It must also be said how white the cast and characters are. Indian mushers did take part in the Serum Race and get a little screen time here. But mostly The Great Alaskan Race depicts the kindness, heroism, and sacrifice of white people. Dr. Welch cares for the Inuit children as much as for the white ones, and once the medicine arrives, he prescribes it to an Inuit child first because she was the most afflicted by the disease at that moment. As a white identitarian, just knowing that people like me didn’t think twice about risking their lives to save a handful of children at the edge of the world is frankly inspiring. For an implicit pro-white message, you cannot get much better than this. It’s home cooking, yes. But it still tastes good.

Other high points include Presley’s visceral performance and a terrific cameo by James Russo as musher Wild Bill Shannon. In a show-stealing scene, Shannon describes in gory detail the lethal dangers of mushing at either forty above or forty below. Seppala’s love for his lead dog, Togo, also plays a part in the story when Nome’s Mayor tries delicately to convince Seppala not to take him. Togo is 12 and perhaps too old for such a trial. Seppala ignores the Mayor, however, and sticks with the dog he knows and loves (and who did survive the ordeal). I would have liked to have seen more human-dog interaction in The Great Alaskan Race, but what Presley gives is certainly sufficient for the story. The film also benefits from its short scenes and action-movie pacing once the race begins. This effectively builds suspense and excitement, but also (it has to be said) minimizes some of the hokier aspects of the story, such as Welch and Constance weeping over the dying children as they wait for the medicine.

Still, the love is real. The love and loss are effectively rendered by the actors, and watching Welch deliver bad news to an Inuit family is as difficult as it would be in real life. Their jubilation in the end when the medicine finally arrives is just as moving. Also moving is the film’s deliberate naïveté. When all ends well, the Alaskan Governor receives a call from President Calvin Coolidge. The childlike excitement he and his staff express over receiving a call from the President of the United States shows how different a time it was compared to today. It makes one long for the days when the United States was a much more cohesive nation than it is now.

The Great Alaskan Race is by no means a great film. It lacks cinematic vision, and its technical drawbacks are hard to ignore. So is its rather insipid title. But what isn’t hard to ignore is the film’s heart. Sure, it’s bolstered by a great, true-life story. But Brian Presley keeps the best parts of it intact and delivers the genuine uplift we all crave by the film’s end. This is something, I believe, young audiences will appreciate the most. Also, the way Presley handles Seppala’s near-death experience in the end may not be terribly original, but it is life-affirming and powerful. It speaks to the parts of us that are not jaded to the tricks of cinema and wish to be reminded every once in a while that life is indeed good and worth all the sacrifice.

Spencer J. Quinn is a frequent contributor to Counter-Currents and the author of the novel White Like You.

 

 

 

Related

  • Extremities:
    A Film from Long Ago that Anticipated Today’s Woke Hollywood

  • Remembering Hinton Rowan Helper

  • Babette’s Feast

  • Simon Webb & Patriotic Alternative

  • White Woman Tears

  • Fail-Safe & Today’s Nuclear Crisis

  • The Northman

  • The Batman

Tags

movie reviewsSpencer J. Quinn

Previous

« Fake Hitlers on Parade

5 comments

  1. Peter Quint says:
    October 31, 2019 at 7:28 am

    “…(played by a rugged and taciturn Presley) buries his Inuit wife…”

    A race traitor, a good reason not to watch it.

    1. Spencer Quinn says:
      October 31, 2019 at 5:23 pm

      Hi Peter,

      Yeah, I should have elaborated on that. It’s not as bad as it seems. She dies in the first couple minutes of the story and Leonhard ends up being with Constance, a white woman. Yes, the miscegenation is a problem, but the rest of the film is so glowingly pro-white that it’s easy to overlook (or explain to a child who’s watching it with you). And with so much overtly anti-white stuff out there, The Great Alaskan Race is a refreshing alternative, warts and all.

  2. ValHallaX says:
    November 1, 2019 at 1:54 am

    Just a note:
    Seppala is clearly an original Finnish name. Here in Finland it has the dots on top of letter a. But Finnish it is.

    Mushing is nowadays only a tourist attraction in Lapland, but it does exist. Real genuine Lapps (local “inuits”) would use reindeer sleighs. Seppala is, however, definitely not a Lapp name, it is Finnish and has the word smith (as if working with metals) in it.

    Even a hard-core white nationalist as myself would not see a marriage with a local Lapp as being a race traitor. Lapps are good with nature and there is no reason to undervalue them in any way. The “new Finns”, somalis, arabs, congolese (for God’s sake!) are from another, dystopian planet, but Lapps, no problem, I take them with us anytime, anywhere. Jews hardly know the snow…

  3. Mad Celt says:
    November 1, 2019 at 9:30 am

    No, thanks. If you can’t have an handicapped black woman, who happens to be there on a civil rights mission from Atlanta, as the heroine, I don’t wanna see it.

    1. Peter Quint says:
      November 4, 2019 at 6:42 am

      She has to have AIDS too, and an IQ that goes through the stratosphere! Ha, Ha, Ha, Ha…….

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • The Counter-Currents 2022 Fundraiser
      Every Man an Editor

      Greg Johnson

      4

    • Against the Negative Approach in Politics

      Nicholas R. Jeelvy

    • What Christian Nationalism Looks Like in Current-Year America

      Robert Hampton

      16

    • “Should War Be Criminalized?”

      Greg Johnson

      2

    • O Manifesto Nacionalista Branco:
      Parte 2, Extinção Branca

      Greg Johnson

    • Morálka lidské mysli Jonathana Haidta, část druhá

      Collin Cleary

    • Animals & Children First

      Jim Goad

      40

    • The Great Replacement Prize

      Greg Johnson

    • Remembering Julius Evola
      (May 19, 1898–June 11, 1974)

      Greg Johnson

    • Counter-Currents Radio Podcast No. 445
      The Writers’ Bloc with Kathryn S. on Mircea Eliade

      Counter-Currents Radio

      2

    • O Manifesto Nacionalista Branco:
      Parte 1, Introdução

      Greg Johnson

    • Extremities:
      A Film from Long Ago that Anticipated Today’s Woke Hollywood

      Stephen Paul Foster

      9

    • The National Health Service:
      My Part in Its Downfall

      Mark Gullick

      10

    • Male Supremacism in the United States?

      Margot Metroland

      2

    • Counter-Currents Radio Podcast No. 444
      Ask Me Anything with Greg Johnson

      Counter-Currents Radio

      1

    • Fallen Castes

      Thomas Steuben

      18

    • Work to Be Such a Man

      Morris van de Camp

      6

    • Be a Medici:
      New Patrons for a New Renaissance

      Robert Wallace

      17

    • Counter-Currents Radio Podcast No. 443
      Interview with Jim Goad

      Counter-Currents Radio

    • Das Manifest des weißen Nationalismus:
      Teil 5, Die Wiederherstellung Unserer Weissen Heimatländer

      Greg Johnson

    • Where Do We Go from Buffalo?

      Jim Goad

      42

    • Rammstein’s Deutschland

      Ondrej Mann

      7

    • If I Lost Hope

      Greg Johnson

      5

    • Das Manifest des weißen Nationalismus:
      Teil 4, Wie Können Wir den Weissen Genozid Beenden?

      Greg Johnson

    • Payton Gendron & the Buffalo Massacre

      Greg Johnson

      63

    • The Counter-Currents 2022 Fundraiser
      Between Now and May 20th, Give a New Monthly Gift and Receive a New Book!

      Cyan Quinn

    • This Weekend’s Livestreams
      Jim Goad on Counter-Currents Radio & Kathryn S. on The Writers’ Bloc

      Greg Johnson

    • Remembering Hinton Rowan Helper

      Spencer J. Quinn

      11

    • Make Art Great Again:
      The Good Optics of Salvador Dalí, Part 3

      James J. O'Meara

    • Babette’s Feast

      Nicholas R. Jeelvy

      1

    • Das Manifest des weißen Nationalismus:
      Teil 3, Weisser Völkermord

      Greg Johnson

    • Hey, Portland Synagogue Vandal — Whatcha Doin’?

      Jim Goad

      26

    • The Pro-Dysgenics Agenda

      Robert Hampton

      29

    • Make Art Great Again:
      The Good Optics of Salvador Dalí, Part 2

      James J. O'Meara

      4

    • Das Manifest des weißen Nationalismus:
      Teil 2, Weisses Aussterben

      Greg Johnson

    • Now Available!
      The Enemy of Europe

      Francis Parker Yockey

    • Now Available!
      Trevor Lynch’s Classics of Right-Wing Cinema

      Trevor Lynch

      1

    • Now Available!
      Jonathan Bowden’s Reactionary Modernism

      Jonathan Bowden

    • Why the Central European Elites Love War

      Petr Hampl

      34

    • Make Art Great Again:
      The Good Optics of Salvador Dalí, Part 1

      James J. O'Meara

      1

    • Memelord Dalí
      Remembering Salvador Dalí
      (May 11, 1904–January 23, 1989)

      Nicholas R. Jeelvy

    • Morality Death Match:
      Lecter vs. Chigurh

      Mark Gullick

      2

    • Why I Write, Part II:
      Farewell to My Friend Robin

      Richard Houck

      16

    • Put Many Tools into the Toolbox

      Morris van de Camp

      4

    • Counter-Currents Radio Podcast No. 442
      Ask Me Anything with Greg Johnson

      Counter-Currents Radio

      2

    • Das Manifest des weißen Nationalismus:
      Teil 1, Einführung

      Greg Johnson

    • The Worst Week Yet:
      May 1-7, 2022

      Jim Goad

      39

    • Counter-Currents Radio Podcast No. 441
      Interview with Richard Houck on Roe v. Wade

      Counter-Currents Radio

      1

    • Some Thoughts on the Hume-Rousseau “Philosopher’s Quarrel”

      Stephen Paul Foster

      5

    • My Midlife Crisis

      Greg Johnson

      10

  • Recent comments

    • Nick Jeelvy What Christian Nationalism Looks Like in Current-Year America Not necessarily. The kind of ideology that Fox News and evangelicalism spread tends to attract...
    • Francis XB What Christian Nationalism Looks Like in Current-Year America The situation in the Western world today is akin to the run-up to the Reformation, say in the early...
    • Scott The Counter-Currents 2022 Fundraiser
      Every Man an Editor
      Very nice feature. Thanks.I’ve already tried it out. Editing your own posts after posting works...
    • Robbie Animals & Children First How about just get the hell out of the city?   Pit bulls tied to black culture? There are...
    • C What Christian Nationalism Looks Like in Current-Year America This article can be summed up as: "I don't like evangelical Christians because they are stupid...
    • Chad What Christian Nationalism Looks Like in Current-Year America “Ask not what your country can do for you; ask what you can do for Israel.” Christian Conservatism...
    • Scott Fallen Castes << @ Sepp<< Oh wow totally edgy Boomer found who just can’t get beyond LARPing Neo-...
    • c What Christian Nationalism Looks Like in Current-Year America Evangelical Protestant Christianity, which is significantly coterminous with Americans of Northern...
    • Rez Extremities:
      A Film from Long Ago that Anticipated Today’s Woke Hollywood
      Exactly! The idea that Hollywood is only after money and profit trumps all is one of those...
    • Ed Counter-Currents Radio Podcast No. 441
      Interview with Richard Houck on Roe v. Wade
      Interesting analysis by Richard.
    • DarkPlato The Counter-Currents 2022 Fundraiser
      Every Man an Editor
      Shoot, now I’ll have no excuse!😉
    • DP84 What Christian Nationalism Looks Like in Current-Year America I’m not gonna dispute that the kind of Evangelical Christianity represented in that gathering with...
    • Nick Jeelvy What Christian Nationalism Looks Like in Current-Year America Ah, well, that is unfortunate. But it reinforces the point of the article - Christian nationalism...
    • Nicolas Bourbaki Animals & Children First I don't know Jim, but I think you might've micro-aggressed that sweet 'lil Black child.  You...
    • Greg Johnson The Counter-Currents 2022 Fundraiser
      Every Man an Editor
      The Edit option ends when comment threads close. Currently, that is in 100 days. You can't...
    • Vagrant Rightsit What Christian Nationalism Looks Like in Current-Year America Well I don't think that's quite what Torba represents or how all strands of a Christian Right,...
    • Oliwier Saikowski The Counter-Currents 2022 Fundraiser
      Every Man an Editor
      Another reason to get behind the wall. It grows more tempting each day... We are allowed to 'eat'...
    • John Morgan What Christian Nationalism Looks Like in Current-Year America Actually Orbán has made it clear that Hungary is a haven for Christians of all nationalities,...
    • Calg What Christian Nationalism Looks Like in Current-Year America If we're going to scrap entire millennia-old concepts based on the fact that the way boomers do it...
    • Sepp Fallen Castes Oh wow totally edgy Boomer found who just can’t get beyond LARPing Neo-Nazism. The mass Jewish...
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Alaska Chaga Antelope Hill Publishing Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • The End of an Era
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • Baader Meinhof ceramic pistol, Charles Kraaft 2013
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment