Tag: art

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Much could be said about Laibach (and has been, here at Counter-Currents). The name is the German form of Ljubljana, Slovenia’s capital city. The language choice references their Austro-Hungarian past, and depending on who you ask, maybe some other era, too. Their sound is one of a kind, as unique as that of Laure LePrunenec. Laibach is best described as an industrial band with heavy martial and totalitarian influences. One notable characteristic of their unique presentation is walking a tightrope between fascist aesthetics and socialist realism. (more…)

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A chronic problem with the arts and politics is that explicitly political art is often not the best art, regardless of the message. Jared Taylor of American Renaissance has noted that novels which are written with the intention of delivering a pro-white message are generally not very good. We see a similar problem in contemporary films, where the obsession with delivering a “woke” message recently created a movie so terrible that it was cancelled after filming was complete. (more…)

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The Metropolitan Museum of Art is currently staging an exhibition entitled “The African Origin of Civilization.” Inspired by Cheikh Anta Diop’s eponymous book, one of Afrocentrism’s central texts, it juxtaposes African artifacts dating mostly from the eighteenth through the twentieth centuries with ancient Egyptian artifacts. (more…)

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Anthony Bavaria is one of the youngest writers on our site. Readers know him primarily for his hilarious reviews of our own as well as mainstream literature. Anthony is a thoughtful intellectual and has great insight into art, travel, the direction of our civilization, and literature. I was honored to talk with him about his writing, contemporary dissident artists, his personal experiences, and his tastes.

You are relatively young. Could you introduce yourself to our readers? (more…)

Salvador Dalí, Perpignan Train Station

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Part 3 of 3 (Part 1 here, Part 2 here)

With Young Virgin Auto-Sodomized by Her Own Chastity, Dalí returned to his paranoiac-critical concerns (i.e., autoeroticism), but now transformed. The paranoiac origin is Dalí’s obsession with Vermeer’s The Lacemaker, which in turn he believed to “consist” in rhinoceroses’ horns. (more…)

Salvador Dalí, The Persistence of Memory

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Part 2 of 3 (Part 1 here, Part 3 here)

This excursus has prematurely broached The Gala Situation, so let’s go back to where we started, with Dalí beginning to apply his method: “For the next few years Dalí’s paranoiac process remained preoccupied with fetishist obsessions, including masturbation and his fear of heterosexual sex.”[1] (more…)

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Part 1 of 3 (Part 2 here)

Christopher Heath Brown, Jean-Pierre Isbouts
The Dalí Legacy: How an Eccentric Genius Changed the Art World and Created a Lasting Legacy
Apollo Publishers, 2021

“The only difference between me and the Surrealists is that I am a Surrealist.” — Salvador Dalí (more…)

Philippe Halsman photographs Salvador Dalí, Decline of Hair on the Face, 1954.

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It’s the most basic thing in the world: You can look at a rock, think it’s a bear, and run away. Or you can glimpse a bear, assume it’s a rock, and get eaten. Over time, evolution will select for seeing bears, when in fact, 99 times out of 100, it’s just rocks. Then clever fools will come and say that believing in a bear infestation is primitive superstition, and that they, taught by “science” and “logic,” have surmised that there are no bears among the rocks. In fact, bears do not even exist. (more…)

Marinetti in the First World War.

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Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.

By Marinetti:

• “Futurist Manifesto“

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“I am concerned with the subjection of life and the suffocation of vitality. I hope to show you that things don’t need to be this way, and that you don’t need to limit yourself to small things.” — Bronze Age Mindset (more…)

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Painter, ceramicist, poet, and political provocateur Charles Wing Krafft was born on this day in Seattle. Charlie was a friend of Counter-Currents from the start. He appeared on Counter-Currents Radio podcasts, attended Counter-Currents retreats, spoke at Counter-Currents events, contributed artworks for the front and blurbs for the back of Counter-Currents books, and even made original artworks to commemorate H. P. Lovecraft and Francis Parker Yockey. (more…)

Marcel Duchamp, Mona Lisa with Moustache, 1919.

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I’m a recent transplant in this city. And as far as cities go, this one isn’t terrible. We live just over the hill from Erie, one of those giant inland seas carved from North America’s heartland, and it’s like having our own, muted stretch of coast for the quiet. (more…)