The film Joker: Folie à Deux naturally follows the aftermath of its predecessor, the Joker movie of 2019. Then, a mentally disturbed lumpenproletarian repeatedly got kicked when he was down, and quite literally at that. Of course, the cheese decisively slid off of his cracker, and the unemployed clown snapped epically. The new film’s action begins with him in the infamous Arkham Asylum. (more…)
Tag: the Joker
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4,306 words
4,306 words
Porco Rosso is one of the more famous Studio Ghibli films, released in 1992. It is the midpoint of an unofficial Miyazaki trilogy examining flight as a method of personal and national liberation, beginning with 1989’s Kiki’s Delivery Service, and concluding with 2013’s The Wind Rises. Porco Rosso is the strongest of the three, being bright, bold, and easy to follow whilst touching on more serious themes than its premise might suggest. (more…)
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2,872 words
2,872 words
One of my earliest memories of the theatre is a Christmas play about Santa Claus teaming up with Batman and Robin to protect Christmas from the Joker. I am near certain that none of the ticket proceeds went to DC, as it was staged in the early 90s in the former Yugoslavia. Even today, we have a cavalier attitude to intellectual property laws, (more…)
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Christopher Nolan’s Batman Trilogy deserves its large audience among White Nationalists. Batman Begins, The Dark Knight, and The Dark Knight Rises all comprise a canon in the superhero genre that stands above the rest, perhaps only succeeded by Watchmen in its representation of Right-wing themes and philosophy. Much has been said about the emphatically Right-wing character of Batman’s villains, especially the League of Shadows, but less has been said about the Rightist aspects of Batman himself. (more…)
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June 6, 2016 Trevor Lynch
Temný rytíř povstal
English original here
Konečně se mi povedlo dostat se do města s kinem a zhlédnout třetí a závěrečnou část Nolanovy epické batmanovské trilogie Temný rytíř povstal. (more…)
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May 19, 2016 Trevor Lynch
Temný rytíř
English original here
Ve své recenzi Nolanova Batman začíná (Batman Begins, 2005) jsem napsal, že film dosahuje dramatického konfliktu navýšením sázek až do krajnosti: zničení moderního světa (ztělesněného Gotham City) tradicionalistickou Ligou stínů vs. jeho zachování a „progresivní“ vylepšení, o něž usiluje Batman.
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April 30, 2013 Trevor Lynch
The Dark Knight
English original here
Dans ma critique du Batman Begins de Christopher Nolan, j’ai affirmé que le film génère un conflit spectaculaire autour des enjeux les plus élevés qui soient : la destruction du monde moderne (symbolisé par Gotham City) par la “Ligue des Ombres” Traditionaliste contre sa préservation et son amélioration “progressive” par Batman.
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February 5, 2013 Jonathan Bowden
The Comic Book as Linear Energy
903 words
Edited by Alex Kurtagić
Editor’s Note:
The following is excerpted from a book called Scum, written in 1992. (more…)
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1,416 words
Christopher Nolan’s Batman trilogy has proven to be a death-stalked series. Heath Ledger died under mysterious circumstances mere months before the release of The Dark Knight in 2008, (more…)
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4,936 words
Editor’s Note:
Unless you’re living in Tora Bora, you probably know that Christopher Nolan’s third Batman movie, The Dark Knight Rises, is coming out this week. (more…)
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Arkham Asylum: A Serious House on Serious Earth
Story by Grant Morrison, art by Dave McKean
DC Comics, October 1989 -
The Brave and the Bold
A Team-up comic featuring Batman and the Joker
D.C. Comics, #111, March 1974This comic was published in 1974 by DC comics or National Periodical Publications. It retailed for twenty cents, and I bought it in the United Kingdom for eight new pence. The author was the veteran scripter Bob Haney, and it was drawn by Jim Aparo. None of the other contributors—the inker, colorist, letterer, or editor—is recorded. (more…)