Tag: Leni Riefenstahl
-
One of the delights of revisiting old movies after many years is finding out that you completely misread or misremembered certain scenes. Early on in the first part of Leni Riefenstahl’s Olympia, we have the entry parades of the national teams. When the French team come by, they drag their flag in the dust – because, or so I assumed decades ago, these robust athletes were utterly disgusted with the new Popular Front government under the hapless Léon Blum (more…)
-
-
Bill Niven
Hitler and Film: The Führer’s Hidden Passion
New Haven: Yale University Press, 2018This book is a great companion to Frederic Spotts’ Hitler and the Power of Aesthetics. The only shortcoming of Spotts’ book was that it did not discuss Hitler’s interest in film and his involvement in the German film industry. This book does just that. (more…)
-
-
6,097 words
Author’s Note:
To help celebrate the upcoming 70th Anniversary of the end of the “Good War” and the beginning of the “Good Peace,” I offer the following from my books, Hellstorm—The Death of Nazi Germany, 1944–1947, and Rape Hate—Sex & Violence in War & Peace.
And so, with the once mighty German Army now disarmed and enslaved in May, 1945, (more…)
-
Editor’s Note:
The following is an excerpt from chapter 10 of Hellstorm: The Death of Nazi Germany, 1944-1947 (Sheridan, Colorado: Aberdeen Books, 2010), which deals primarily with the fate of innocent Germans, primarily women, children, the old, and infirm in the last year and aftermath of World War II. (more…)