Print this post Print this post

Nationalism & Europeanism

M-Europa-Coypel738 words

Translated by Guillaume Durocher

Translator’s Note:

This article is drawn from Dominique Venner’s history of the twentieth century, Le Siècle de 1914 (Paris: Pygmalion, 2006), 397-98.

In the days of European power, Christianity (of all faiths) had not proven a break on the rise of the most aggressive nationalist passions. On the contrary, it had accompanied them, each national clergy letting itself become swept up in the general movement of the day, each being convinced of having God on its side (Gott mit uns). It is only after the tragic European decline following the Second World War that emerged the harmful part of the spirit of guilt and compassion inherent to Christian culture. This then revealed itself unsuited to supporting Europeans against a challenge which it even contributed to amplifying.

As a warlike nationalism dominated Europe between 1914 and 1945, alongside communist internationalism, this period was characterized by the fading away of European consciousness, the consciousness of being part of a specific human family, bearing a unique civilization. [. . . ] Voltaire, [. . .] like the European elites of his day, was imbued by this consciousness. This remained alive throughout the next century, as Victor Hugo and Nietzsche proved. It was still visible at the beginning of the twentieth century. But the nationalist conflagrations of 1914 made this feeling of Europeanness disappear for three decades. In France, reacting against the fratricidal killings of 1914-18, several writers however expressed their hope in a European unity. They belonged to the entire political spectrum of their time: the far-left with Romain Rolland, the left with Jules Romains, the center with Paul Valéry, the monarchist right with Georges Bernanos, and the fascistic far-right with Pierre Drieu la Rochelle.[1] One of the earliest was Romain Rolland. During the conflict of 1914, this future fellow traveler of the Communist Party expressed indignation in his Diary against France and England’s recruiting Africans or Asians against other European nations.

Paradoxically, during the following conflict, a certain European consciousness awakened in several countries subjected to German occupation after the Reich’s launching the war against the USSR, on June 22, 1941. From this event onwards, the conflict, indeed, changed in nature. In France and elsewhere, among those who saw in communism the threat of a new barbarism, the temptation was great to let one be taken in by the spell of the “crusade” against Bolshevism.[2]

The Reich’s propaganda of course sought to transform German soldiers into valiant knights and crusaders. After the disaster of Stalingrad, their stature only grew in proportion with their defeats and the unbelievable battles fought in the Russian winter, sometimes outnumbered ten-to-one. The admiration felt by some Frenchmen for the desperate courage of the German fighters slowly turned into a sentimental Germanophilia. We find the trace of this sentiment right up the last speech made by President François Mitterrand as head of state, in Berlin, on the fiftieth anniversary of the German surrender of May 8, 1945: “I have not come to celebrate the victory for which I rejoiced for my country in 1945. I have not come to emphasize the defeat because I know what there was of strong in the German people, its virtue, its courage . . . And the uniform and even the idea which inhabited these soldiers is of little importance to me. They were brave. They accepted to lose their lives. For a bad cause, but they loved their fatherland . . .”

What the president said, many French veterans of the two wars could have said as well. Despite the horrors and uncertainties of the moment, the idea of a European reconciliation acquired a force which it had never had in the past. We saw French nationalists raised in the hatred of the “Boche” forgetting their chauvinism and building friendship with the German people. Despite Hitler, enclosed in his pan-Germanism and his violence, we also saw the same emerge among some Germans who were not all Ernst Jünger.[3]

We know that General de Gaulle himself, in time, made his choice. “The important thing,” he told Alain Peyrefitte on June 27, 1962 on the French and the Germans, “is that these two peoples, in their depths, exorcise the demons of their past; that they understand now that they must be united forever . . . The French and the Germans must become brothers.”


1. Among the early defenders of European entente, we can also cite two French-language Swiss writers: Gonzague de Reynold and Denis de Rougemont.

2. Dominique Venner, Histoire de la Collaboration (Paris: Pygmalion, 2002).

3. That is, pro-French sentiment among Germans less well-known than Ernst Jünger. – Translator


Post a Comment

Your email is never published nor shared.
Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.
Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>


This site uses Akismet to reduce spam. Learn how your comment data is processed.

  • Our Titles

    White Identity Politics

    Here’s the Thing

    Trevor Lynch: Part Four of the Trilogy

    Graduate School with Heidegger

    It’s Okay to Be White


    The Enemy of Europe

    The World in Flames

    The White Nationalist Manifesto

    From Plato to Postmodernism

    The Gizmo

    Return of the Son of Trevor Lynch's CENSORED Guide to the Movies

    Toward a New Nationalism

    The Smut Book

    The Alternative Right

    My Nationalist Pony

    Dark Right: Batman Viewed From the Right

    The Philatelist

    Novel Folklore

    Confessions of an Anti-Feminist

    East and West

    Though We Be Dead, Yet Our Day Will Come

    White Like You

    The Homo and the Negro, Second Edition

    Numinous Machines

    Venus and Her Thugs


    North American New Right, vol. 2

    You Asked For It

    More Artists of the Right

    Extremists: Studies in Metapolitics


    The Importance of James Bond

    In Defense of Prejudice

    Confessions of a Reluctant Hater (2nd ed.)

    The Hypocrisies of Heaven

    Waking Up from the American Dream

    Green Nazis in Space!

    Truth, Justice, and a Nice White Country

    Heidegger in Chicago

    The End of an Era

    Sexual Utopia in Power

    What is a Rune? & Other Essays

    Son of Trevor Lynch's White Nationalist Guide to the Movies

    The Lightning & the Sun

    The Eldritch Evola

    Western Civilization Bites Back

    New Right vs. Old Right

    Lost Violent Souls

    Journey Late at Night: Poems and Translations

    The Non-Hindu Indians & Indian Unity

    Baader Meinhof ceramic pistol, Charles Kraaft 2013

    Jonathan Bowden as Dirty Harry

    The Lost Philosopher, Second Expanded Edition

    Trevor Lynch's A White Nationalist Guide to the Movies

    And Time Rolls On

    The Homo & the Negro

    Artists of the Right

    North American New Right, Vol. 1

    Some Thoughts on Hitler

    Tikkun Olam and Other Poems

    Under the Nihil

    Summoning the Gods

    Hold Back This Day

    The Columbine Pilgrim

    Confessions of a Reluctant Hater

    Taking Our Own Side

    Toward the White Republic

    Distributed Titles


    The Node

    The New Austerities

    Morning Crafts

    The Passing of a Profit & Other Forgotten Stories

    Gold in the Furnace