1,442 words 
Earlier this year a group of patriots peacefully marched in Adelaide singing “Waltzing Matilda” on Australia Day, only to be shut down and arrested by the police. On the same day, there was an anti-Australia, anti-white rally being held with chants of “death to Australia” deemed perfectly legal.
The march made national news but the media was very dishonest about what happened and framed the peaceful Australian nationalists as terrorists, while those who were openly enemies of this nation were protected and celebrated.
Now the nationalists involved have released a documentary that tells their side of the story and contains some bombshell new revelations.
Watch the full documentary here:
https://rumble.com/embed/v6r7tdt/?pub=
Historically, nationalist and alternative media has always been very hit and miss on a technical level. Whether that be livestreams with bad audio, or roughly edited documentaries often crudely cobbled together from archival material. So, we really didn’t know what to expect with this one.
Immediately, the film opens up with confident cutting and use of counterpunctual music. This wasn’t going to be framed as a depressing pity-party, but rather a jovial celebration of what it means to stand up and fight for one’s nation. Young men are dragged to the ground by police to an up-beat acoustic guitar melody. A montage of physical action and plot points express a uniquely Australian sense of humour.
How are men able to be so unfazed after such violence and injustice from the police and legal system? The documentary is structured in such a way to explain this. Thomas Sewell, who humorously describes himself to the camera as “the self appointed leader of White Australia” sends his boys on a ten kilometre run, only to then be followed by a mixed martial arts tournament on the same day. So this is a hardened group of young men ready to take on anything. An action-packed sequence of kickboxing peaks the first act before the film’s heroic mission begins.
From here we follow the group as they assemble on Australia Day, intercut with South Australia Police at a press conference expressing their intent to use the full force of the law and shut down any celebration of Australia Day that the patriots had in mind. The boys then assemble around a war memorial, singing “Waltzing Matilda”, which is intercut with historical footage of Australian troops marching and singing the same song in WW2, followed by Sewell attempting to give a speech before the police intervene and drag him away into a white van.
Disturbing audio has emerged of a South Australia Police officer saying he wants to shoot nationalists who were celebrating Australia Day in Adelaide. pic.twitter.com/1ZYh2nSbsn
— The Noticer (@NoticerNews) May 15, 2025
This is quite significant because of what is revealed in the closing credits of the film. After Sewell was taken into custody, a microphone he had been wearing picked up two officers talking about shooting the nationalist activists. From The Noticer:
In the recording, one officer appears to check whether his colleague’s bodycam was operating by asking “are you rolling?” and replies “okay good” after the second officer says “no”.
“I’m happy to shoot them,” the first cop then says.
“Happy to?” the second asks.
“I’m happy to shoot them,” the first officer repeats as voices can be heard singing Waltzing Matilda in the background.
“I wanna hammer these cunts. These guys… just need to be shot.”
It’s a revelation that puts everything in context. The regime is anti-Australian and the destruction of Australia is not some mistake or mismanagement – it’s by design and on-target.
We all remember the violence of tyrannical police during the Covid lockdowns. Police forces now have labour shortages that they struggle to fill because to be a policeman is to be a traitor to your own people. The nation was founded and built on the White Australia Policy and therefore the current power structure is opposed to the nation’s heritage, foundation and what it truly means to be Australian. It’s also funny that this film has bigger newsworthy bombshells than an entire 45-minute hit-piece attempt from earlier this year by ABC’s Four Corners.
The film is very well put together. Even with some haphazardly shot footage, it has a very refined edit that pushes this material to its full potential. There are various stylistic flourishes that keep it engaging. Joel Davis makes a rousing speech that is edited with electronic music and clever use of jump cutting to make it a rhythmic sequence. This incorporates meme-video language into a more traditional documentary, which I think was very effective and forward-thinking.
The film is obviously a propaganda piece for this nationalist group and it does a good job at showing the scope of the organisation. They were able stage seminars with various speakers, physical marathons and kickboxing tournaments, followed by dominating the new cycle with an effective protest that exposed the antiwhite regime that runs this country.
Arguments about optics and self-censorship are destroyed by Joel Davis’s seminar talk. He explains how leftists don’t run to the centre ground but keep marching left, which drags the centre of acceptable discourse with them. Joel argues it’s time to march in the other direction and drag the country right. This means being unapologetically right-wing and no more compromises. And when packaged in such a well-made documentary, which doesn’t pull its own punches, it’s hard to argue with Joel’s strategy.
The main thing I want to express about the filmmaking is how tight this edit is. Normally when watching something like this, I would expect to write down notes for edit changes and suggestions, but I really have none to give. This is as tight as a bow. It goes from deeply felt, back to humorous relief, to insight, to revelation without ever getting bogged down. Intuitive musical choices progress its narrative and emotion. Stylistic editing techniques create variation between the different sequences. Multiple elements are interwoven and cross-cut to create juxtaposition and a third entity.
Looking at this film, I believe they would have been editing from shortly after Australia Day right up until its premiere. And some credit should be given to the camera work. They had very good coverage, I’m sure some of this would have been shot on phones but that gave it dynamism and freshness. You can’t edit what you haven’t shot. The lack of sit-down interviews gave this a tactile, ever-moving quality that transcends the stagnation of Four Corners’ bigger budgeted yet inferior film.
The structure is great, with an amazing series of emotional crescendos culminating in a message from a WW2 widow who expresses pride in the men and donates $9,000 to assist political prisoner Stephen Wells. In fact, the combination of this and revelations that police openly expressed a desire to shoot these men may have led to Friday’s dropping of false charges and release of Wells, who was held in solitary confinement for four months. Wells was slapped with phony politically motivated charges of “fail to cease loiter”, and “display Nazi symbol” for a patch on his sleeve. But rather than sign bail conditions that would prevent him communicating with his comrades, he stood by his principles and in the process exposed the justice system as corrupt. His suffering was not in vain.
My only real criticism with the documentary is the title of the film. I understand it’s kind of staunch to just call it “Summer Nationals”, which I assume is in reference to the name of the event they are attending, like how the Scouts might have a “Winter Jamboree”, but something more targeted and attention grabbing would have served the film better.
There are various nationalist activist groups in the West who have produced their own media. I think it’s fair to say this documentary is a bit of a milestone and inspiration going forward in terms of video production. At its heart, this is an incredibly Australian film and made for a domestic audience that shares its sense of humour and cultural understanding. But international audiences will still get plenty from the patriotic spirit and bravery depicted in the film.
This is something every Australian should see. Not just every nationalist or patriot – but every Australian including radical leftists and foreigners. They will at least gain a better understanding of Australian nationalism and how the police treat political enemies. The left has had a pretty free-run with their protests for years, but the recent crack-down on anti-war and anti-Zionist rallies regarding genocide in Gaza has made a film like this more relevant to everyone. Many leftists are waking up not just to Zionism but global Jewish plutocracy and the penny is dropping. The simplistic days of left/right are over. The patriots shown in this film are arguably more socialist than the Greens. They just want things done in the national interest.
9 comments
The lack of sit-down interviews gave this a tactile, ever-moving quality that transcends the stagnation of Four Corners’ bigger budgeted yet inferior film.
Agreed.
Nothing sinks a documentary faster than a parade of talking heads trying to vindicate something they did a long time ago.
To the documentary’s credit, the clips from the speakers’ speeches are immediate and make the viewer want to see more. Perhaps a sequel is in order?
Damn. The expand button on the video doesn’t work, and there is no link in the article or on the video itself that gets me to Rumble to watch it in full screen. I guess you should’ve embedded a link in the article.
Here’s the link to Rumble:
https://rumble.com/v6tepmn-summer-nationals-2025.html
Have Aussie patriots flooded this police precinct with complaints and demands for investigations and exposure of these communist/globalist police? Also, were these police POSs white?
And again, my perennial question: how do they get away with these double standards? It must be because a lot of whites are leftist assholes. In America, we have a coalition of nonwhites + self-hating whites persecuting normal whites. But whites must still be the clear majority in Oz; therefore, a lot of whites there, as in Canada, must be assholes.
Which brings me back to my neverending theme: the only way prowhites save our race is to gather territorially into one or a few sovereign nations which we can one day conceivably conquer electorally, after which we practice gradual political radicalization and the peaceful but relentless “slow cleanse” until we have transformed those countries into white Ethnostates.
There is no other way. There are just too many white assholes – self hating weirdoes and/or race utopians, and these people obviously are acting out of a genetically determined psychological predisposition, as otherwise, they would have been awakened a long time ago. I was hopeful for mass awakening during the early years of the internet. But it never happened, so I wised up. Only a minority of our race can be saved, or is worth saving.
Lord S,
If any Aussies did flood the authorities with complaints, no-one would ever know. I’ve seen these plucky young chaps and their actions on the news, the way it’s reported (on boring-normie news channels) makes them out to be completely insane and the worst people anyone could imagine in their worst nightmares.
These blokes have pulled some good stunts that have garnered quite a lot of publicity. The bloke with the beard made up a fake Australian Liberal Party t-shirt with an Israeli flag on the party-logo instead of the Aussie flag. Some other blokes dressed up as Orthodox Jews and went with him to some sort of public political shindig and handed out doctored Liberal Party leaflets to everyone about how the LP doesn’t give two shits about Australia, just the Jews. I saw this on the TV news (that my other-half watches) and thought it was a great laugh. The news reporter was so upset, she was getting ‘shakey-voice’. If these fellows had merely killed someone instead…
Another thing the same bloke asked publicly and loudly was why does ‘point four of one percent’ get to dictate what an Aussie can say, or not say? Why indeed. The question was never answered of course.
Unfortunately you are right, Lord. Many, many people are already too far gone.
Interesting times ahead.
The one who said he wanted to shoot up the protest should be thrown out of the police force. Not only that, he deserves to sleep on the street and beg for spare change.
He deserves to be named, shamed, publicly humiliated, booted out of the police force and then made to apologize on live TV. One does wonder how many atrocities this ‘police officer’ has already committed. Down here in Australia, the police were really playing-up during the Covid toss-off. I’ve seen footage of beatings by multiple police against one person, police kicking people whilst other police had them already on the ground; and the ultimate – a copper bashing a Covid protester in the head with the butt of his automatic weapon. Nasty stuff. As some people used to say at times, an old chestnut if you will, “all coppers are cunz-tables”.
As the great Wally Butterworth would say, “that scoundrel needs to be tarred, feathered and horse whipped out of town!”
Great article! Like I said before a cop is never your friend, never feel bad when something happens to a cop. The only reason that they are not killing us is because there will be repercussions. It is also good to see that the Aussies are aware of the jews. 🙃
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