Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print May 27, 2022 2 comments

Céline vs. Houellebecq

Margot Metroland

Céline . . . and Houellebecq.

1,511 words

This essay is being published today to commemorate Céline’s 128th birthday. You can find all of Counter-Currents’ resources on Céline here.

You don’t have to dig too deep through the past two decades of reviews to find that the French novelist-critic Michel Houellebecq is often compared to the late Louis-Ferdinand Céline. Some of the reasons are facile and superficial, but we have some reasonable ones, too. Both writers are provocateurs. They’re both anti-Leftist and suspicious of democracy and progressivist cults, though neither slips neatly into any recognizable category of Right-wing. Both have a penchant for getting themselves into trouble with the law — or more precisely, with the political faction in control of government and information channels.

After the Second World War, the exiled Céline was sentenced in absentia to a fine and imprisonment (though later amnestied) for anti-Jewish writings and (rather sullen) collaboration during the German occupation.

In a curious parallel, Houellebecq was accused and tried for racial hatred in 2001, for supposedly expressing anti-Muslim sentiments in a novel and press interview. He was acquitted and, like Céline in the 1950s, went on to greater notoriety and literary success.

Two literary martyrs . . . almost!

At the time of the Charlie Hebdo massacres in January 2015, it was Houellebecq himself who was caricatured on the cover of that fortnightly comic as a sort of Nostradamus. You see him here predicting that he’ll lose his teeth in 2015 . . . and celebrate Ramadan in 2022!

And then the massacre happened — killing all the Charlie cartoonists except this cover artist “Luz” (who soon resigned).

Houellebecq kept his teeth (I believe) but went into hiding, under police protection.

January 7, 2015 cover of Charlie Hebdo.

This was an unlikely plot-twist worthy of his novels. His just-published 2015 book, Soumission (Submission, reviewed here), described the eager and willing Islamicization of the French ruling caste. Though set in the distant future of 2022 (!), it cut just a little too close to the political reality of the moment. The story’s target was not Muslims but rather the parties of the French Left, who in this not-too-unlikely dystopic fantasy would rather usher in Sharia Law than endure a nationalist government under Marine Le Pen.

Getting back to Céline, here is another parallel between him and Houellebecq. Both have done a lot of interviews, but they treat them as performance art. Talking to their interviewers, the characters “Céline” and “Houellebecq” are essentially fictive creations, complete with pseudonyms, as though speaking through puppets. The real self isn’t the pen name, it’s the puppeteer behind, who won’t reveal more than he wants to. Céline’s puppeteer was a physician named Louis-Ferdinand Destouches, while Houellebecq’s is a fellow named Michel Thomas, who took his grandmother’s maiden name as a nom-de-plume. They both like to tease and outrage their interlocutors, acting out the more inflammatory aspects of their fiction.[1][2]

And as my montage above suggests, Houellebecq looks more and more like Céline as he gets old and gnarly. I tell myself this can’t be accidental. And yet — now that I’ve dragged you this far — it appears Houellebecq doesn’t have a particularly high regard for Céline at all.

He doesn’t diss him, exactly. But in his recent book of essays, Interventions 2020, Houellebecq makes a penetrating observation about our modern regard of collabo writers of the early 1940s. We cut them slack. He thinks the collabos‘ reputations are overestimated:

Don’t get me wrong. Céline is not without merit, he’s just ridiculously overrated. And Brasillach’s Poemes de Fresnes are very beautiful, surprisingly beautiful even in such a poor author. But all the others . . . Drieu, Morand, Felicien Marceau, Chardonne . . . a rather lamentable raggletaggle of mediocrities, after all. Well, it seems to me that their strange overestimation stems from a perverse emphasis on the aforementioned adage, which could be worded as: “If he’s a bastard, he’s probably a good writer.”[3]

What’s being criticized here is not politics or opinionatedness, but clarity of style. The fact is that Robert Brasillach, Pierre Drieu La Rochelle, and definitely Louis-Ferdinand Céline (I don’t know about the others) can be very hard going to begin with, whether you’re translating them or just trying to read them in the original. Houellebecq doesn’t think they’re good writers, and I’m going to guess this is because they don’t take care to state their case and develop it in simple declarative sentences. This isn’t a 1940 problem, so far as I can see; it afflicts French journalism and criticism to this day. If Houellebecq sees it too, we have to take his word for it.

You can buy Kerry Bolton’s Artists of the Right here.

Meantime, Houellebecq’s own prose is crystal-clear, a breeze to read in French and in English translation — so it is clear that this sort of transparency must a major determinant of his style. Houellebecq doesn’t like evasion or muddy thinking. He comes up with a phrase or observation, and it is often so blunt that it looks like a provocation. But meanwhile, he draws you in.

Interventions 2020, just published in English translation a few months ago, is a mixed bag: mainly interviews, published criticisms and essays, and an awful lot of funny little pensées that Houellebecq scribbled into a notebook and then triple-distilled into something you and I can easily read.

Thus the first essay in the book, a mere three pages, is titled, “Jacques Prévert is a Jerk.” That’s it. That’s the title. Looks the same in French or English. The rest of the text merely develops this theme. It appears that, as with French classes in America, French literature classes in France cram this shallow pop poet/lyricist down kids’ throats. Because he’s sort of . . . non-controversial?

Or at least they did in our day, back in the 1970s . . .

If Jacques Prévert writes, it’s because he has something to say; that’s all to his credit. Unfortunately, what he has to say is boundlessly stupid; sometimes it makes you feel nauseous.[4][5]

Attacking Jacques Prévert, the shallow schoolroom poet, is small potatoes. It’s way down in the book that you realize you’re being trolled. Or somebody’s being trolled. If anyone’s reading this book in 50 years, it’ll be for the premier essay, “Donald Trump is a Good President.”

What does he say? Nothing that a gilet jaune or Charles DeGaulle himself could ever take issue with:

Donald Trump was elected to defend the interests of American workers; he is defending the interests of American workers. We would have liked to see this kind of attitude more often in France over the past fifty years.[6]

* * *

You could say Céline began his writing career as a medical student, doing his required dissertation on Ignaz Semmelweis and the crusade against sepsis in hospitals. Foul, disgusting disease and decay always riveted his attention, as a writer and as a doctor who usually worked among the poor. Reviewing his memoir Castle to Castle a few years ago, I noted how fantastically grotesque was his imagination, describing in detail how a hotel lobby’s toilet was forever overflowing, with rivers of urine and excrement flowing down the stairway. For visceral disgust there’s no one like Celine (except maybe Orwell at times).

Houellebecq started from a different imaginative world entirely, that of the science fiction he enjoyed in his youth. He particularly liked H. P. Lovecraft’s dystopias of multiracial fearfulness. His first published book was H. P. Lovecraft: Contre le monde, contre la vie (1991), published in English in 2005 as H. P. Lovecraft: Against the World, Against Life. And therein lay the template for most of his fiction since.

And non-fiction, too. In Interventions 2020 he recalls the time 20 years ago when he learned he’d won a prize for his first book of poems: the Prix de Flore!

So there he is, down in Saint-Germain-des-Prés . . . sitting in the Café Flore, very revved up . . . waiting for the prize festivities to start . . . and he imagines he might want to give a little speech when he takes the award. Something like: poetry has been asleep — but now it’s “emerged from its brutish slumber.” “Iä Iä Cthulhu fhtagn!” (Cthulhu awakens!)[7]

He accepts the award, but never gives his Cthulhu talk. He goes to the post-awards party and thinks his life will be much calmer from here on in.

* * *

Like all journals of dissident ideas, Counter-Currents depends on the support of readers like you. Help us compete with the censors of the Left and the violent accelerationists of the Right with a donation today. (The easiest way to help is with an e-check donation. All you need is your checkbook.)

GreenPay™ by Green Payment

Donation Amount

For other ways to donate, click here.

Notes

[1] Chloé Chourrout, Performing Authorship: The case of Louis-Ferdinand Céline and Michel Houellebecq. MPhil thesis, 2014, University of London.

[2] Chourrout, above, cites a typical article from The Independent (London) by John Lichfield in 2002: “Michel Houellebecq: Drunken racist or one of the great writers? . . . Prophet; pornographer; fascist; racist; trouble-maker; drunk; nihilist; moralist; self-publicist; misogynist; martyr to freedom of speech; one of the greatest living writers. Which is the real Michel Houellebecq?”

[3] Michel Houellebecq, “Emmanuel Carrière and the Problem of Goodness,” in Interventions 2020. Translated by Andrew Brown. Cambridge, England and Medford, Mass.: 2022.

[4] Houellebecq, “Jacques Prévert is a Jerk,” in Interventions 2020.

[5] The Prévert craze began in the latter 1940s, and presumably annoyed Terry Southern, who was then taking a potted course at the Sorbonne in French Culture & Civilization, on the GI Bill. Southern’s Doctor Strangelove script has the Keenan Wynn noncom accusing Peter Sellers’s RAF Group Captain of being a “prevert.”

[6] Houellebecq, “Donald Trump is a Good President,” in Interventions 2020.

[7] Houellebecq, “I’m normal. A normal writer,” in Interventions 2020.

Related

  • Rightist Innovation in Dallas

  • Remembering Martin Rojas

  • In Praise of Healthy Vice
    Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950

  • Cryptocurrency:
    A Faustian Solution to a Faustian Problem

  • Counter-Currents Radio Podcast No. 458
    Rich Houck Discusses Mishima’s My Friend Hitler on The Writers’ Bloc

  • The Crossroads of Our Being: Civil War Commemorations During the “Civil Rights” Movement

  • Counter-Currents Radio Podcast No. 458
    Gregory Hood & Greg Johnson on Burnham & Machiavellianism

  • Brokeback Mountain

Tags

book reviewsCharlie HebdocollaborationismcommemorationsDonald TrumpFrench literatureInterventions 2020Islam in FranceJacques PrévertLouis-Ferdinand CélineMargot MetrolandMichel Houellebecqpaywall

Previous

« White Identity Nationalism, Part 1

Next

» Europe’s Eastern Shield

2 comments

  1. Ondrej Mann says:
    May 28, 2022 at 8:32 am

    Thank you for the useful article. The topic intrigued me. I’m currently reading Cheline’s most famous book.

    Reply
    1. Margot Metroland says:
      May 28, 2022 at 4:05 pm

      That’s very atypical of his overall oeuvre, but came closest to being a mainstream classic. A few years ago I wrote about how Céline went to Hollywood in mid-1934 because some studios seemed interested. But the Code was coming into effect and he refused to clean up the raunchy bits. And his American girlfriend of six years had taken up locally with a Jewish spiv and had no interest in going back to Paris. Not a fruitful voyage!

      Reply

If you have Paywall access,
simply login first to see your comment auto-approved.

Post a comment Cancel reply

Please use the

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • The Counter-Currents 2022 Fundraiser
      Commission Your Own Article at Counter-Currents

      Greg Johnson

    • This Weekend’s Livestreams
      American Krogan on Counter-Currents Radio, Thomas Steuben on The Political Cesspool & Cyan Quinn on The Writers’ Bloc

      Greg Johnson

    • What Is the Ideology of Sameness?

      Alain de Benoist

      1

    • Democrats Are the Real Racists
      (& Why Blacks Don’t Care)

      Spencer J. Quinn

      14

    • Rightist Innovation in Dallas

      Morris van de Camp

      4

    • O Manifesto Nacionalista Branco:
      Parte 12, Brancotopia

      Greg Johnson

    • The Return of White Boy Summer

      Nicholas R. Jeelvy

      16

    • The Conservative Way of Accepting Dispossession

      Robert Hampton

      4

    • All They Wanted Was a Better Life

      Jim Goad

      17

    • Remembering Martin Rojas

      Greg Johnson

      20

    • O Manifesto Nacionalista Branco:
      Parte 11, Homogeneidade

      Greg Johnson

    • Honoring Lifelong White Advocate Dr. Roger Pearson

      Cyan Quinn

      2

    • In Praise of Healthy Vice
      Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950

      Margot Metroland

      6

    • Cryptocurrency:
      A Faustian Solution to a Faustian Problem

      Thomas Steuben

      1

    • Východní záštita Evropy

      Nicholas R. Jeelvy

    • The Union Jackal, June 2022

      Mark Gullick

      11

    • Male Relationship Fantasies

      James Dunphy

      35

    • Rough Riders:
      The Last Movie about Real Americans?

      Steven Clark

      1

    • Counter-Currents Radio Podcast No. 458
      Rich Houck Discusses Mishima’s My Friend Hitler on The Writers’ Bloc

      Counter-Currents Radio

    • Perilously Fair:
      Reflections on the Ladies of the Lake

      Kathryn S.

      22

    • We Apologize for Your Feral Behavior

      Gunnar Alfredsson

      3

    • The Crossroads of Our Being: Civil War Commemorations During the “Civil Rights” Movement

      Morris van de Camp

      5

    • Counter-Currents Radio Podcast No. 458
      Gregory Hood & Greg Johnson on Burnham & Machiavellianism

      Counter-Currents Radio

      3

    • This Weekend’s Livestreams
      Gregory Hood on Counter-Currents Radio & Rich Houck on The Writers’ Bloc

      Greg Johnson

      5

    • Irreplaceable Communities

      Alain de Benoist

      6

    • Why the Concept of the Cathedral Is Nonsense

      Nicholas R. Jeelvy

      9

    • Brokeback Mountain

      Beau Albrecht

      7

    • O Manifesto Nacionalista Branco:
      Parte 10, O que Há de Errado com a Diversidade?

      Greg Johnson

    • Counter-Currents Radio Podcast No. 457
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Counter-Currents Radio

      10

    • What Law Enforcement and First Responders Need to Know about White Nationalism

      Beau Albrecht

      7

    • Just Like a Woman

      Spencer J. Quinn

      3

    • The Black Johnny Depp

      Jim Goad

      27

    • Special Surprise Livestream
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Greg Johnson

    • From “Equal Opportunity” to “Friend/Enemy”

      Stephen Paul Foster

      9

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 2

      Fróði Midjord

      2

    • Deconstructing Our Own Religion to Own the Libs

      Aquilonius

      19

    • O Manifesto Nacionalista Branco:
      Parte 9, Supremacismo

      Greg Johnson

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 1

      Fróði Midjord

      5

    • White Advocacy & Class Warfare

      Thomas Steuben

      12

    • The Tragedy of the Faux Boys

      Morris van de Camp

      34

    • Counter-Currents Radio Podcast No. 456
      A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

      Counter-Currents Radio

      2

    • The Worst Week Yet:
      June 12-18, 2022

      Jim Goad

      21

    • Booking Problems at Hotel Rwanda

      Mark Gullick

      7

    • What White Nationalists Should Know About Bitcoin

      Karl Thorburn

      21

    • “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht

      Ondrej Mann

      6

    • This Weekend’s Livestreams
      Jim Goad Celebrates Juneteenth on The Writers’ Bloc

      Greg Johnson

      1

    • 2000 Mules
      The Smoking Gun of 2020 Election Fraud?

      Spencer J. Quinn

      39

    • Podcast with Robert Wallace & Gregory Hood
      Time for White Identity Politics

      Counter-Currents Radio

      11

    • Christianity is a Vast Reservoir of Potential White Allies

      Joshua Lawrence

      41

    • O Manifesto Nacionalista Branco:
      Parte 8, Raça Branca

      Greg Johnson

  • Recent comments

    • Francis XB Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      There's similarity between the black politics in America today and the behavior of warlord bands in...
    • Flel Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      The point about their lack of empathy for anyone outside the tribe is the real determinant. For...
    • Max Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      Great insight here on the DARR phenom. Collectively, even middle class blacks act as a gang. Black-...
    • Heimdall in Africa Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      Whenever I hear Marching Looting K4f mentioned, I also cringe. Ditto with the other numinous...
    • leslie The Return of White Boy Summer I am a 💯 percent white advocate and see it differently. Wrong is wrong. My advocacy for my race...
    • leslie The Return of White Boy Summer I adore this. You have no idea. But for the love of God, disassociate from rap and other modern...
    • Shift All They Wanted Was a Better Life That's how I've lived my life as well.
    • Vauquelin Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      Maybe Republicans should tell blacks that the Dems are witches and that voting Democrat will cause...
    • Edmund The Conservative Way of Accepting Dispossession You raise a good point.
    • Bob Roberts All They Wanted Was a Better Life Sprinkle steak seasoning on me in any setting, I'm getting the h-e-double-toothpicks outta there!
    • Beau Albrecht Brokeback Mountain Erratum - I should've added a hyperlink for the first love scene.  Corrected: They went at it in...
    • Hamburger Today Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      Great essay. Great points.
    • Hamburger Today Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      Republicans didn't free the Negro. White people did. Ask a Negro to show gratitude to the White...
    • poirot Counter-Currents Radio Podcast No. 449
      Greg Johnson & Gregory Hood on The Northman
      I haven’t watched the film yet. But it seems interesting I wonder, speaking of the vikings:...
    • Dorfmann Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      "...tend to be Western or Northern European white, which is the least tribal and most...
    • Petronius Rightist Innovation in Dallas "Kennedy was killed by an antifa gunman acting alone" You must be kidding.
    • Hamburger Today In Praise of Healthy Vice
      Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950
      Wonderful essay. White Machine Politics made a come-back in Chicago and when it died with Richard...
    • DarkPlato Remembering Martin Rojas Say, dr j, would you have hard copies of turner diaries or Hunter by any chance?  I would like to...
    • Devon Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      Blacks like free shit and don't care about the consequences, just keep dem gibs coming, whitey and...
    • James Dunphy Democrats Are the Real Racists
      (& Why Blacks Don’t Care)
      Interesting point you make that Democrats act more like blacks are a distinct constituency to...
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Alaska Chaga Antelope Hill Publishing Paul Waggener Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment