Over the years, I caught bits and pieces of John Milius’ 1982 movie Conan the Barbarian — starring Arnold Schwarzenegger as the big lug himself — on cable TV. But I was never tempted to watch the whole film. I finally gave in when I started writing my series on Classics of Right-Wing Cinema, and friends urged me to add Conan to my list. I admit that a film about Robert E. Howard’s iconic hero, with visuals borrowed from Frank Frazetta, starring the future California Governator, and directed by Right-wing Jew Milius sounds like a formula for a classic of Right-wing cinema, teeming with paleo-masculine heroics and illiberal political realism. (more…)
John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both by raising intellectually deep issues and by an emotionally powerful ending that seems to come out of nowhere. (more…)
Detail, Henry Arthur McArdle, Dawn at the Alamo, 1905.
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Say what you want about white nationalists, they play life on the highest difficulty.
— Some leftoid on twitter dot com
If you read Leftist and conservative treatments of why people join terrorist organizations like Al-Qaeda or ISIS, you see a lot of hand-wringing about poverty, lack of education, lack of opportunity, et cetera. (more…)
Emanuel de Witte, The Amsterdam Stock Exchange, 1653.
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Like many people in the Dissident Right, I have been following the GameStop short squeeze with feelings of excitement and enthusiasm. I haven’t felt this excited about current events since Trump’s 2016 presidential campaign. While I have always enjoyed movies about the stock market, I never thought that a bunch of gamers would be able to beat the financial elite at their own game. (more…)
I have made a lot of mistakes in my life. Although most of these mistakes have merely led to embarrassing moments and memories, I am starting to notice the consequences of my lifestyle choices. To put it bluntly, I have wasted a lot of time pursuing the wrong women, friendships, and careers. (more…)
Simon Marmion, The Eight Phases of the Song of Roland, ca. 15th century.
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I sold my car before moving to Europe a few years ago. I had this car for several years and took it on various road trips across the US. During a few of these trips, I thought about The Song of Roland, the French poem from the 11th century. From tales of tragedy to stories of heroism, this epic poem has given me a lot to think about during the various road trips of my life. (more…)
Terrorism is at times a nebulous concept, but a useful definition is the use of force or the threat of force to coerce populations and governments, usually for political or religious ends. Using that definition, America has undeniably been terrorized by the dregs of society for the last six months in an unceasing campaign of domestic terrorism. (more…)
O my brothers, I dedicate and direct you to a new nobility: you shall become procreators and cultivators and sowers of the future — verily, not to a nobility that you might buy like shopkeepers and with shopkeepers’ gold: for whatever has its price has little value. (more…)
“Socialism” is intrinsic to the “Right.” When journalists and academics refer in one breath to “liberalism, neoliberalism, and the Right-wing,” that attests to their ignorance, not to the accuracy of any such bastardization. Even at its most basic level of understanding, it seems to have been forgotten that in Britain there were Tories and Whigs in opposition. Now, Toryism has become so detached from its origins (more…)
I read Neil Gaiman’s American Gods sometime in college. I found it more Flannery O’Connor than Marvel Studios, but it’s hardly surprising that the latter interpretation seems to have driven the new television series’ production team (but I haven’t watched). (more…)
Hollósy Simon, Zrínyi’s Charge on the Turks from the Fortress of Szigetvár, 1896.
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Nikola Šubić Zrinski is an opera written in 1876 by Croatian composer Ivan Zajc that retells the Siege of Szigetvár. It is Zajc’s most accomplished work and is considered the national opera of Croatia. An excellent recording of the opera was released in late July featuring the Rijeka Symphony Orchestra (more…)
Of all the airports I have traveled through, I have probably spent the most time at Copenhagen Airport. During a recent layover there, I kept passing by a souvenir shop that displayed books about hygge, a Danish term that broadly represents “coziness, contentment, and happiness.” Whether I was visiting castles, discovering ancient burial mounds, or attending heavy metal concerts with friends, I have had many experiences in Denmark that gave me the hygge feeling. As a wanderer, dissident, and white advocate, (more…)
Mårten Eskil Winge, Thor’s Fight with the Giants, 1872.
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When the average person thinks of Sweden, they probably think of IKEA, meatballs, ABBA, and PewDiePie. When people in the Dissident Right think about Sweden, we often think of a country at the pinnacle of anti-white propaganda and anarcho-tyranny. Nevertheless, Swedish culture has had a great influence on my life, from the music I listen to each day to the furniture I fall asleep on each night. Furthermore, much of our fascination and modern-day perception of the Vikings comes from a small group of Swedish writers from the Geatish Society (more…)
These fought, in any case,
and some believing, pro domo, in any case. . .
. . .some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor. . .
Our goal this year is to raise $100,000 in order to expand our efforts to build a metapolitical vanguard for White Nationalism. So far, we have received 80 donations totaling $18,115.92. We set our goals high because the task we have before us is formidable, but not impossible. And we need your help to succeed.
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I sometimes wonder who I am writing for. I know that a couple of my friends read every essay I post (though recently, one of them has been falling down on the job). (more…)
Christoffer Wilhelm Eckersberg, “Aesir Gathered Around the Body of Baldr” (1817)
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“Ásatrú” is a modern coinage meaning “true to the Aesir.” In Old Norse, Aesir is the plural of áss, which is usually translated “god.” In order to understand what it means to be “true to the Aesir,” we must put into question this translation into “god” and “gods.” Indeed, ultimately we must liberate ourselves from the idea of “god” in order to understand who the Aesir are, and our relationship to them. (more…)
Escapism is one of the major issues plaguing young white men. Virtually all of them are gamers of some sort. If not a gamer, he typically immerses himself in board games, or else fantasy and science fiction novels and television series. The more disciplined and intelligent among us might use this as a springboard toward developing some useful skills. (more…)
The following review was published in The European, a journal owned and published by Sir Oswald Mosley and his wife, Diana, between 1953 and 1959, in its February 1957 issue.(more…)
Cerdic, the first English monarch, from an artistic depiction dating from 1611.
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Introduction
Language serves the purpose of providing us with a map of abstract reality. Therefore, political terminology serves to achieve the aim of politics, and that is, according to Carl Schmitt, the art of recognizing and neutralizing the enemy. In other words, it establishes a friend and foe dichotomy. (more…)
Part 4 of 4 (Part 1 here; Part 2 here; Part 3 here)
7. Concluding Reflections
I turn now to some thoughts on how the foregoing treatment of the influence of the past on the present ought to affect our own present, when we finish this essay and return to the real world.
It is a well-known fact that our ancestors acted with awareness of membership in the clan: trying to be worthy of their own ancestors, and not to disgrace them. (more…)
Audio version: To listen in a player, use the one above or click here. To download the mp3, right-click here and choose “save link as” or “save target as.” To subscribe to the CC podcast RSS feed, click here.
Greg Johnson and John Morgan discuss Star Wars: The Last Jedi. Also, see Trevor Lynch’s review here. See also E;R’s “The Farce Engorges” video. (more…)
The following review was published in The European, a journal owned and published by Sir Oswald Mosley and his wife, Diana, between 1953 and 1959, in its February 1957 issue. (more…)
“Merry, old England.” Such a turn of phrase sounds preposterous to our post-modern world. Yet, with Howard Pyle’s The Merry Adventures of Robin Hood, the reader is thrust into a world that is both familiar and foreign. A world that is centuries gone, but could also be the day after tomorrow. (more…)
Drive, the 2011 award-winning art-house crime thriller, is a modern retelling of the story of the knight in shining armor who saves a damsel in distress from the clutches of evil. Being modern, however, this is not a fairy tale that ends with “. . . happily ever after,” for the modern world cannot offer happiness for the heroic.
The film opens with a handsome young Nordic man (Ryan Gosling) driving through the dark streets of Los Angeles, alone in his 1973 Chevy Malibu. (more…)
When Mark Finn read the initial biography of Robert Ervin Howard (Dark Valley Destiny: The Life of Robert E. Howard by L. Sprague de Camp), he was enraged by what he found. Thus, his Blood and Thunder, published some 30 years after de Camp’s, was meant as a corrective: (more…)
The following text is a transcript by John Morgan of a lecture by Jonathan Bowden, “Robert Erwin Howard: Pulpster Extraordinaire,” given at the 26th New Right meeting in London on Saturday, April 17, 2010. The audio is available on YouTube.
The following text is a transcription by V. S. of a lecture entitled “Léon Degrelle and the Real Tintin,” delivered at the 21st meeting of the New Right, London, June 13, 2009. The lecture can be viewed on YouTube here. (Please post any corrections as comments below.)
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, the 2011 award-winning art-house crime thriller, is a modern retelling of the story of the knight in shining armor who saves a damsel in distress from the clutches of evil. Being modern, however, this is not a fairy tale that ends with “. . . happily ever after,” for the modern world cannot offer happiness for the heroic.
by L. Sprague de Camp), he was enraged by what he found. Thus, his Blood and Thunder, published some 30 years after de Camp’s, was meant as a corrective: 
