Liberals often derogatorily accuse anybody who does not faithfully accept every dogmatic piece of history and the “official story” as a revisionist. Some of these accusations have come my way over the years, which in turn got me thinking about all of the instances of legal and historical revisionism by the Left. Examples of this are legion, enough to fill at least an entire book or two spanning the length of recorded history.
With that, I’d like to offer a handful of poignant examples from the 20th century of the re-telling of history and the effect of pardoning people for horrible crimes decades later. These examples intertwine in various ways as they involve media representations, law, and history.
First, A Time To Kill, the John Grisham novel which was made into a film, which Grisham has described as “very autobiographical,” is based on real crime testimony that Grisham witnessed. The novel and film take place in a small Mississippi town where two white racists brutally rape a ten-year-old black girl. This is the crime that Grisham says was similar to the case he witnessed as a young man. In A Time To Kill, the black father of the girl kills her white rapists, then is chased by the Ku Klux Klan, deals with other assorted racism, and is eventually acquitted. The real case that inspired this novel and film is Harris v. The State of Mississippi, and it’s the case of when Willie James Harris, a black man, broke into the house of sisters Julie and Marcie Scott, 16 and 12 years old, robbed, beat, and raped them. This incident occurred in the afternoon, around 2:00 PM, on a July day in 1984, in Southhaven, Mississippi. A black man raped and nearly killed two white girls in their home in the middle of the day, and out of that case, hearing the testimony of one of the girls, Grisham writes A Time to Kill. This was turned into a large-scale film production by Joel Schumacher and Akiva Goldsman, with a budget of $40 million in 1996. They took a horrible and all too common crime, inverted it all, packaged it up, and sold it to not only make money, but to shape racial thought in America in a wholly warped fashion incongruent with the reality of crime trends.[1]
Before A Time To Kill, there was To Kill a Mockingbird by Harper Lee. Again, a southern town, this time in Alabama. Another rape case, this time a black man, Tom Robinson, accused of raping a white woman, Mayella Ewell. At the trial in the novel and film, we learn that Mayella actually made sexual advances to the black defendant, yet Robinson was found guilty anyway because of the racist Southern jury. The plot here is a total inversion of reality, the opposite of what actually occurs in the real world every day that we have to live with.
Unlike Grisham, Lee claims the story was not inspired by a real case, yet cites a case her father worked on in 1919, when he defended two black men on trial for murder. The defendants were convicted and executed. The 1919 case was about Frank and Brown Ezell, a father and son who killed an elderly storekeeper in Monroeville, Alabama. I found no evidence about this case being decided incorrectly; it seems it left a scar on Lee’s father, obviously showing extreme liberal sensibilities to being soft on crime over 100 years ago.[2]
The other case that appears as a potential influence for Lee’s novel is the infamous Scottsboro Boys trial in 1932, Powell v. Alabama. In 1931, nine black teenagers raped two white girls, as they tend to do. Eight of black teens were found guilty of rape at trial. The Communist Party USA and the NAACP became involved, appealed the cases to the U.S. Supreme Court on grounds that they were not given an impartial jury or proper legal representation, and new trials were ordered. At the new trials, the teens were again found guilty, yet the judge ordered a new trial. During the third trial, they were again found guilty. More appeals would follow, eventually charges would be dropped for four of the defendants, with five of them convicted.
The Communist Party USA hired Samuel Leibowitz and Joseph Brodsky for the defense of the Scottsboro boys. I’d like to note that the idea that leftists were ever a champion of “workers’ rights” should be further disabused by this fact. There was never a question of workers’ rights or any such topics in these trials. Even in the 1930s, communists were propping up black criminals. Those convicted of the rapes would all later be pardoned, with no evidence of their innocence put forward. Again, these are the types of cases that inspired Harper Lee to write what amounts to negro fan-fiction.
The plot of To Kill a Mockingbird is based on a false crime allegation, which does happen a lot, like when Jews vandalize their own houses, Muslim women claim someone pulled their hijab, or blacks claim to be victims of racism, and intentionally takes that and applies it to a crime that does actually happen a lot – white women being violently attacked by black men – in an attempt to obfuscate the issue as a way to undermine how common black on white crime is in society. Without this book being required reading by nearly every liberal 9th-grade teacher in the country, it would just be another piece of insane fiction. Yet it now has lasting and real-world consequences regarding race, crime, and the justice system.
The saga of Emmett Till has been revised in several ways, including a $20 million film, books, and documentaries. [3] The film Till depicts that he only ever whistled at Carolyn Bryant, instead of physically groping her. Till had no father as Louis Till had been executed for rape and murder in Italy while serving in the US Army during the Second World War. While in Mississippi visiting family, Emmett Till spent time harassing local women, just like his dad. Till was then found by Bryant’s husband, Roy, and Roy’s brother J.W. Milam, and beaten to death.
Historian at Duke University, Timothy Tyson, wrote a book about the events called The Blood of Emmett Till and has claimed in an interview with Bryant that she made up the story about Till’s sexual advances and harassment at her shop that day. Tyson claims that although the entire interview was recorded, that particular part, where Bryant claims it was made up, happened to not be recorded, as he was still setting up his equipment.
I am not suggesting feeling a woman up is grounds for murdering Till, which is why I find the revisionism odd here. The film and book claim Till was not sexually harassing Bryant. But why? Reasonable people will say that beating somebody to death over groping a woman is an injustice in itself. The fear and anger of dealing with blacks harassing you or somebody you care about is legitimate – but killing over it is extreme. Perhaps Bryant and Milam thought they were preventing a future rape at the hands of Till. And maybe they were. Maybe it was to send a message. Either way, I am not seeking to relitigate that aspect, but to show how the case of Till has been revised further over the years.
Leo Frank, now the infamous nexus for the creation of the Anti-Defamation League, has been the subject of leftist revisionism primarily through the legal process.[4] A plaque at the site of where Frank was lynched reads “Wrongly accused. Falsely convicted. Wantonly murdered.” Frank was killed in 1915 and pardoned in 1986. The work of a Rabbi named Steven Lebow, born years after Frank died, led to the posthumous pardon. Nobody involved in the pardon had any additional knowledge of the case, and they were much further removed from the crime and trial than the people who found Frank guilty.
For those who are unaware, Leo Frank was a Jewish pencil factory superintendent. A thirteen-year-old girl named Mary Phagan worked at the factory where she was raped and killed. Phagan’s father passed away before she was born, which is likely the reason she was working so many hours in the Georgia factory. Frank attempted to frame Jim Conley, a black janitor at the factory, for the rape and murder of Phagan. Frank had Conley write the notes left at the crime scene and clean some of the blood from the crime. Detectives pieced all of this together rather quickly, and Frank went to trial, where the main defense was to convince the jury that Conley was the culprit. Frank was found guilty after just a few hours of deliberation on August 25, 1913.
Following the trial, Frank’s lawyers pursued several appeals for nearly two years, which ended with Frank’s murder conviction being commuted to life imprisonment by then-Governor John Slaton. Community outrage ensued, and a group of men plotted to abduct Frank from prison and carry out his original sentence. On August 16, 1915, a convoy of eight vehicles arrived at Milledgeville prison. They cut telephone wires, drained gasoline from the prison automobiles, handcuffed the warden, and took Frank from his cell. The convoy then drove through the backroads of Georgia through the night to Frey’s Gin, not far from the pencil factory. They hanged Frank at dawn the next morning.
The Anti-Defamation League was formed in reaction to this affair. Rabbi Lebow and the ADL worked to have Frank pardoned, not due to evidence exonerating him, but because the state failed to protect Frank properly.
There is a pattern of state governors pardoning people posthumously seventy years or more after the original proceedings. That alone raises many questions. What was the purpose of the pardon if not historic revision? Was there new evidence unearthed? Did any of these governors know anything about the cases at all? If not, pure revisionism had to be the goal.
Many cases from across the country follow this pattern: The Martinsville Seven (Virginia), The Groveland Four (Florida), and George Stinney Jr. (South Carolina). All of these cases involve black men killing or raping white women and being found guilty at trial. And all were later pardoned, citing things like “racial bias,” “lack of due process,” or the jury being all white.[5] These pardons and revisions are not based on things such as finding the convicted person was innocent because of modern DNA comparisons or some other substantial piece of evidence, but on vague excuses such as finding somebody made a “racist” comment about the horrible crimes committed. They are not being pardoned due to their innocence or being found not guilty, but because of latter-day notions of racism and what is considered “due process.” In modern legal parlance, “due process” seems to mean allowing violent criminals to make appeals until they are eventually allowed to go free. In the Stinney trial, because it was not a long and drawn out proceeding, it is now assumed to have been unfair or flawed in some way. Liberals have construed due process into a sort of catch-all where they can exhaust procedural remedies and totally ignore substantive justice. They do not really seem to care if a criminal actually committed the crime or not; if there was some minor issue with the procedural process, they view that as innocent, but only when it is about letting violent blacks and foreigners go. When it comes to their enemies, they will use the procedure as punishment, even when the person is substantially innocent.
Liberals have now loosely construed due process to mean drawn out legal proceedings that take years, a litany of automatic appeals, lobbying to ask the governor for a pardon, or the next governor, or the one after that, and the chance to be let go due to a technical procedural issue or maybe even something vaguer like the notion that a juror was “racist,” or otherwise, due process and justice, were denied. If all of that doesn’t work, decades later, somebody can claim due process was denied, and people with zero connection to the case might grant a pardon. Further, the weaponization of due process means we see instances where justice is delayed for one person, leaving them in a legal limbo or worse, for years, while a delay for somebody else works in their favor.
Historically, due process meant that life, freedom, property, rights, or some other legitimate interest a person has will not be summarily taken from them by the government. It was written as a protection from arbitrary and inexact legal proceedings and the whims of individuals. The idea being, if a citizen could possibly be deprived of something, they are entitled to a formal procedure designed to protect them from the deprivation.
When a suspect is clearly guilty, in the case of something being on video, a confession, or irrefutable evidence to the point the state can easily prove their case, with no dispute of fact, a point is reached where further proceedings become performative and serve to inhibit justice, and the process is no longer “due” to the defendant.
The film and book industries are swarming with instances of fiction that masquerade as legitimately historical. Remember the Titans, Crash, Schindler’s List, Night by Eli Wiesel, The Boy in Striped Pajamas, The Pianist, and the like. They all exist to reinforce the left-wing narrative of the Second World War, segregation, and liberal ideas of anti-racism. There are scant mainstream alternatives that offer a right-wing or even neutral perspective. When an illiberal view is offered, it’s immediately labeled as “revisionist” by the left, which serves as a sort of thought-termination device for many and is discarded as illegitimate.
Ending the liberal control of historic narratives is difficult, as not only do they actively produce the content that many people consume, which shapes their views on events, but when there is something that goes against their ideas on history, they seek to revise the event with legal pardons and subversive storytelling. Recognizing how this operates and realizing the left engages in constant revisionism, as they decry those who disagrees as a revisionist themselves, is a substantial act towards a better understanding of history and how views are shaped today.
Notes
Harris v. State. Justia US Law.
[5] Analysis of juries and race finds that blacks exhibit statistically more bias in trials than white jurors. See: Mitchell and Meissner. “Racial Bias in Mock Juror Decision-Making: A Meta-Analytic Review of Defendant Treatment.” Law and Human Behavior. December 2005.

16 comments
Regarding Note #5 [Analysis of juries and race finds that blacks exhibit statistically more bias in trials than white jurors.]
The OJ Simpson trial and verdict was a turning point for me. The blacks are very tribal.
Yes, and frankly, Blacks tend to be stupid. That is something that the lawyers involved with juries often shamelessly pander to.
🙂
If only it was a turning point for a lot more whites.
Let us not forget The Central Park rapists. Thank you Ken Burns for getting them not only back on the streets but millions of dollars on top of it.
Flipping the script to persecute White men is another one of the left’s favorite tactics. Suppressing the autopsy report in the Chauvin case. The McMichaels case was equally horrific. Blacks armed with assault rifles outside the courthouse? No bias there. And double jeopardy in both cases.
Great article! What animates the jew, why this obsessive, irrational hatred of white people, and the worse part is, we always aid, and protect them? 🙃
Very important film for dissidents to understand. I recommend the stream by Froði and American Krogan
https://odysee.com/@gtk:4/A-Time-To-Kill:15
Note: the film was produced by a literal Mossad spymaster, Arnon Milchan.
Great essay and dead on the money.
I read John Grisham’s The Firm in 1991 when it was published. The book was decent enough and was sold as an insider’s look into the legal profession, and I was thinking then about what I would be doing with a degree in History and whether I should go into Law.
The 1993 movie with Tom Cruise and directed by Sydney Pollack left much to be desired, and I’m not really a Tom Cruise fan. Furthermore, the evil corporate hit man was played by Wilford Brimley, the Quaker Oats cowboy. Even Grisham criticized the casting.
A Time To Kill was actually written earlier in 1989 but Grisham had trouble finding a publisher who would touch it until the success of The Firm. Grisham said that A Time To Kill was his first love, near and dear to his heart, and out came a fresh printing.
I read the A Time To Kill book after seeing The Firm movie and was rather appalled. The book was much more graphic than the 1996 film that starred Sambo L. Jackson as Carl Lee, the Negro on trial for killing the Crackuhs who raped and mutilated his daughter. I don’t like Sambo L. Jackson anyway, so I did not go see the film at the theater but must have absorbed most of it by osmosis anyway. It was very heavily hyped.
I rarely read fiction anyway, but since that time I avoid anything by John Grisham. I did see the unremarkable 1994 film, The Client, also directed by Joel Schumacher, with Susan Sarandon hired by some scared kid who witnessed something mob related or something, blah blah.
I think that there is much, much more going on underneath the surface with To Kill a Mockingbird even yet, especially with the book version. It is near a Holy book for White Libtards.
The less polished, almost postumously published (2015) Harper Lee sequel (actually written before To Kill a Mockingbird) gives us more revealing clues. Go Set a Watchman did not have Truman Capote or Gregory Peck to save it.
Also, I have no doubts about the guilt of (((Leo Frank))) but I am skeptical that the Negro handyman had no involvement whatsoever. A panicked murder is more what a Negro would do with his hand caught in the cookie jar.
I am not an expert on the Mary Phagan case, but I don’t think that the fact that the Frank defense with the all-White jury unsuccessfully tried to blame the Negro, completely absolves the janitor of any wrongdoing in the sordid affair.
Furthermore, the Jewish pencil maker had a Jewish wife who was a bit of a battlehorse, so I would not be surprised if Mary Phagan was not Frank’s first ─ and possibly also his manservant’s ─ dalliance with the pencil factory jailbait.
The United States, particularly the South, has always been portrayed as the “land of the lyncher.” But the fact is that this seldom happened. It frequently happened almost as much in the North. And almost as often to Whites as to Negroes.
It is an interesting thought exercise to ask people to guess how often lynchings occurred from the end of the Civil War to the 1930s. You will probably get answers in the tens of thousands or much more ─ with an ever-helpful AI claiming that “lynching was often undereported.”
I won’t give you the answer for the most likely number of documented lynchings. I will let you be the revisionist or skeptic.
🙂
I suppose I’m going to get shellacked over it, but I say the janitor did the crime, and then saved himself from the death penalty by telling the cops what they want to hear and accusing the accountant. (“Yassuh, Judge, it was all Leo’s idea, and he kind of talked me into helping. Now mufuggah say I done it. Can I go now?” Oh, sure…) Besides that, the janitor demonstrably lied to the cops. Back then, the prosecutors let their dislike for Jews blind them to the much more likely possibility – just as many of us are doing now.
As for lynching statistics, it’s been a while since I’ve seen the figures. As best as I recall, during the height of it, it was comparable to typical yearly murder statistics in Chicago lately.
Scott: September 17, 2025 Great essay and dead on the money.
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Especially the conclusion;
Ending [Jewish] control of historic narratives is difficult, as not only do they actively produce the content that many people consume, which shapes their views on events, but when there is something that goes against their ideas on history, they seek to revise the event with legal pardons and subversive storytelling. Recognizing how this operates and realizing [Jews] engage in constant revisionism, as they decry those who disagree as a revisionist themselves, is a substantial act towards a better understanding of history and how views are shaped today.
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I don’t like Sambo L. Jackson…
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To paraphrase Conner McDowell, What do you hope to accomplish by mocking Mr. Jackson? ;o}
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To Kill a Mockingbird … is near a Holy book for White Libtards.
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Bingo!
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I am not an expert on the Mary Phagan case…
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I’ll tell you who is an expert on the Mary Phagan case — Kevin Alfred Strom of the National Alliance. Here is his latest, from just last month, in a series of his dozens of articles on the case: “New Book Coming: Roy Barnes, Mary Phagan, and Leo Frank” at nationalvanguard.org. Put ‘Leo Frank’ in NV’s search block and you’ll be amazed at just how much Kevin has researched the case. However, as Hyacinith mentioned yesterday, she was blocked at National Vanguard from reading an essay there by Wolf Stoner. However, she managed to read Wolf’s essay at whitebiocentrism.com. We have (((enemies))) who do not want truth about them revealed.
…Leo Frank was unquestionably guilty, and the evidence was so strong that every level of the justice system in Georgia and every appeals court, right up to the Supreme Court of the United States, upheld the jury’s guilty verdict. So the Jews invented the hate crime hoax — one of their specialties for the last 2,000 years — that there was a mob screaming, “Hang the Jew or we’ll hang you!” at the jury during the trial. Nothing like that happened, and if it had, Frank’s top-drawer attorneys would have called, and called successfully, for an immediate mistrial — which they never did. Nothing like that was reported in the innumerable local newspaper articles written by eyewitnesses during the month-long trial. It never happened. It was a hate crime hoax.
The “hang the Jew” hoax was popularized by Jewish academic Leonard Dinnerstein starting in 1968. Countless other Jewish and Jew-fawning writers and academics have quoted Dinnerstein since, and now they quote and re-quote each other endlessly, as if their self-referential footnotes qualify as “proof.”
Here’s Roy Barnes repeating and embellishing Dinnerstein’s “hang the Jew” hoax on WXIA-TV:
Barnes recounted what jurors allegedly faced as they were moved from a nearby location to the courthouse during the trial. “As they would march up the jurors every day to go to the Fulton County courthouse, the crowd would chant, ‘Hang the Jew or we’ll hang you’,” he said…
I’ve always thought that John Grisham is overrated as a writer. His books don’t have a lot of depth in my opinion. With the novel A Time to Kill, as has been pointed out, Grisham flipped the script on reality. His Jewish paymasters were happy with it, though. This includes the company that published the book and the Jewish controlled film industry. He made them a lot of money.
Recommended fiction?
If you don’t mind westerns, I would say any novel by Louie Lamour.
Leo Frank was rightly accused, rightly convicted, and justly executed. Nevertheless, the Jews defend him to this day, and lie about this case. Jews are a race of degenerate, inbred perverts.
We are caged in by lies. Reading the truth spoken soberly and plainly feels like getting out of the cage and standing upright.
Check out the early sixties film The Intruder starring a very young William Shatner for an even more grotesque example than To Kill A Mockingbird.
Over the years, this psychological subversion has been very effective. It includes a combination of books, movies, and sitcoms (shitcoms). The actor Charles Dutton was the sheriff in A Time to Kill, and he had his own sitcom called Roc. In real life he is a twice convicted felon, one was for manslaughter; the other was for robbery, while he was out on parole. One of the episodes of Roc, has his character being harassed and later arrested by a white policeman simply for being a black man in a white neighborhood. In A Time to Kill, he is the good sheriff. His TV and film work imbed in the subconscious of many viewers certain narratives. This includes the idea that blacks are moral and always the victim. Another false narrative is that many whites in a position of authority act out of racism as opposed to common sense, logic, and experience when dealing with blacks. One of the producers of the show Cops admitted that most of the footage filmed was of black criminals, but that they withheld most of it because they didn’t want to bias the viewers. The effects of this indoctrination became apparent during George Floyd’s death. Certain facts about his past were brought out and it didn’t matter to a lot of people, including the fact that he had a violent criminal history and that he died from ingesting fentanyl. I’ll say a few more things about some of the cast members of A Time to Kill. Sandra Bullock, an attractive white woman, adopted a black son. Kevin Spacey has been accused of sexual harassment by several male actors, although he hasn’t been convicted.
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