Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print May 27, 2012 11 comments

Céline’s Trifles for a Massacre

Robert Brasillach

1,827 words

Translated by Greg Johnson

Translator’s Note:

The following text, written in 1938, was republished in 1943 under the title “Céline the Prophet,” paired with an essay on Journey to the End of the Night, which I will translate separately.

There’s a book you won’t hear a word about on the radio. There’s a book the right-thinking newspapers will not speak about, except to refer to it prim and reproachful terms. There’s a book about which the tabloids of the left will say nothing, except the most inept of them, which only have words of scorn. There’s a book the sale and distribution of which is quite possibly forbidden.[1] There’s a book against which there will be more a conspiracy of silence than of attack. Isn’t it a crying shame that, before any reservations, we cannot praise boldness, courage, ardor?

This book is the outrageous volume by the famous author of Journey to End of the Night, namely Trifles for a Massacre. Let us be completely frank: one might be a bit shocked, one might be a bit annoyed, one might declare it unreadable or idiotic, but it is impossible for a native born Frenchman not to read at least some of its pages without relief.

One starts out slightly stunned. Céline begins, as always, with invective, with what he himself called in part “obscene lyricism.” For four hundred pages, one wonders: Can he stop? Can he even change tone? But no! Without progression, without lapse, without rise, he remains on the same register. These are four hundred pages of invective, four hundred pages of bold print insults, a veritable truckload, no, a tidal wave of filth directed against the new enemies whom the lampoonist has discovered, i.e., against Israel. Literature, politics, cinema, theater, Communism, finance, all are surveyed. Jews, Jews everywhere, a monotonous, gigantic obsession that ultimately snares even the least biased.

I know exactly what reasonable people will say to me:  “Céline exaggerates. He will harm the most just of causes.  One might support an anti-Semitism of reason, but not an animal anti-Semitism, an anti-Semitism of violence. The Jews will eagerly mine this book to find the best arguments against those who attack them.”  And I know very well all the excesses of this work. But so what! When one wishes to hang out with a lion, one does not feed him spinach. And on my honor, as of this reading, I do not regret my time with Céline, not one bit.

Admittedly, he exaggerates. His account of the literary world is false—in short, quite worthy of a man of letters, equipped with all the failings of his kind. There was always something precious about Céline, in spite of appearances. His title proves it clearly, as do his descriptions of symbolic ballets which open and close the book. He is the Giraudoux of the gutter. And in his Semitic obsession, he sees Jews everywhere. The critics? All Jews or Judaized. Famous authors? All Jews! Cezanne? A Jew! Racine? A Jew too!  (It is all spelled out, and Céline analyzes the Semitic spirit of Racine!) The pope, the Church, priests? Jews! The Kings of France? “Don’t you think they have funny noses?”

Quite clearly it would be difficult to have a serious discussion of the Jewish question based on such opinions.[2] And I do not deny that in the end such excesses harm the cause that Céline claims to defend a little more seriously than the author thinks they will. If I reasoned like him, I could (with far less verve, I grant) argue that this work with its excesses was composed by certain Célinestein who claims to be Céline in order to discredit the anti-Semites—exactly as the Jews say that the Protocols of the Elders of Zion were manufactured by the Tsarist police force to discredit Israel . . .

But that is not the only way to look at this book. First of all, it is filled with captivating details (taken, for example, from the Univers israélite), small facts that make one think. For example? To defend Zionism, Lloyd George stated in 1936: “In 1917, the French Army mutinied, Italy was demolished, Russia was ripe for the revolution, and America was not yet on our side. From all sides, we were informed that it was of vital importance for the Allies to have the support of the Jewish community.” For my part, I admit that a sentence like that sends a chill down my spine.

And as for Céline’s plans, they are almost always presented in an outrageous, buffoonish form that should not prevent us from seeing their profound seriousness.  Thus, we all know that the medical profession is absolutely overrun by Jews. Céline makes a small calculation: 9,950,000 Frenchmen were mobilized during the [First World] War, and 1,750,000 were killed; there were 45,000 Jews mobilized and 1,350 killed. That means that one Jew died for every 1,300 Frenchmen. “I think that the 1/1,300th killed exactly measures the full extent of Jewish rights on our territory. I would gladly give them 1/1,300th of our rights to practice in each profession, thus, for example, in medicine where there are approximately 30,000 French practitioners, well we would happily accept 23 Jewish colleagues!” Doesn’t this quota, at first glance, seem agreeable, tempting, and quite humane?

Céline paints a striking and admirable portrait of the miseries of Soviet Russia, where he traveled, as everyone knows. He also describes Hollywood and its merchants of human flesh with prodigious verve.  And above all, he marvelously mocks our good antifascist intellectuals, with a great carnivore laugh, a cannibal laugh, if you will, which comforts and consoles us: “I recently received a book from J.- R. Bloch,” he writes, “dedicated ‘To Louis-Ferdinand Céline, because over there, they kill!’” And Céline adds coldly: “Possibly! But they never kill J.-R. Bloch.” Do you have the heart to complain?

He takes very seriously the Protocols of the Elders of Zion, which some believe dubious: such was the opinion of Jacques Bainville. But I must say that the passages that he quotes make me wonder. If it was a Tsarist police officer who envisaged democracy’s continuing collapse, the class struggle, the Ministry of Leisure, the strikes and incitements to murder, the false reports, the role of the press and theater (the cinema and the radio did not exist), let us acknowledge that this police officer was from the race of the prophets. And we remain more than a bit surprised when he adds to the details of the Stavisky ministry: “Intrigue so that the most important stations are entrusted to characters who have some unmentionable secrets to hide, in order to dominate them by the fear of a scandal, to hold them by the police.” Dubious or not, one can understand why Céline read these prophecies with some interest. At first glance, one laughs at the Protocols; one finds them insane, incredible, abracadabrant. And yet “the madman’s prediction is verified.” “Our stupidity,” continues Céline (who does not usually say “stupidity”) “is not entirely a matter of credulity, one must agree, but also a matter of skepticism.”

Thus we do not hasten to shrug by perusing these pages. Among the most absurd and seemingly ridiculous ideas, there is sometimes a great truth hidden, but hidden under the laughter of Rabelais. Céline’s city planning projects (the true suburbs of a great city like Paris is the sea) are not ridiculous, but healthy, exact, creditable. And his invectives against the Exposition, composed in a style that lacks bourgeois elegance, end up taking on a quasi-grandiose allure like the invectives of Père Ubu.

I even find that Céline’s rhythms achieve a rather splendid force: “The Exposition of Arts and Techniques, it is the Jewish exposition of 1937. All of France must come to admire Jewish genius, bow down before Jews, eat Jews, drink Jews, pay Jews!” Read this book, do read it: it will bring you joy and consolation.

There is a rather striking phrase in Céline’s book, this book that we will be prevented from discussing. He announces his invectives as a kind of “revolt of the natives.” And I think of those Arab towns–always situated next to a Jewish one–which, from time to time, in a fit of popular anger, throw themselves in fury on the Jewish quarter and plunder it.

We do not want any violence. But when one has a Jewish Prime Minister, when one sees, clearly and simply, France dominated by the Jews, it also should be understood how this violence is prepared, and what explains it. I do not even say what legitimates it, I say what explains it. Have any opinion you want. On the Jews and on Céline. We do not agree with him on all points. But I am telling you: this enormous book, this splendid book, is the first sign of the “revolt of the natives.” Perhaps this revolt is excessive, more instinctive than reasonable: after all, the natives are us . . . [3]

Notes

1. Indeed, the next year, Céline’s book was removed from sale.

2. This is, of course, what is most easily imitated. Consider, however, a curious finding. Céline has never praised any French writer, past or present. Literature, as he tells it, is a vast shooting gallery, quite tedious. The only exception to this fury: one day Céline granted his praise–and this is quite funny–to an Italianoid wog, to use his language, a man of suspect ancestry, a passionate defender of the Jew Dreyfus—in a word, Zola.

3. That’s what we wrote in January 1938. Since then [this was written in 1943–trans.] it became fashionable to say these things, and more. The following year, in 1939, Louis-Ferdinand Céline published a book just as extreme, The School for Cadavers. I confess that I hardly understood this book when it appeared. I saw a repeat of Trifles for a Massacre, a sequel to the pamphlet against the Jews, terribly monotonous. Granted, in its epileptic style, I discovered dark and sordid pages of unrivaled power, but on the whole it seemed useless, burdened with excesses of all kinds, of excessive pessimism in regard to my country. I was not alone in thinking so. We were quite wrong. The School for Cadavers is only quite secondarily a pamphlet against the Jews. It is above all, an astounding book of prophecy, on the eve of the catastrophe, and it took precisely a disaster for us to see its brutal accuracy. Everything is there: the defeat, the responsibility of the most powerful, the sundry lies of the modern world, various remedies that Céline predicted in advance that they would be useless because nobody wanted them, the most tragic trumpet of Jericho before the collapse. One cannot deny that this book, like its predecessor, is monotonous and abuses an exclamatory style of juxtaposed unconditional sentences: but one does not argue with Ezekiel. For some extraordinary pages, which are a veritable breviary of present and future disasters, we can say that Bardamu proved the last of the great prophets.

 

Related

  • In Praise of Healthy Vice
    Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950

  • The Crossroads of Our Being: Civil War Commemorations During the “Civil Rights” Movement

  • The Tragedy of the Faux Boys

  • Christopher Pankhurst’s Numinous Machines

  • When Florida Was French

  • White Fragility & Joseph Conrad’s The Nigger of the “Narcissus”

  • Our Prophet:
    Christopher Lasch’s The Revolt of the Elites, Part 2

  • Příčina a následek aneb uzavření muslimské mysli

Tags

book reviewsJohnson translationLouis-Ferdinand CélineRobert Brasillachthe Jewish questiontranslationsTrifles for a Massacre

Previous

« Video of the Day 
Craig Bodeker’s Interview with Steve Sailer

Next

» Remembering Louis-Ferdinand Céline:
May 27, 1894–July 1, 1961

11 comments

  1. Free Man says:
    May 27, 2012 at 4:57 am

    Is amazing to realize that France had a jewish Prime-Minister in 1936, Leon Blum, a Socialist poet nonetheless.

    What was Hitler opinion of Leon Blum?

    1. Deviance says:
      May 27, 2012 at 7:06 am

      “What was Hitler opinion of Leon Blum?”

      Hitler’s contacts with France before 1938 were via diplomats (André François-Poncet being the most famous). In 1938, Blum was no longer in power, replaced by the weakling Daladier. So Hitler never met him, and the reason for that is easily guessable.

      Blum would have been an interesting case study for K. MacDonald insomuch he was a very fine example of Jewish racial consciousness, ethnocentrism and supremacism: all his close friends were Jews, he felt ill-at-ease in the presence of non-Jews, and he genuinely said the following quotes:

      « Le goût de vivre, le besoin de s’accroître, de dominer ; les forces juives, en un mot. » /The thirst for life, the need to grow and dominate; Jewish forces in a nutshell.

      « Mis au service du socialisme international, le capital juif ferait assurément de grandes choses. » /Put at the service of international socialism, Jewish money would assuredly achieve great things.

      «Mais il est encore essentiel d’observer que si les Juifs interviennent dans la lutte sociale, ce sera pour obéir à la loi naturelle de leur race. » /But it is again necessary to observe that if the Jews take part in the socialist struggle, it will only be in order to obey the natural law of their race.

  2. Philippe Régniez says:
    May 27, 2012 at 7:45 am

    Thank you Greg for this translation. Just in case, Trifles for a massacre is available (English and French) at http://www.editionsdelareconquete.com

    Worth every penny of it, if I may say.

  3. Tanja says:
    May 27, 2012 at 9:37 am

    I’ve read some of Celine’s stuff, and he basically comes off as a literary punk rocker. He was very unlike the other Modernist authors who couldn’t stop showing off their stuff; Celine, who had actually had a finer Parisian education, shredded his diplomas and became an ultra-nihilist comedian. And a fascist. Not exactly a Nazi; the German Nazis were dreamy optimists the way he saw it. Celine’s fascism was the older, gloomier, French sort, convinced that white people were doomed to fade out, and that Aryans were born dupes, losers, two-legged livestock for their virtually superhuman Jewish masters. It’s a very French type of gloom, this “inevitably doomed hero” theme goes back all the way to the Chanson de Roland.

    1. Philippe Régniez says:
      May 27, 2012 at 2:10 pm

      Tout faux. Bravo

  4. reader says:
    May 27, 2012 at 11:47 am

    I apologize for the office topic post but I wanted to bring something to your attention (feel free to delete).

    I was reading about this Ukrainian anti-fascist film called Match and by way of the comments section learned about the Kiev’s Mystetskyi Arsenal which “will be one of the largest arts centres in Europe when it’s completed in 2014”. Would be interested in reading an analysis of Victor Pinchuk and what this means for the Ukraine.

    1. Greg Johnson says:
      May 27, 2012 at 1:25 pm

      One of us will review it.

      Thanks for the head’s up.

  5. Free Man says:
    May 27, 2012 at 3:48 pm

    “Celine’s fascism was the older, gloomier, French sort, convinced that white people were doomed to fade out, and that Aryans were born dupes, losers, two-legged livestock for their virtually superhuman Jewish masters. ”

    Judging the last 2.000 years, you can say he was right.

  6. Proofreader says:
    May 28, 2012 at 1:58 am

    Where exactly was this first published? Je suis partout?

  7. Michael O'Meara says:
    May 28, 2012 at 1:51 pm

    When the ‘holocaust’ (in the form of the US Army) reached Normandy in mid-1944, Céline began to rethink his support of the blundering Germans. Then, after fleeing the approaching barbarians and taking refuge in Sigmaringen, he called Hitler a ‘Jew’, arguing that he and his kind (in the form of their stupid anti-European policies) had betrayed Europe. It’s too bad that this aspect of his thought isn’t better known.

  8. Michael O'Meara says:
    May 28, 2012 at 6:44 pm

    “Si nous n’avions affaire qu’aux Juifs, cher Lestandi, si nuls, si grossier, plagiaires, myopes, si creux, si burlesques, tout serait simple, mais nous avons affaire aux Aryens, surtout aux Aryens, si vils, si veules, si dégénerés, si antiraciste, si maçon, si dégueulasses, si enjuivés. Ne l’oubliez jamais . . .”

    That was in a letter Céline published in the anti-Semitic Parisian weekly, Le Pilori, Oct 30, 1941.

    And then in L’Emancipation nationale, Nov 21, 1943:

    “Mais quand je les [refering to France’s native bourgeoisie] vois, moi, Céline, ils me feraient aimer les autres, les Juifs.”

    -From Sérant’s Dictionnaire (2002)

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • In Praise of Healthy Vice
      Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950

      Margot Metroland

      5

    • Cryptocurrency:
      A Faustian Solution to a Faustian Problem

      Thomas Steuben

    • The Union Jackal, June 2022

      Mark Gullick

      6

    • Male Relationship Fantasies

      James Dunphy

      24

    • Rough Riders:
      The Last Movie about Real Americans?

      Steven Clark

    • Counter-Currents Radio Podcast No. 458
      Rich Houck Discusses Mishima’s My Friend Hitler on The Writers’ Bloc

      Counter-Currents Radio

    • Perilously Fair:
      Reflections on the Ladies of the Lake

      Kathryn S.

      19

    • We Apologize for Your Feral Behavior

      Gunnar Alfredsson

      3

    • The Crossroads of Our Being: Civil War Commemorations During the “Civil Rights” Movement

      Morris van de Camp

      5

    • Counter-Currents Radio Podcast No. 458
      Gregory Hood & Greg Johnson on Burnham & Machiavellianism

      Counter-Currents Radio

      3

    • This Weekend’s Livestreams
      Gregory Hood on Counter-Currents Radio & Rich Houck on The Writers’ Bloc

      Greg Johnson

      5

    • Irreplaceable Communities

      Alain de Benoist

      6

    • Why the Concept of the Cathedral Is Nonsense

      Nicholas R. Jeelvy

      9

    • Brokeback Mountain

      Beau Albrecht

      6

    • O Manifesto Nacionalista Branco:
      Parte 10, O que Há de Errado com a Diversidade?

      Greg Johnson

    • Counter-Currents Radio Podcast No. 457
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Counter-Currents Radio

      9

    • What Law Enforcement and First Responders Need to Know about White Nationalism

      Beau Albrecht

      7

    • Just Like a Woman

      Spencer J. Quinn

      3

    • The Black Johnny Depp

      Jim Goad

      27

    • Special Surprise Livestream
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Greg Johnson

    • From “Equal Opportunity” to “Friend/Enemy”

      Stephen Paul Foster

      9

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 2

      Fróði Midjord

      2

    • Deconstructing Our Own Religion to Own the Libs

      Aquilonius

      19

    • O Manifesto Nacionalista Branco:
      Parte 9, Supremacismo

      Greg Johnson

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 1

      Fróði Midjord

      5

    • White Advocacy & Class Warfare

      Thomas Steuben

      12

    • The Tragedy of the Faux Boys

      Morris van de Camp

      34

    • Counter-Currents Radio Podcast No. 456
      A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

      Counter-Currents Radio

      2

    • The Worst Week Yet:
      June 12-18, 2022

      Jim Goad

      21

    • Booking Problems at Hotel Rwanda

      Mark Gullick

      7

    • What White Nationalists Should Know About Bitcoin

      Karl Thorburn

      19

    • “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht

      Ondrej Mann

      6

    • This Weekend’s Livestreams
      Jim Goad Celebrates Juneteenth on The Writers’ Bloc

      Greg Johnson

      1

    • 2000 Mules
      The Smoking Gun of 2020 Election Fraud?

      Spencer J. Quinn

      39

    • Podcast with Robert Wallace & Gregory Hood
      Time for White Identity Politics

      Counter-Currents Radio

      11

    • Christianity is a Vast Reservoir of Potential White Allies

      Joshua Lawrence

      41

    • O Manifesto Nacionalista Branco:
      Parte 8, Raça Branca

      Greg Johnson

    • 2000 Fat Mules Laughing at Dinesh D’Souza

      Jim Goad

      63

    • Christopher Pankhurst’s Numinous Machines

      Anthony Bavaria

      3

    • When Florida Was French

      Morris van de Camp

      2

    • Counter-Currents Radio Podcast No. 455
      The Counter-Currents 12th Birthday Celebration, Part 2

      Counter-Currents Radio

    • White Fragility & Joseph Conrad’s The Nigger of the “Narcissus”

      Raymond E. Midge

      7

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 2

      Greg Johnson

      3

    • Hockey Playoff Losses, Violent Carjackings, & Race in Toronto

      Gunnar Alfredsson

      3

    • Counter-Currents Radio Podcast No. 454
      Muhammad Aryan on The Writers’ Bloc

      Counter-Currents Radio

      2

    • Counter-Currents Radio Podcast No. 453
      The Counter-Currents 12th Birthday Celebration, Part 1

      Counter-Currents Radio

      3

    • Patrick Bateman is a Tranny

      Nicholas R. Jeelvy

      12

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 1

      Greg Johnson

      13

    • The New Dissident Zeitgeist

      Aquilonius

      4

    • The Worst Week Yet:
      June 5-11, 2022

      Jim Goad

      20

  • Recent comments

    • Margot Metroland In Praise of Healthy Vice
      Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950
      Reply to JO'M: About "this man Goddard": going on 30 years ago I was asked to write a copious...
    • Margot Metroland In Praise of Healthy Vice
      Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950
      I agree with you and James O'Meara there. Not a diss. There is too much in Scott Fitzgerald not to...
    • James J. O'Meara In Praise of Healthy Vice
      Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950
      Thanks for the link to your article. People who idolize Fitzgerald read that as "it must be ironic"...
    • Kathryn S Perilously Fair:
      Reflections on the Ladies of the Lake
      An interesting discussion here. I'll just say that I think a lot of problems would be solved if...
    • DarkPlato Male Relationship Fantasies Well, just act dumb a little.  Slur your  speech, toss in some vulgarity, tell them you drive a cab...
    • Douglas Mercer In Praise of Healthy Vice
      Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950
      In Chapter 3 of The Great Gatsby the owl-eyed man sees a book in Gatsby's library called "Stoddard...
    • James J. O'Meara In Praise of Healthy Vice
      Remembering Lothrop Stoddard: June 29, 1883–May 1, 1950
      This is a welcome look at an unknown (to me at least) side of Stoddard. I wonder if he would...
    • Nick Jeelvy White Advocacy & Class Warfare I'm personally ashamed that us lawyers have to settle for the silver.
    • Nick Jeelvy Male Relationship Fantasies Men demanding that women share their intellectual interests isn't just wankery, it's to make sure...
    • Realist Male Relationship Fantasies Exactly. The right wing is as ‘blue-pilled’ as it gets on the WQ. Shieldmaidens and clanging armor...
    • Realist Male Relationship Fantasies Right, because Alan Greenspan and George Soros have groupies lined up outside their office. The...
    • Bojangles Male Relationship Fantasies Lol this is the exact manosphere gobbledygook I was talking about. You guys are absolutely possessed...
    • Michael The Union Jackal, June 2022 At least the Brits are starting to pay those damaged or murdered by the mrna experiment. Here in the...
    • Hamburger Today Perilously Fair:
      Reflections on the Ladies of the Lake
      Public opinion is the flotsam on the media culture of the Jews. You don’t really know what a people...
    • Francis XB What Law Enforcement and First Responders Need to Know about White Nationalism Agreed, this essay needs to get wider distribution. Perhaps flyers or stickers referencing it and...
    • DarkPlato Counter-Currents Radio Podcast No. 458
      Gregory Hood & Greg Johnson on Burnham & Machiavellianism
      Greg Hood is a genius, no doubt, but Greg Johnson deserves credit too for “driving him to it.”  Say...
    • Philippe Régniez Perilously Fair:
      Reflections on the Ladies of the Lake
      Yes, the last I've heard of him a few weeks back, he was still alive. Lepante was the pre-setting of...
    • Philippe Régniez Perilously Fair:
      Reflections on the Ladies of the Lake
      Thank you for your answer. Yes, it is a lie and a smear.
    • Reed Johnson Male Relationship Fantasies I recommend and give weight to a Counter-Currents favourite: F. Roger Devlin's excellent Sexual...
    • Andris Male Relationship Fantasies No. You either are physically attractive to her or you are not. "Power" is not an attractor, it's...
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Alaska Chaga Antelope Hill Publishing Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment