Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print July 21, 2021 1 comment

Knut Hamsun’s Growth of the Soil

Spencer J. Quinn

Knut Hamsun, circa 1890

1,910 words

Knut Hamsun’s 1917 classic Growth of the Soil seems to defy the fundamental conflicts found in most fiction. It is a mystifying novel. One can pigeonhole it as modern with its use of stream of consciousness, flashbacks, and other literary techniques. It’s also considered part of a literary movement called Norwegian New Realism, which was highly influential beyond Norway in the first half of the Twentieth Century. Most interesting for dissidents, the novel reflects the near mystical connection Man has with the soil, consecrated through hard work and family.

The story, such as it is, centers around Isak of Sellanraa, a settler who breaks a patch of uninhabited land in the north and eventually develops a thriving farm. Early on, we meet his hare-lipped wife Inger, and later get to know their children and neighbors. But Isak, an indomitable mountain of a man, remains the centerpiece of Growth of the Soil. Chapter after chapter, Hamsun chronicles Isak’s progress as a farmer, husband, and father. Later, the story branches into the dramas of his children and neighbors. And besides a few notable exceptions, nothing happens apart from life. Building a shed may be interesting when you do it. You plan the design, buy the materials, budget the time, and then get to work. And if you have to get it done before St. Olaf’s Day otherwise you won’t have a place to store your hay for the winter, then the suspense will be there. In three dimensions, the suspense will be there. But with only two dimensions on a page, such an enterprise as fiction would be death.

Except when Knut Hamsun writes it. When Knut Hamsun writes it, it’s not death, it’s life. And I am really not sure why.

The book is remarkable because its inherent struggle cannot easily be pinned down. There is no plot, no suspense pulling the story forward, no desired object or goal in the end. Much of the action is mundane. Although there are acts of evil and sin in Growth of the Soil, there is no prime antagonist, no Man-Against-Man struggle to speak of. Aside from a basic religiosity of some of its characters, there is no sense of the supernatural—so Man-Against-God can be ruled out. Despite being fully fleshed out, most of the characters lack the self-awareness for deep introspection, so calling it Man-Against-Self would be a stretch. Despite a few dry seasons, most of the farms do pretty well, so Nature is kind of a pushover. What else? Man-against-Time? It’s not a thriller and there is no ticking clock, so no. Man-against-Woman as on the battlefield of love? No. Isak pretty much bags Inger early on and despite a few hiccups keeps her throughout.

The only kind of conflict that comes close is Man-Against-Society. Hamsun sets up a clear dichotomy between the wilds of Sellanraa where simple folk labor endlessly, and the town where sophisticated folks work in shops and offices and wear hats and shoes and show off fancy umbrellas. In Hamsun’s world, the town can change a person, and often not for the better. The problem is that “society,” as it is represented by the town with all its stringent rules and feckless ways, is so benign that it doesn’t hold up its end of the conflict at all. People are actually nice in the town, and whenever the farming community denizens run afoul of town authorities, they are treated with respect and compassion. Indeed, Sellanraa needs the town and the town needs Sellanraa. The two never cease to cooperate throughout the novel.

So what is Growth of the Soil about then if it is not about any of these things? All I could come up with was something I had never encountered before in a novel: Man-Against-Corruption. Or, more accurately, Innocence-Against-Corruption. That’s what kept the pages turning for me. Will this or that character lose a little bit of his or her soul after engaging with the highfalutin so-and-so or after spending several years in town? Is there anything chipping away at their innocence, and if so how will they ever get it back? The beauty of this wonderful novel can be found in how Hamsun makes the reader cling to and cherish innocence while becoming engrossed in the daily lives of these people. We are also meant to feel the pain and loss of corruption—even if the corrupted ones themselves do not.

With this kind of sublime struggle, plot actually becomes beside the point, almost vulgar. And how did Knut Hamsun know that this approach would work in a novel of some 400 pages before sitting down to write it? Any answer beside genius becomes less and less convincing the more we ponder.

Isak, most notably, does not have people. No family, no definite history.

The man comes, walking toward the north. He bears a sack, the first sack, carrying food and some few implements. A strong, coarse fellow, with a red iron beard, and little scars on face and hands; sites of old wounds—were they gained in toil or fight? Maybe the man has been in prison, and is looking for a place to hide; or a philosopher, maybe, in search of peace. This or that, he comes; the figure of a man in this great solitude.

If anything, Isak, with his strength, work ethic, and incorruptibility, is part of nature himself. This is a refreshing aspect of Hamsun’s fiction: Man is born innocent; there is no original sin. Nothing to be ashamed of. He belongs on Earth as much as bird or beast. Man works the land, eats, sleeps, and makes babies with his wife. In this, he attains a state of grace. Yet Isak is no dullard—uneducated and inarticulate, yes, but he has vision. He understands his crops and his livestock. He knows when to act; he knows when and how to build. He has a genius for building, and nearly singlehandedly puts up around a dozen sturdy structures across his farm. At one point, he walks a full day back home through the woods and moors with an iron cooking stove on his back. In some ways, Sellanraa is Hamsun’s Eden. Man achieves this natural state of grace and is rewarded for it, not with money, but with prosperity. Further, when man eschews this grace, whether through sloth, vanity, greed, or some other personal shortcoming, he’s punished. Usually, this means various degrees of poverty and shame. If there is a God in Hamsun’s universe, it’s a just one.

Hamsun’s language reinforces the biblical nature of the story. It’s almost like reading the Book of Chronicles—seasons come and seasons go, and between them Hamsun treats us to isolated patches of dialogue or even mere exclamations. I have never read an author who does so little to establish scenes.

It was a grand time after that. For a long while, Inger could not do enough in the way of showing her husband how good and useful she could be. She would say to him now, as in the old days: “You’re working yourself to death!” Or again: “‘Tis more than any man can stand.” Or again: “Now, you’re not to work any more; come in and have dinner—I’ve made some wafers for you!” And to please him, she said: “I should just like to know, now, what you’ve got in your mind with all that wood, and what you’re going to build, now, next?”

“Why, I can’t say as yet,” said Isak, making a mystery of it.

Ay, just as in the old days. And after the child was born—and it was a little girl—a great big girl, fine-looking and sturdy and sound—after that, Isak must have been a stone and a miserable creature if he had not thanked God. But what was he going to build?

For all its pater-familial trappings, the most well-rounded and dynamic characters in Growth of the Soil tend to be women. The cunning, insinuating Oline, and the sly, amoral Barbro will stick with the reader long after the book is put down. The former, an old woman, is a master of perception and manipulation who can be insidiously cruel if it means solidifying her position in a particular household. Barbro, on the other hand, uses Machiavellian logic to justify her wrongdoings and has a cutting wit besides. In both cases, however, these women are at least partially exonerated by their propensity for work. In Hamsun’s universe, it seems, honest toil can cleanse all sins.

As for Inger, she is a big, buxom girl who would have been a beauty by local standards if not for her harelip. She’s drawn to Isak because no other man would have her, and because Isak is interested in the business of having a wife, not the romance. He is, of course, fair and respectful towards her. When she commits a horrific crime, he forgives her and misses her while she’s incarcerated far away. When she returns, though, she has been touched by the town and suddenly finds herself superior to her indefatigable husband. She has new skills and new ideas and a newly-acquired flirtatious eye for men. She has become a different woman, and much of the suspense surrounding Inger deals with whether she will return to the state of grace she shared with Isak at the novel’s onset.

The novel concludes years later with the enigmatic and generous Geissler, a singular genius who discovers a copper mine on Isak’s property early in the novel. With Isak and Inger getting on in middle age, Geissler has this to say to their son Sivert, who stands to inherit Sellanraa. See if you can spot the bit that’s just as relevant to the Right today as it was then.

Listen to me, Sivert: you be content! You’ve everything to live on, everything to live for, everything to believe in; being born and bringing forth, you are the needful on earth. ‘Tis not all that are so, but you are so; needful on earth. ‘Tis you that maintain life. Generation to generation, breeding ever anew; and when you die, the new stock goes on. That’s the meaning of eternal life. What do you get out of it? An existence innocently and properly set towards all. What you get out of it? Nothing can put you under orders and lord it over you Sellanraa folk, you’ve peace and authority and this great kindliness all round. That’s what you get for it. You lie at a mother’s breast and suck, and play with a mother’s warm hand. There’s your father now, he’s one of the two-and-thirty thousand. What’s to be said of many another? I’m something, I’m the fog, as it were, here and there, floating around, sometimes coming like rain on dry ground. But the others? There’s my son, the lightning that’s nothing in itself, a flash of barrenness; he can act. My son, ay, he’s the modern type, a man of our time; he believes honestly enough all the age has taught him, all the Jew and the Yankee have taught him; I shake my head at it all.

For the inhabitants of the farms and the wilds, innocence is a burden—and corruption is sweet. One must always do battle with the other, and the stakes are ever so high. It’s a universal circumstance, as old as humanity, and something beautifully depicted in Growth of the Soil.

*  *  *

Counter-Currents has extended special privileges to those who donate $120 or more per year.

  • First, donor comments will appear immediately instead of waiting in a moderation queue. (People who abuse this privilege will lose it.)
  • Second, donors will have immediate access to all Counter-Currents posts. Non-donors will find that one post a day, five posts a week will be behind a “paywall” and will be available to the general public after 30 days.

To get full access to all content behind the paywall, sign up here:

Related

  • Counter-Currents Radio Podcast No. 458
    Rich Houck Discusses Mishima’s My Friend Hitler on The Writers’ Bloc

  • Counter-Currents Radio Podcast No. 458
    Gregory Hood & Greg Johnson on Burnham & Machiavellianism

  • Brokeback Mountain

  • Counter-Currents Radio Podcast No. 457
    Greg Johnson & Millennial Woes on Common Mistakes in English

  • Deconstructing Our Own Religion to Own the Libs

  • Counter-Currents Radio Podcast No. 456
    A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

  • “I Write About Communist Space Goths”:
    An Interview with Beau Albrecht

  • Christianity is a Vast Reservoir of Potential White Allies

Tags

agrarianismGrowth of the SoilKnut HamsunliteraturepaywallSpencer Quinn

Previous

« Losing Weight & Binge Eating

Next

» Multiracial White Nationalism?
Thoughts on the American Populist Union

1 comment

  1. James J. O'Meara says:
    July 21, 2021 at 12:51 pm

    “And besides a few notable exceptions, nothing happens apart from life. Building a shed may be interesting when you do it. You plan the design, buy the materials, budget the time, and then get to work. … In three dimensions, the suspense will be there. But with only two dimensions on a page, such an enterprise as fiction would be death.  Except when Knut Hamsun writes it. When Knut Hamsun writes it, it’s not death, it’s life. And I am really not sure why. … Plot actually becomes beside the point, almost vulgar.”

    I’m reminded of online discussions of how on Breaking Bad Vince Gilligan & Co. would frequently use long montages of people, usually Mike Ehrmantraut, just doing tasks, making pancakes, making meth, making bombs, finding a parking spot, whatever, and it was always intensely interesting. Someone said they would pay for a livestream of Mike just doing things all day long.

    “People are actually nice in the town, and whenever the farming community denizens run afoul of town authorities, they are treated with respect and compassion.”

    It’s hard for Scandinavians to work the usual Fascist blood & soil anti-urban meme, because their cities are full of Scandinavians, hence nice people.  The idea has more traction in Weimar Germany or USA today, where the cities are full of Jews and obstreperous minorities.

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • The Union Jackal, June 2022

      Mark Gullick

      4

    • Male Relationship Fantasies

      James Dunphy

      16

    • Rough Riders:
      The Last Movie about Real Americans?

      Steven Clark

    • Counter-Currents Radio Podcast No. 458
      Rich Houck Discusses Mishima’s My Friend Hitler on The Writers’ Bloc

      Counter-Currents Radio

    • Perilously Fair:
      Reflections on the Ladies of the Lake

      Kathryn S.

      12

    • We Apologize for Your Feral Behavior

      Gunnar Alfredsson

      3

    • The Crossroads of Our Being: Civil War Commemorations During the “Civil Rights” Movement

      Morris van de Camp

      5

    • Counter-Currents Radio Podcast No. 458
      Gregory Hood & Greg Johnson on Burnham & Machiavellianism

      Counter-Currents Radio

      2

    • This Weekend’s Livestreams
      Gregory Hood on Counter-Currents Radio & Rich Houck on The Writers’ Bloc

      Greg Johnson

      5

    • Irreplaceable Communities

      Alain de Benoist

      6

    • Why the Concept of the Cathedral Is Nonsense

      Nicholas R. Jeelvy

      9

    • Brokeback Mountain

      Beau Albrecht

      6

    • O Manifesto Nacionalista Branco:
      Parte 10, O que Há de Errado com a Diversidade?

      Greg Johnson

    • Counter-Currents Radio Podcast No. 457
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Counter-Currents Radio

      9

    • What Law Enforcement and First Responders Need to Know about White Nationalism

      Beau Albrecht

      6

    • Just Like a Woman

      Spencer J. Quinn

      3

    • The Black Johnny Depp

      Jim Goad

      27

    • Special Surprise Livestream
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Greg Johnson

    • From “Equal Opportunity” to “Friend/Enemy”

      Stephen Paul Foster

      9

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 2

      Fróði Midjord

      2

    • Deconstructing Our Own Religion to Own the Libs

      Aquilonius

      19

    • O Manifesto Nacionalista Branco:
      Parte 9, Supremacismo

      Greg Johnson

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 1

      Fróði Midjord

      5

    • White Advocacy & Class Warfare

      Thomas Steuben

      11

    • The Tragedy of the Faux Boys

      Morris van de Camp

      34

    • Counter-Currents Radio Podcast No. 456
      A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

      Counter-Currents Radio

      2

    • The Worst Week Yet:
      June 12-18, 2022

      Jim Goad

      21

    • Booking Problems at Hotel Rwanda

      Mark Gullick

      7

    • What White Nationalists Should Know About Bitcoin

      Karl Thorburn

      19

    • “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht

      Ondrej Mann

      6

    • This Weekend’s Livestreams
      Jim Goad Celebrates Juneteenth on The Writers’ Bloc

      Greg Johnson

      1

    • 2000 Mules
      The Smoking Gun of 2020 Election Fraud?

      Spencer J. Quinn

      39

    • Podcast with Robert Wallace & Gregory Hood
      Time for White Identity Politics

      Counter-Currents Radio

      11

    • Christianity is a Vast Reservoir of Potential White Allies

      Joshua Lawrence

      41

    • O Manifesto Nacionalista Branco:
      Parte 8, Raça Branca

      Greg Johnson

    • 2000 Fat Mules Laughing at Dinesh D’Souza

      Jim Goad

      63

    • Christopher Pankhurst’s Numinous Machines

      Anthony Bavaria

      3

    • When Florida Was French

      Morris van de Camp

      2

    • Counter-Currents Radio Podcast No. 455
      The Counter-Currents 12th Birthday Celebration, Part 2

      Counter-Currents Radio

    • White Fragility & Joseph Conrad’s The Nigger of the “Narcissus”

      Raymond E. Midge

      7

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 2

      Greg Johnson

      3

    • Hockey Playoff Losses, Violent Carjackings, & Race in Toronto

      Gunnar Alfredsson

      3

    • Counter-Currents Radio Podcast No. 454
      Muhammad Aryan on The Writers’ Bloc

      Counter-Currents Radio

      2

    • Counter-Currents Radio Podcast No. 453
      The Counter-Currents 12th Birthday Celebration, Part 1

      Counter-Currents Radio

      3

    • Patrick Bateman is a Tranny

      Nicholas R. Jeelvy

      12

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 1

      Greg Johnson

      13

    • The New Dissident Zeitgeist

      Aquilonius

      4

    • The Worst Week Yet:
      June 5-11, 2022

      Jim Goad

      20

    • How Belarus Uses Migrants as Weapons

      James A.

      29

    • Look What You Made Me Do:
      Dead Man’s Shoes

      Mark Gullick

      4

  • Recent comments

    • Henry Deconstructing Our Own Religion to Own the Libs The main reason I am suspicious of Christianity in this context is that it has been the main carrier...
    • Jud Jackson The Union Jackal, June 2022 I love Serge Trifkovic's defnition of Islam.  He called it a collective psychosis attempting to go...
    • Realist Male Relationship Fantasies Women are not attracted to money. They are attracted to looks.
    • Kathryn S The Crossroads of Our Being: Civil War Commemorations During the “Civil Rights” Movement Along with your review of North West Frontier, this has to be my favorite essay of yours, Mr. van de...
    • Reed Johnson Male Relationship Fantasies Where to begin. First off, I appreciate your candor. I haven’t spoken to a Boomer man in any social...
    • Reed Johnson Male Relationship Fantasies I won't disagree with anything you've said, other than to say that regardless of the ultimate truth...
    • Reed Johnson Male Relationship Fantasies “A man of means” is a phrase used to describe someone with significant wealth and access to...
    • Kathryn S Perilously Fair:
      Reflections on the Ladies of the Lake
      Thank you, Philippe! Barker does (I think he's still living?) have many complex female characters in...
    • Kathryn S Perilously Fair:
      Reflections on the Ladies of the Lake
      I second Hyacinth Bouquet's praise. "Enviable self-contained mien" is an eloquent way of putting it.
    • Kathryn S Perilously Fair:
      Reflections on the Ladies of the Lake
      That's a nice "ladies of the lake" metaphor, Hamburger, and thank you for commenting.  Let the...
    • Kathryn S Perilously Fair:
      Reflections on the Ladies of the Lake
      I'm glad you enjoyed this one, Hyacinth Bouquet; it means a lot that you commented! Let me return...
    • Rez Why the Concept of the Cathedral Is Nonsense Wow! So true, brutally said, but true!
    • Bojangles Male Relationship Fantasies Having spent years in the manosphere listening to various theories about what women want, none of...
    • Philippe Régniez Perilously Fair:
      Reflections on the Ladies of the Lake
      Many thanks for this essay. English playwright Howard Barker has many a good female character in...
    • Lord Shang Male Relationship Fantasies It all depends on one's aesthetic standards (and also if you live in a blue vs red state area). I...
    • Hamburger Today Male Relationship Fantasies There two things to say about the 'intelligence' of the 'hostile minority' - Jews - being a factor...
    • Muhammad Aryan The Union Jackal, June 2022 Sincere advice: Focus on race/ethnicity. The nasty dynamics will reveal themselves. Ridiculing or...
    • Reed Johnson Male Relationship Fantasies I quite like your phrasing here regarding the overall "stability of the white tribe" and your...
    • Lord Shang Male Relationship Fantasies What does this mean? Most won’t voluntarily struggle for the love of anyone of lesser means but “...
    • Reed Johnson Male Relationship Fantasies …in my experience women care about three things primarily: 1 money 2 dinero and 3 bank account....
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Alaska Chaga Antelope Hill Publishing Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment