68 words / 62:51
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Greg Johnson talks to Richard Houck on 7/11 nationlism, mallrat nationalism, diversity and the destruction of public spaces, and the legal and cultural causes.
- 0:00: Introduction
- 1:10: “7/11 Nationalism” followup
- 6:54: Mallrat Nationalism
- 34:50: Legal changes that drove the destruction of comfortable white spaces in America
- 47:46: Some roots of modern architecture
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8 Comments
This was a great podcast, and I look forward to Richard’s articles. The stuff near the end where you two discuss the post-modern obscenities of architects like Daniel Libeskind will resonate with many, many people. That feeling of being conquered by aliens through the vandalism of our architecture finds expression in the video game Half-Life 2, where the alien empire The Combine has taken over the Earth. Its jagged, metallic buildings and checkpoints begin to intersect with and swallow the buildings of the Eastern European city setting of the game, something I will touch on in a future piece.
The same thing has happened with bathhouses in Sweden. Whites generally dont visit them much anymore. Its just to aggressive and loud. But the arabs enyoy going. Whites did not stop going there because of news of rapes at bathhouses. Such news remain somewhat abstract to most people, even though you can see the way muslims act around girls in bathhouses. Whites stopped going simply because of how it becomes when arabs take over in numbers. Not only is it becoming more aggressive and loud. The ones of muslim fate, wich are the majority, generally dont shower before entering the pool area. And they dont take of their underwear. They simply put their bathing trousers over their underwear in the changing room. And some of the women are even worse, bathing in clothes. This leads to a much more dirty pool water. The bathhouses put up signs, but that doesnt help. So they have to rise the percentage of chlorin in the water to kill bacteria. The smell of chlorin is now emence in Stockholm bathhouses. The ways have changed, and swedes simply are not enyoying bathhouses much anymore. You will find muslims and security guards there now. I remember a muslim in my class when I was 8-10 years old. His name was Mustafa, and he showered with underwear after sports class. I thought that was strange, but according to him it was a religious thing. He accedently ate bacon once, leading to a freake out, and his parents coming to shool to handle this big disaster.
Interesting part in the end about architecture. The centrum of Stockholm was destroyed by the social democratic leaders in the sixties. It all begun without public consent. Today you can walk through the city seeing where they tore old architecture down and replaced it with ugly concrete offices. Led by the jew Hjalmar Mehr, the plan was to tear the Old Town down to, but people came back from industrial vacation and the destruction eventually had to stop. But it went on for many years before it finally stopped. My dad remember as a child walking on small wooden bridges over huge holes in the ground. Grandpa had visitors from burned out Hamburg who said ”Oh, you were seriously hit by the war here in Stockholm”, to wich grandpa had to answer ”No, we did this to ourselves!”. Sweden was neutral in the war, but this destruction of ancient Stockholm was also, like in Hamburg, led by jewish resentment to everything german/white/european – wich I think increased after WW2. The Stockholm destruction was managed through the Social Democratic power structure. There was a huge public resentment towards the destruction. Some of the most beloved songs from the era criticized it, like originally italian ”Lyckliga Gatan” (Happy street) https://m.youtube.com/watch?v=70k2lHsBMKo and american ”Trettifyran” (Old 34’) https://m.youtube.com/watch?v=G0B5MgQXP-s , wich both are sentimental texts about destroyed homes. Swedish commercial music back then often took foreign songs and wrote swedish lyrics to them.
The destruction finally ended with students climbing up in trees in a city center park, stoppning the building of a Metro station in the middle of the park. The event went to swedish history as ”Almstriden”, and was also linked to the 68-movement https://m.youtube.com/watch?v=yKId2PUh_Ig
In the area they managed to tear down, they now have a ”Culture House”. I have worked there. The place is jewish in spirit, wich people dont know. It is a center of Stockholm Pride and all sorts of weird stuff. You find many of Swedens jews there. The main attraction there is the theatre, and what they do is basically to preform classic theatre or swedish folk plays in the most ugly way possible. Every day there was some people in the audience that was leaving in the break. They did not like or understand why the play was so alternative. But the whole point with the place is to mock european heritage. In the first flor they have a painting of an old european king or something, all dressed up. But his erected penis stick out of his trousers. They want to drag things in the mud, because thats what resembles their souls I suppose. It is either mocking Europe or genuinly jewish. Maybe those two things are inseparable.
By the way, most of Denmarks and Norways jews moved to Sweden in the 30ies and 40ies. Thats partly why Sweden has such a different policy toward immigration and multiculturalism.
Informative about the jews. Makes sense. They are always good for it
It was interesting to read your comments about Swedes abandoning their public spaces; being displaced by arabs with incompatible cultures.
A similar thing is happening in Australia at our beaches. Middle Eastern men routinely hassle and sometimes assault young white women and families. Australian families have just abandoned some beaches.
In 2005, locals at Cronulla beach demonstrated against this harassment – leading to the event now called the ‘Cronulla riot’.
https://en.m.wikipedia.org/wiki/2005_Cronulla_riots
It was surprising how many Australian normies, seeing the first media about Cronulla, were genuinely glad that we had finally stood up for ourselves.
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Thank you. Interesting to read your text to. This huge mental global attack on our people is horrifying.
I like australians. I think you are the white group outside the former communist block with the most positive white self awereness. Even australian anti-racists I have met… they are kind of racist! As to say, they appreciate being white. And when someone mentions aborigians, laughter is never to far away. I can sence the difference from scandinavians. As a white man, I directly get somewhat a positive start with australians, wich I dont get with scandinavians. People up here north do not value race at the moment, it is all quite clueless. But it is not apologetic as it seems to be in USA.
Anyway, we are in it together. Australian, scandinavian, american.. that is just a place in time. White is timeless.
I always try to support the local economy over Amazon, preferably local used book stores over chains like Barnes and noble. The price discrepancy has to be more than a few dollars in favor of amazon before I will order off amazon instead of the local book store. That was even before the deplatformings.
Hatred of traditional White architecture. It’s interesting you bring that up. I recently met a Ro******ld jew who said a local collegiate gothic style chapel was ugly. His tone indicated disgust. It made my friend so uncomfortable, because we had recently toured the chapel and we loved it. I responded that I liked the chapel, because it is a small piece of the old world before everything was replaced. The jew paused with restraint, and then said, “Yeah, I guess you need a few places like that.”
If Richard Houck is writing about Jewish architecture, he might like to consult Tom Wolfe’s From Bauhaus to Our House — judging from what I recall about the review in Instauration, it should be worth a read — and Alexander Gorlin’s Kabbalah in Art and Architecture. I recall examining a copy of the latter in a bookstore, and finding myself repelled by the illustrations; when I recently examined images from the book online, seeking to confirm that it was indeed the book I examined, I was reminded of the line in H. P. Lovecraft’s “The Call of Cthulhu” that “the geometry of the place was all wrong.” As Lovecraft wrote:
“Without knowing what futurism is like, Johansen achieved something very close to it when he spoke of the city; for instead of describing any definite structure or building, he dwells only on broad impressions of vast angles and stone surfaces — surfaces too great to belong to any thing right or proper for this earth, and impious with horrible images and hieroglyphs. I mention his talk about angles because it suggests something Wilcox had told me of his awful dreams. He had said that the geometry of the dream-place he saw was abnormal, non-Euclidean, and loathsomely redolent of spheres and dimensions apart from ours.”