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In light of the recent Dublin riots, I thought I would write something Irish-themed and settled on Troy Duffy’s The Boondock Saints, a cult Tarantino knockoff movie from 1999 with Irish-Catholic themes. In the process of researching this I discovered the documentary Overnight about the making of the film — which is actually a far more interesting movie in itself. You can watch it here.
The history of Hollywood is that of a power struggle between producers and directors. (more…)
You can buy Trevor Lynch’s Classics of Right-Wing Cinema here.
You can buy Trevor Lynch’s Classics of Right-Wing Cinema here.
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Greg Johnson joined Mark Collett, Natty, and Bill Atheling on a recent broadcast of the Patriotic Alternative Book Club to discuss Trevor Lynch’s Classics of Right-Wing Cinema, a collection of film reviews that delve into cinematic features that are of particular interest to nationalist viewers. An audio recording of the broadcast is now available for download and online listening. (more…)
Don Coccotti (Christopher Walken) confronts Clifford Worley (Dennis Hopper) in True Romance.
Don Coccotti (Christopher Walken) confronts Clifford Worley (Dennis Hopper) in True Romance.
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A white friend of mine has curly hair. This eight-word sentence shouldn’t be too shocking, and her appearance is certainly nothing jarring when seen in public. In the era of limitless promotion of miscegenation and glorification of all things black, however, my friend is seemingly not allowed to be plain old white in the eyes of the average adherent to our oligarchy’s race-doctrine. “What are you?” is a question she’s casually received in reference to her race. When she flatly responds that she’s white, a typical retort is something along the lines of, “Oh, you look so ethnic,” and her curly hair is almost always referenced. (more…)
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The film festival has already started, but there’s still time for you to get on board! On April 14th we launched the third edition of the Decameron Film Festival with a lineup of 29 guests who will be discussing great films every day for a month. (more…)
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141 words / 76:09
To listen in a player, click here. To download the mp3, right-click here and choose “save link as” or “save target as.”
In the fall of 2000, I taught an adult education class entitled Philosophy on Film, where we discussed The Matrix, American Beauty, Ground Hog Day, Network, Pulp Fiction, Fight Club, Gattaca, and Crimes and Misdemeanors.
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Some of my best reviews are about Quentin Tarantino, but this won’t be one of them. Tarantino has gone from a director I loved (see my essay on Pulp Fiction), to a director I loved to hate (see my reviews of Kill Bill 1 and Inglourious Basterds), to a director I just hated (Django Unchained), to a director I just ignored.
Tarantino’s only great movie is Pulp Fiction, and at this point it is safe to declare that one a fluke. (more…)
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Unlike Inglorious Basterds (2009) and Django Unchained (2012), which were both drenched in violence against whites, Tarantino’s latest film, Once Upon a Time in Hollywood, is a surprisingly wholesome and pro-white film that pays homage to old Hollywood and white male movie stardom.
The main characters are washed-up actor Rick Dalton (Leonardo DiCaprio) and his stunt double and driver, Cliff Booth (Brad Pitt). (more…)
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These are two videos I have made that are connected by the theme of Hollywood. The first begins with an observation in Jared Taylor’s debate with black supremacist Tariq Nasheed in how black supremacists use the rhetoric of 1970s blaxploitation films to explain their situation, which is invariably one of being oppressed by the White Man. This I call “blaxplainin'”. (more…)
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First things first, here’s the basic outline of the plot. The plot is, in any case, pretty basic. Spoiler warning: the following review reveals plot content that will save you wasting time and money. A bounty hunter named John Ruth (played by Kurt Russell) is on his way to Red Rock by stagecoach and handcuffed to his prisoner Daisy Domergue (Jennifer Jason Leigh), part of the Domergue Gang, who will be sentenced to hang there.
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English original here
Pulp Fiction Quentina Tarantina se řadí k mým nejoblíbenějším filmům. Nechtěl jsem, aby se mi líbil – původně jsem na něj dokonce ani nechtěl jít. Podle všeho co jsem o něm slyšel, jsem film měl za naprosto nihilistický a dosti odpudivý počin. Pak ale někdo na večírku popsal Pulp Fiction jako film o „velikosti duše na konci historie“, což mě zaujalo, protože jsem zrovna asi po tisící pročítal Platónovu Ústavu – (more…)
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Author’s Note:
The following text is a scrap rescued from obscurity and buffed up a bit. In 2002, a reader of VNN suggested that the site’s movie reviewers post their “Ten Best” lists. I found it impossible to settle on just ten best films. So I decided to produce a “Favorites” list instead. I came up with more than thirty movies. These are films I like to re-watch and show to my friends. I think the list includes some of the best films ever made, (more…)
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Übersetzt von Deep Roots
English original here
Quentin Tarantinos letzter Film, Inglourious Basterds (2007), erzählt die Geschichte einer Gruppe amerikanischer Juden, die sich mit einem Nichtweißen zusammentun (einem indianisch-weißen Mischling aus Tennessee mit einem italienischen Namen wie Tarantino selbst), um während des Zweiten Weltkriegs böse weiße Männer und Frauen (Nazis) zu foltern, zu verstümmeln und abzuschlachten. (more…)
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German translation here
Quentin Tarantino’s last movie, Inglourious Basterds (2007), tells the story of a group of American Jews who team up with a non-white (an Amerindian-white mix from Tennessee with an Italian name, like Tarantino himself), to torture, mutilate, and slaughter evil white men and women (Germans, Nazis) during World War II. ‘Terds, in short, is nothing but an elaborate fantasy of Jewish sadism and revenge. (more…)