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Part of every ideologically lonely dissident rightist’s life (or at least mine) is the consumption of horrible to mediocre pop culture minutiae for the purpose of critique, analysis, and simply keeping up with the enemy’s propaganda. (more…)
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Adolescence is the stubborn turd that just won’t flush. Here in its country of origin, the United Kingdom, the dismayingly popular Netflix series about so-called “toxic masculinity” is still dominating the mainstream news agenda, over a month after it was first released. (more…)
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Adolescence is the British regime’s current propaganda vehicle of choice. It has been designed to prepare the public for a bout of severe social media censorship via the Online Safety Act. As is the case with the vast majority of regime and allied propaganda, it attacks white working class males. (more…)
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Toxicity Report
The semiotics of anti-white racism has already been around so long it has become pervasively familiar. Take the BBC’s coverage of Finland, as the skinny Scandinavian country was recently voted the world’s happiest country for the eighth year in succession. I’ve been to Finland, and that is one white country. (more…)
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Netflix has released a new adaptation of Il Gattopardo (The Leopard), the 1958 novel by Giuseppe Tomasi di Lampedusa about a noble Sicilian family living through the tumultuous era of Italian unification. The first and most famous depiction of The Leopard was Luchino Visconti’s 1963 film, starring Burt Lancaster and Alain Delon. (more…)
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Bradley Cooper is a superb actor and director. I loved his A Star Is Born with Lady Gaga. So when I heard that Cooper was starring in and directing Maestro, a biopic about composer-conductor Leonard Bernstein, I had to see it.
Maestro is a masterful work of acting and directing. Bradley Cooper really brings Leonard Bernstein to life. Carey Mulligan is also superb as Bernstein’s wife Felicia. Indeed, there are no weak performances. The sets and costumes are meticulous. (more…)
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Note: There will be mega-spoilers in this article. A lot of the critical messaging of Leave the World Behind comes at the end, and requires me to give away the ending.
I first heard about Leave the World Behind on Twitter/X. The tweet informed me that it was a new Netflix movie made by Barak Obama’s production company, High Ground Productions; had something to do with the end of the world, when technology stops working; and had some anti-white overtones about white people not being trustable. I decided to watch based on that tweet. (more…)
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Glass Onion: A Knives Out Mystery, which was released on Netflix on Friday, is the sequel to Rian Johnson’s 2019 mystery film Knives Out (reviewed by the author here). It is even worse than its overhyped predecessor: predictable, unfunny, and not nearly as clever as Johnson wants it to be.
The film is set on the private island of tech billionaire Miles Bron, who co-founded the company Alpha. Miles invites five friends to a murder mystery-themed party: (more…)
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Netflix thinks pimping preteens is a great way to market its new movie Cuties. The French film follows a dance troupe of 11-year-old girls who discover their “femininity.” Netflix advertised the film with images of the girls in suggestive outfits, which inevitably drew a public backlash. The streaming giant apologized for the advertisements (more…)
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If the title of this review surprises you, it shouldn’t. Do not be disillusioned — this multi-part spy saga is transparent propaganda, promoted (if not partly financed, I suspect) by Israel. It’s as Kosher as Rosenfeld’s bagels.
But first, the story. It concerns a Sephardic Jewish man, Eli Cohen, born in Alexandria, Egypt. By posing as an importer of Argentinian products into Syria, he manages to ingratiate himself into Syrian political society. Using the name Kamel Thaabet, he befriends members of the Ba’ath political party, including Colonel Amin al-Hafez who would later become Syria’s president (more…)
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Bird Box (2018)
Directed by Susanne Bier
Starring Sandra Bullock, Trevante Rhodes, & John Malkovich
Netflix’s 2018 movie Bird Box is a hit. The movie has had more than forty million viewers in its first weeks, and its images have led to a host of Internet memes from clever keyboard jokers. The movie is a standard apocalypse film – man versus the supernatural – but there are some twists. (more…)
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Struggle: The Life & Lost Art of Szukalski (2018)
Directed by Ireneusz Dobrowolski
Written by Stephen Cooper & Ireneusz Dobrowolski