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If we believe that we are living in the dark age, or Kali Yuga, then we must believe that things will only continue to get worse before they get better. We should therefore look for silver linings whenever we can find them. One such silver lining is that the traditional distinction between the Right-Hand Path and the Left-Hand Path has crumbled. This crumbling has positive implications both for esoteric initiation as well as exoteric politics, and has arguably created the possibility of a Third Path that is more suitable towards action than contemplation. (more…)
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The very idea sounds absurd. Militant supporter of National Socialism, foundational figure of Esoteric Hilterism, the iron maiden known to academia — insofar as she is known at all — as “Hitler’s Priestess”: dissociating Savitri Devi from her fanatical loyalty to Hitler’s Germany seems as futile as denazifying The Führer himself. (more…)
Albertus Pictor, Death Playing Chess, 1480-90.
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There is something sinister in the springtime this year. Rather than a serving as a yearly reminder of rebirth and natural beauty, the blooming trees and emergent grasses wear the face of some ancient enemy, awoken from its long slumber. The spreading pestilence makes one long for the dormancy and stasis of winter.
This atmosphere of dread has infected every dimension of our lives. (more…)
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Wild at Heart is not David Lynch’s best movie, but it is my favorite. I would argue, for instance, that Blue Velvet, The Elephant Man, and The Straight Story are all better films. But for some reason they do not call me back year after year like Wild at Heart.
Wild at Heart was released in the summer of 1990, when Lynch was riding high on Twin Peaks mania. It won the Palme d’Or at the 1990 Cannes film festival, albeit over vocal protests. (more…)
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The follow is the text of the talk that Counter-Currents editor John Morgan delivered to The New York Forum on May 20, 2017.
Tonight I thought I’d talk about Julius Evola, since yesterday (May 19) was his 119th birthday, and I have overseen the publication of many of Evola’s texts in English. (more…)
Hermann Hesse with Thomas Mann and Jakob Wassermann in the Swiss Alps, 1931.
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Part 2 of 2 (Part 1 here)
Here is where Hesse meets up with Evola: the two post-First World War writers share a number of themes, though what Evola would have called their “personal equation” gave them decidedly different interpretations. Demian, for example, treats of initiation, paganism, esoteric knowledge, and construction of elites, in ways comparable to Evola’s personal investigations with the UR group;[1] but apart from Hesse’s overall Jungian lens, his war-derived pacifism would have disgusted Evola. And his Buddha “is certainly not the one depicted by Hermann Hesse in his novel [Siddhartha].” (more…)
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The follow is the text of the talk that Counter-Currents editor John Morgan delivered to The New York Forum on Saturday.
Tonight I thought I’d talk about Julius Evola, since yesterday (May 19) was his 119th birthday, and I have overseen the publication of many of Evola’s texts in English. (more…)
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Editor’s Note:
The following is an excerpt from chapter 16 of Savitri Devi’s The Lightning and the Sun. The title is editorial.
(more…)
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Editor’s Note:
The following is an excerpt from chapter 16 of Savitri Devi’s The Lightning and the Sun. The title is editorial.
The advanced Dark Age of this present Time-cycle is the reign of the Jew—of the negative element; of the reverser of eternal values for the sake of “human” ones, and, finally, for that of his own, selfish interests; (more…)
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Editor’s Note:
The following is an excerpt from chapter 16 of Savitri Devi’s The Lightning and the Sun. The title is editorial.
The advanced Dark Age of this present Time-cycle is the reign of the Jew—of the negative element; of the reverser of eternal values for the sake of “human” ones, and, finally, for that of his own, selfish interests; (more…)
2,072 words
Editor’s Note:
The following is an excerpt from chapter 16 of Savitri Devi’s The Lightning and the Sun. The title is editorial.
(more…)
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