Frank Herbert’s six Dune novels fall into three pairs. Dune (1965) and Dune Messiah (1969) chart the rise and fall of Paul “Muad’Dib” Atreides, a man who becomes a superman and the God Emperor of the known universe. Children of Dune (1976) and God Emperor of Dune (1981) narrate the rise and fall of Paul’s son, Leto II, a superman who transforms himself into a monster and rules for 3,500 years. Heretics of Dune (1984)[1] and Chapterhouse: Dune (1985)[2] are set 1,500 years after God Emperor and focus on the Bene Gesserit Sisterhood’s struggle with their evil twin, a sisterhood that calls itself the Honored Matres. (more…)
Tag: civilization
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The following essay originally appeared in the January 1992 issue of George P. Dietz’s Liberty Bell magazine, and is reprinted from the Revilo P. Oliver online archive. (more…)
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Gregory Hood was Greg Johnson‘s guest on the latest broadcast of Counter-Currents Radio, where they talked about the new movie The Northman plus YOUR QUESTIONS, and it is now available for download and online listening.
Topics discussed include:
00:01:57 Overview of The Northman‘s themes
00:06:12 Destiny and fate vs. the modern notion of choosing your identity
00:13:49 Odin and the Indo-European Männerbund (more…) -
Last weekend’s Ask Me Anything on Counter-Currents Radio with Greg Johnson is now available for download and online listening.
Topics discussed include:
00:01:24 What are your thoughts on Italy banning Russian ships from their ports?
00:01:50 What are your thoughts on animal testing? (more…) -
Sweet, sweet victory has been had, friends, but at much cost. And even so, it is not as sweet as it may seem. Kyle’s torment outside of prison aside, what has the world come to when the Right is forced to scrape the bottom of the barrel for something to celebrate? Kyle’s acquittal was not a victory, but simply the status quo being maintained. (more…)
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David Lean (1908–1991) directed sixteen movies, fully half of them classics, including three of the greatest films ever made: The Bridge on the River Kwai (1957), Doctor Zhivago (1965), and, greatest of them all, Lawrence of Arabia (1962). Lawrence of Arabia is repeatedly ranked as one of the finest films of all time, and when one compares it to such overpraised items as Citizen Kane and Casablanca, a strong case can be made for putting it at the very top of the list. (more…)
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The Searchers (1956) has been acclaimed not just as one of John Ford’s greatest films, and not just as one of the greatest Westerns, but as one of the greatest films of all time. This praise is all the more surprising given that The Searchers is a profoundly illiberal and even “racist” movie, which means that most fans esteem it grudgingly rather than unreservedly. (more…)
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Twentieth Century Studios is threatening to release a remake of Agatha Christie’s Death on the Nile (1937). And if Kenneth Branaugh’s previous outing as the Hercule Poirot character in 2017’s Murder on the Orient Express was anything to go by, best to avoid it. (more…)
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John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both by raising intellectually deep issues and by an emotionally powerful ending that seems to come out of nowhere. (more…)
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To listen in a player, click here. To download the mp3, right-click here and choose “save link as” or “save target as.”
I believe there is a hierarchy/pyramid to culture, I have been working on this theory for a while now, I think it’s developed enough to at least introduce the concept and framework here as a blog post. It will deal with how culture operates both in theory and conceptually, as well as in practice with examples of people interacting with culture in day-to-day life experiences. (more…)
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Yes, fellows, it’s that time of year again. Once again, the extremely online youth will foreswear masturbation for a whole month in a ritual known as No Nut November. One of the few salutary phenomena to arise out of social media culture, it will at some point in the future be heralded as an antecedent of whatever ideological/religious (more…)
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Africa Addio (Goodbye Africa) (1966), co-directed, co-edited, and co-authored by Gualtiero Jacopetti and Franco Prosperi of Mondo Cane fame, is a must-see red-pill documentary for race-realists. Filmed between 1963 and 1965 in Kenya, Tanganyika, Zanzibar, Rwanda, Angola, the Belgian Congo, and South Africa, Africa Addio chronicles the exit of the British and Belgian colonial powers from Africa, as well as the attempts of the Portuguese and South Africa whites to hold on. (more…)