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The events of January 6 have been called an insurrection, a riot, an assault on democracy — the epitome of white supremacy, revolution, anarchy, elements of a coup d’etat.
One word they haven’t been called is rabble, which is almost a term of honor, and honorable terms aren’t what the state or its servitors want passed on. Honor, you say? Rabble? (more…)
Justus Sustermans, Galileo Galilei, 1636.
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Even the mainstream media are acknowledging that intelligence, as measured by IQ, is declining in most of the world. My view of intelligence is that is partially genetically determined. Genes give you a ceiling for intelligence; you have a potential IQ and a real IQ. Your biology determines your potential IQ; let’s say it is 120. If you receive the proper nurture, i.e. good food in childhood, exercise, and cognitively stimulating activities, by the time you are 25 (the age the brain fully develops) or before, you will have an IQ of 120. (more…)
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The PJs was an animated television sitcom series that unfortunately ran for only three seasons, from 1999 to 2001. Shockingly by today’s standards, the series focused on lampooning inner-city blacks, depicting them as buffoons in a way that would only be acceptable today if the subjects were white. It was not so long ago that (more…)
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If movies can have previews, why can’t movie critics release “pre-reviews”? I ask because September 9th was the release date of the first trailer for the first half of Denis Villeneuve’s adaptation of Frank Herbert’s Dune.
Dune is one of the most-anticipated movies of 2020. Trailers can build up a lot of excitement for a film, but they are immediately forgotten when the movie actually appears. (more…)
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You’d rather see me in the pen
Than me and Lorenzo rollin’ in a Benz-o
Beat a police out of shape
And when I’m finished, bring the yellow tape
To tape off the scene of the slaughter
Still getting swole off bread and water
I don’t know if they fags or what
Search a nigga down, and grabbing his nuts
And on the other hand, without a gun, they can’t get none.
— N. W. A., “Fuck tha Police.” (more…)
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Conservative blogger Kim du Toit had a revealing post earlier this month entitled “Blacktops.” In his words:
Anyone who’s ever worked in the restaurant business will know exactly what the title of this post means. Basically, it’s a denigrating [sic] term that waiters (of all races, by the way) use as shorthand to describe a table of Black customers. What “blacktop” means is that the servers are highly unlikely to get a tip from that seating. Black people don’t tip. (more…)
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I know, the fifty-fourth Super Bowl is old news. Who cares about something that occurred more than 24 hours ago? We might as well discuss a Babylonian sporting event. However, this Super Bowl averaged 102 million viewers, which makes it the eleventh most-watched event in US history — the top 10 are nine other Super Bowls and the final episode of M*A*S*H — and it is the pinnacle of Americanism. All football games are one elongated advertisement to consume more product, but this particular commercial, Super Bowl LIV, was blatantly hostile to its own consumer base. This seems unique and warrants dissection. (more…)
Probably the chairman of a university department somewhere.
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The past four months have been a rather hectic round of presentations at scholarly conferences for your favorite ancient Roman rhetorician. This is my main contribution to the movement. I attend scholarly conferences so that the rest of you don’t have to. Also, it’s the best way of doing reconnaissance of the enemy. And even though I’m fairly inured to the nonsense that passes for “humanistic scholarship” these days, sometimes it’s just more than one can stand.
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Recently, one of the few network TV shows to promote a vaguely Right-of-center politics was taken off the air. The show was cut within hours of its lead actor sending out a tweet about senior Obama adviser Valerie Jarrett (“vj”). (more…)
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These are two videos I have made that are connected by the theme of Hollywood. The first begins with an observation in Jared Taylor’s debate with black supremacist Tariq Nasheed in how black supremacists use the rhetoric of 1970s blaxploitation films to explain their situation, which is invariably one of being oppressed by the White Man. This I call “blaxplainin'”. (more…)
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Menace II Society
Directed by Allen & Albert Hughes
Starring Tyrin Turner, Jada Pinkett, Bill Duke, Larenz Tate, & Charles S. Dutton
1993
Although the Oscar Winner for Best Picture that year was an escapist, integrationalist Western called Unforgiven, Menace II Society was quite possibly the most culturally impactful movie of 1993. (more…)
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Little Richard and some of his biggest fans
After reading this Spectator article about how many current pop stars are “quietly right wing,” I started to think about how what we call rock n’ roll relates to White Nationalism. And I have concluded that it really doesn’t. That doesn’t mean that White Nationalists should never enjoy rock n’ roll. It does mean, however, that it will be harder to achieve and maintain the goals of White Nationalism with rock n’ roll in the world than without it. (more…)
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English original here
Följande kapitel från boken Sexual Utopia in Power av F. Roger Devlin är en fullständig version av en artikel som publicerades i förkortad version i American Renaissance, volym 19, nummer 6, juni 2008.
I mitten av det ”glada tjugotalet”, medan Amerika upplevde en tid av fred och välstånd, utfärdade den framstående litteraturkritikern Irving Babbitt en olycksbådande varning: (more…)
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The métis – individuals who are multiracial or multicultural – is by definition conflicted in his identity. He is, as is well known, part of two worlds but is a full member of neither. The result is a great deal of suffering and incomprehension, as the métis must struggle to imperfectly conform to the norms of two different worlds and feel alienation at being a partial foreigner in both. (more…)
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Swedish translation here
Editor’s Note:
The following chapter from F. Roger Devlin’s Sexual Utopia in Power is the full version of an article that appeared in much-shortened form in American Renaissance, vol. 19, no. 6, June 2008.
D. W. Griffith, January 22, 1875–July 23, 1948
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Silent film pioneer David Wark Griffith, a native Kentuckian of Anglo-Welsh descent called by Jewish film historian Ephraim Katz “The single most important figure in the history of American film, and one of the most influential in the development of world cinema as an art,” has long been lionized in racialist circles as pro-white because of his classic The Birth of a Nation (1915). Left-wing critics, in turn, project a lurid image of the director as a sort of satanic “racist.”
I watched a number of Griffith films, including several of his early shorts, to gauge for myself how well the ideological consensus accords with fact. (more…)