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For years now, readers have been urging me to review Stanley Kubrick’s A Clockwork Orange (1971), which adapts Anthony Burgess’ 1962 novel of the same name. I have resisted, because although A Clockwork Orange is often hailed as a classic, I thought it was dumb, distasteful, and highly overrated, so I didn’t want to watch it again. But I had first watched it decades ago. (more…)
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To be sure, [Heidegger’s] empty formula of “thoughtful remembrance” can also be filled in with a different attitudinal syndrome, for example with the anarchist demand for a subversive stance of refusal, which corresponds more to present moods than does blind submission to something superior. But the arbitrariness with which the same thought-figure can be given contemporary actualization remains irritating. (more…)
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American Pimp is a 1999 documentary directed by the Hughes Brothers, the half-black, half-Armenian twins who also directed Menace II Society and Dead Presidents. American Pimp has fallen into obscurity and is now hard to find. But it deserves to be better-known, especially among race-realists. American Pimp is just under 90 minutes. It consists primarily of interviews with black pimps and their prostitutes. (more…)
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In 1975, Aleksandr Solzhenitsyn excised the several Lenin chapters from his massive and unfinished Red Wheel epic and compiled them into one volume entitled Lenin in Zürich. At the time, only one of these chapters had been published — in Knot I of the Red Wheel, known as August 1914 — while the remaining chapters would still have to languish in the author’s desk drawer for decades before appearing as part of The Red Wheel proper (November 1916 and March 1917, specifically). (more…)
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Anthony Minghella’s The Talented Mr. Ripley (1999) has been one of my favorite films since I saw it on the big screen while living in darkest Atlanta. A few years later, post-red pill, I bought the DVD and was struck anew at the brilliance of the script, performances, and direction. But I was also struck by the sheer whiteness of this film, which is set in 1958 and 1959 in New York City and Italy (Rome, Venice, the Bay of Naples). There’s nothing new about the idea of “escapist” entertainment. (more…)
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Arktos CEO Daniel Friberg (left) getting chummy with Swedish antifa founder Mathias Wåg (right)
In “Greg Johnson’s Attacks And How To Deal With Them,” Daniel Friberg and Richard Spencer claim that I made a series of accusations against Friberg in a thread on the TRS Forum. Then they demand that I substantiate these accusations or retract them and apologize. After that, they allege that I have a pattern of launching divisive and baseless attacks on important movement people, (more…)
2,906 words
Übersetzt von Osimandia.
English original here
Juden haben viele einzigartige psychologische Charakteristika, durch die sie sich radikal von Nichtjuden unterscheiden. Eine Eigenschaft, die Juden in einer Situation unter vier Augen und sogar in Gruppensituationen an den Tag legen, ist eine scharfsinnige Empfindsamkeit für Feinheiten, Nuancen, Wünsche, Gedanken und Gefühle von Nichtjuden. (more…)
Psychopaths’ brains lack basic wiring that triggers compassion
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German translation here
Jews have many unique psychological characteristics that render them radically unlike non-Jews. One quality Jews possess in one-on-one situations, and even group situations, is a keen sensitivity to the subtleties, nuances, desires, thoughts, and emotions of non-Jews. They can size up people of all races and interact with them extremely well. This is no doubt one reason for their prominent role as mediators and go-betweens. (more…)
Hercules battles the hydra
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Recently I suffered a plague of flies. It started small, with just a couple. I noticed one buzzing around the living room, moving at a fairly leisurely clip. It was easy to kill, a deed I committed with a dish towel. (more…)
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Andy Nowicki’s Counter-Currents article “In Defense of ‘Squares’” has prompted a reply from Ferdinand Bardamu, “Can You See the Real Me?” Both articles raise important questions about identity in connection with the “game” or “PUA” (pickup artist) phenomenon.
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