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With the Charlottesville and Rittenhouse trials both having recently concluded, it seems appropriate to discuss an important aspect of “Lady Justice” and her true, glorious identity that lurks behind the modern pseudo-myth.
The modern, normie conception of Lady Justice is as a woman holding scales and a sword, and most of all, blindfolded. (more…)
Andrea del Sarto, The Sacrifice of Isaac, 1527.
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Officer Derek Chauvin was found guilty on all counts for the “murder” of the beatified George Floyd. The jury, consisting of only two white men among twelve, found him guilty within a matter of hours. It was a quick decision that sent a clear message to America: black lives matter more than yours.
Despite being denounced by nearly every law enforcement official in the country, Derek Chauvin is the face of American police. (more…)
StoneToss, Justice is Bind, 2021.
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Officer Derek Chauvin should not have been convicted for murder in the death of George Floyd. But the conviction comes as no surprise, because it comes at the end of a long list of things that shouldn’t have happened. (more…)
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One of the great unexpected pleasures of the Covid lockdown last spring was discovering oddball television series you otherwise wouldn’t have approached with a barge pole. Producers and programming executives detected a nice angle here, so they moved up launch dates by a few months. This is what happened with Mrs. America, a nine-part FX series with Cate Blanchett that debuted on Hulu last April and May, instead of its originally scheduled launch in July and August. (more…)
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John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both by raising intellectually deep issues and by an emotionally powerful ending that seems to come out of nowhere. (more…)
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If An Agent Knocks is a guidebook written by the Center for Constitutional Rights. Although they’re a left-leaning advocacy group, they’re not the sort likely to make you run away screaming as if Cthulhu is trying to eat your mind. Actually, some of their causes may be of interest. The intended audience is those who might be targeted by politically-motivated investigations and harassment under color of law. I’ll go over the basics, and add my extensive commentary as usual. (more…)
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To be sure, [Heidegger’s] empty formula of “thoughtful remembrance” can also be filled in with a different attitudinal syndrome, for example with the anarchist demand for a subversive stance of refusal, which corresponds more to present moods than does blind submission to something superior. But the arbitrariness with which the same thought-figure can be given contemporary actualization remains irritating. (more…)
J. R. R. Tolkien’s original illustration, “Conversation with Smaug,” from The Hobbit, 1938.
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Last May, I wrote an essay entitled “Weaponizing Money.” In it, I argue that racially conscious whites should act with urgency when it comes to money, and earn as much of it as possible. I dispel any notion that this is selling out — as long as the money can somehow contribute to the cause and not a person’s expensive lifestyle. I also argue that it is possible to make a lot of money and still be passionate about what you do. Any white person supporting white advocacy should, at a minimum, accustom themselves to living as cheaply as is reasonably possible and being as generous as reasonably possible. (more…)
Ludwig Wittgenstein
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Don’t use the rules.
They’re not for you,
They’re for the fools.
And you’re a fool
If you don’t know that.
So, here’s the rules
You stupid fool.
— The Clash, “Cheat” (more…)
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Does anyone believe that Covid-19 vaccination will not soon be compulsory for all citizens of Joe Biden’s “systemically racist” America? Going to work, sending your children to school, flying on a plane, going to a gym, being eligible for health insurance, voting, shopping (more…)
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Dirty Harry (1971), directed by Don Siegel and starring Clint Eastwood as San Francisco Police Inspector Harry Callahan, is a classic of Right-wing cinema. Dirty Harry was hugely popular with moviegoers, spawning four sequels and a whole genre of films about tough cops whose hands are tied by the system and are forced to go outside the law in order to protect the public.
Dirty Harry articulated the growing reaction to the racial unrest, hippy degeneracy, and liberal mush of the 1960s, (more…)
Tim Pool
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It’s always interesting when I find someone who shares a clean sweep of my politics but for largely different reasons. Such a person seems completely in line with my outlook, but really isn’t. Although in Tim Pool’s case, I’ll bet that he is and just doesn’t realize it yet.
For the past several months Tim Pool has been banging the Trump drum. (more…)