Tag: David Yorkshire

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In this three-part video series, David Yorkshire of Mjolnir Magazine visits Stift St. Peter in Salzburg, which is a multi-faceted monastic complex dating originally from the end of the seventh century after the collapse of the Western Roman Empire and founded by St. Rupert. (more…)

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Norman Bates has been created, a mentally deranged man dressing up as mother. There are many like Robert Bloch’s character; some like Liam Suleman/Lucy Edwards, William/Gillian Jaggs, and Kayleigh-Louise Woods/Kyle Lockwood have all murdered women exactly like the character; others behave in other violent and depraved ways, like Miguel/Michelle Martinez, Kim Leverton, and Gary/Carys Cooper, who have all sexually assaulted children; still others are non-violent, but equally psychologically damaged. (more…)

Jean-Benoît Dunckel (left) & Nicolas Godin of Air.

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Having driven the length and breadth of Western Europe and in parts of the East, one thing has struck me on the long hours on the road: French radio is probably the worst in Europe. Most of it consists of bourgeois chatter, like their television. (more…)

Dev Patel is a natural for David Copperfield in Victorian London.

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At the beginning of this year, I wrote an article exposing the Huffington Post’s double standard and anti-white agenda when it comes to racialized casting in film and television series. The Huffington Post’s position reflects that of the mainstream media at large, whereby persons of color being cast in white roles is to be applauded, whereas whites being cast in non-white roles is to be denounced. (more…)

Oksana Shachko

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A founding member of the feminist group Femen has died at the age of 31. Oksana Shachko has apparently taken her own life in her Paris apartment by hanging herself. She was of course not the real leader, for the real leaders were the financiers of Femen, the ones who provided the Ukrainian with an expensive Parisian apartment, the ones who set her up with a cushy career as an “artist,” where she could deconstruct Western culture to her handlers’ hearts’ content. Everything Femen has done has been contradictory and destructive. (more…)

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David Yorkshire and Neil Westwood, in this episode of Mjolnir at the Movies (affiliated with Mjolnir Magazine), discuss John Carpenter’s “Apocalypse Trilogy”: The Thing, Prince of Darkness, and In the Mouth of Madness. They also examine Carpenter in general and discuss why a director who has always identified himself with the political Left has always appealed to Rightists. They also show how Carpenter uses simple techniques to belie his budget constraints, offering good advice for independent filmmakers financing their own small-budget films.

Mjolnir at the Movies Episode 4: In the Thing’s Mouth of Darkness

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Soul music is said to be the preserve of the Negro, yet the later soul music of the Negro was not the preserve of the Negro, for it very often relied on Jewish production under the likes of Syd Nathan, Ralph Bass, Jerry Wexler, Jerry Leiber and Mike Stoller, and on White classical tradition and instrumentation for its orchestral arrangements. (more…)

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David Yorkshire of Mjolnir: A Magazine for the Creative Arts has produced a video in which he takes us on a tour of the Walhalla memorial in Bavaria, Germany, and discusses the various ways in which state art can be used to support both culture and the state’s own claim to legitimacy.

Walhalla

Otto Dix, Self-Portrait with My Son

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Otto Dix was a German artist who is now celebrated as one of the great painters of the twentieth century, probably in no small part because he was put on the National Socialists’ list of degenerate artists, as, to the unthinking postmodern Left, anything the National Socialists hated is automatically considered good. Equally though, the postmodern cultureless cartoon Nazis of today’s corrupted Right consider him a degenerate artist also simply because his artworks were deemed Entartete Kunst by the NSDAP. (more…)

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The True Right has always believed in strong leadership and the ability, as Thomas Carlyle wrote, of ‘great men’ to shape history. In his collection of lectures On Heroes, Hero-Worship and the Heroic in History, Carlyle identifies six types of hero: the Hero as Divinity, as Prophet, as Poet, as Priest, as Man of Letters and as King. This is not limited to the Right, for the Left also has its heroes: its revolutionaries and men of theory.
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I have heard it often said that no art is being produced on the Right anymore, that everything we see and hear and experience is deconstructive of traditional Western values, particularly in film. This, however, shows the laziness of many of the talking heads on the Right, who are only too ready to churn out bad news porn and not willing enough to do a modicum of research or promote those creating content. (more…)

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John Boorman’s films are implicitly white, as they address themes that pertain to people of white European descent, whether historical, philosophical, or mythical. For the latter, an example would be the film Excalibur that I recently reviewed. Zardoz is a film that addresses the philosophical. This is another of Boorman’s films that the critic Roger Ebert neither understands nor cares for – and I suspect more the latter, for the film is a biting satire directed at creamy bourgeois Leftists. (more…)

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David Yorkshire of Mjolnir: A Magazine for the Creative Arts has recently produced a series of videos in which he takes a look at the Normans and the impact they had and have had on English society from various locations of significance in Normandy itself. The first documentary is from Barfleur, embarkation point of the Norman fleet before it set sail to England. Dave offers some general information on the Duchy of Normandy’s foundation and the dukes, as well as background information on England’s recent history leading up to the invasion in 1066. The entire series can be found here.

Barfleur