Detail, Wojciech Gerson, The Capture of the Wends, 1866.
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Populist leaders like Donald Trump and Marine Le Pen are right in zeroing in on the economic damage that the globalists have inflicted on the working and middle classes. (more…)
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For years now, readers have been urging me to review Stanley Kubrick’s A Clockwork Orange (1971), which adapts Anthony Burgess’ 1962 novel of the same name. I have resisted, because although A Clockwork Orange is often hailed as a classic, I thought it was dumb, distasteful, and highly overrated, so I didn’t want to watch it again. But I had first watched it decades ago. (more…)
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English original here
Poznámka autora: Následuje přepis mé řeči, která zazněla na čtvrtém setkání fóra Scandza v Kodani 15. září 2018. Při svém minulém vystoupení na Scandza fóru jsem hovořil o nutnosti vytvořit zvláštní etnonacionalistické poselství pro všechny bělošské skupiny, včetně třeba fandů Star Treku. Následující řádky tedy budiž jakousi epištolou určenou „Trekkies“. Rád bych také poděkoval všem účastníkům i organizátorům fóra Skandza. (na videozáznam řeči se můžete podívat zde)
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Author’s Note:
This is the text of my talk at the fourth meeting of the Scandza Forum in Copenhagen, Denmark, on September 15, 2018. In my previous Scandza Forum talk, I argued that we need to craft ethnonationalist messages for all white groups, even Trekkies. This is my Epistle to the Trekkies. I want to thank everybody who was there, and everybody who made the Forum possible. (more…)
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It was only a few weeks ago that I did an interview with Ryan Faulk of Alternative Hypothesis fame here in the pages of Counter-Currents. I thought it was a good interview, and Faulk had a lot of interesting things to say. (more…)
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John Boorman’s films are implicitly white, as they address themes that pertain to people of white European descent, whether historical, philosophical, or mythical. For the latter, an example would be the film Excalibur that I recently reviewed. Zardoz is a film that addresses the philosophical. This is another of Boorman’s films that the critic Roger Ebert neither understands nor cares for – and I suspect more the latter, for the film is a biting satire directed at creamy bourgeois Leftists. (more…)
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As if the recent jihadist attacks in Paris weren’t tragic enough, they instigated a series of vicious counter-strikes by the French left, who pummeled every available Muslim with good-will, tolerance, flowers, fraternité, and hugs. (more…)
Kris Kurski, “Imminent Utopia”
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English original here
De modo a traçar os contornos futuros do espaço geográfico global dentro das perspectivas da luta revolucionária e da ideologia política nós devemos começar com uma clara estrutura metodológica.
Minha tese é bastante simples e é baseada em uma proposição de Georges Sorel sobre a dicotomia entre formações sociais e políticas. Ele dividiu estas em dois tipos: (more…)
Kris Kurski, “Imminent Utopia”
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Portuguese translation here
Georges Sorel divided social and political formations into two types: (1) those which had a myth as the basis for their ideology, and (2) those which appealed to utopian ideas. The first category he attributed to revolutionary socialism, where the true revolutionary myths are not descriptions of phenomena, but the expression of human will. (more…)
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