Tag Archives: the uncanny

Phil Eiger Newmann, Login, Logout, 2020.

1,389 words

Back in the year 2000 — before the advent of smartphones and the existence of social media in any significant sense beyond a humble smattering of BBS message boards — I and the other convicts at Oregon State Penitentiary caught wind of a new super-max prison they were building in the state’s remote eastern regions. Read more …

Published: November 19, 2020 | Posted in North American New Right | Also tagged art, articles, escapism, Jim Goad, mental illness, North American New Right, originals, social media, the internet, video games | 30 Responses

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20 Years of Radiohead’s Kid A

Scott Weisswald

1,214 words

Kid A belongs on an end-times list of anti-modern records. How is that possible? Radiohead is, by any measure, one of the most successful recording groups in the world and also one of the most reliable when it comes to mainstreaming alternative and experimental music. Does it make sense to call a record like this one Read more …

Published: October 2, 2020 | Posted in North American New Right | Also tagged articles, electronic music, Kid A, modernity, music reviews, North American New Right, originals, Radiohead, Scott Weisswald, technology, the unknown | 3 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Eight

Derek Hawthorne

5,468 words

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7

At first, we hear the sound of birds singing. The sound is pretty and harmless. Is it the lovebirds in the kitchen? Then we hear fluttering and flapping. This grows louder and louder and the pretty singing of a moment before is replaced by angry cawing and screeching. It is one of the most interesting scenes in the entire film. Read more …

Published: July 13, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, being, das Ereignis, Dasein, Derek Hawthorne, die Lichtung, feminism, Martin Heidegger, modernity, movie reviews, North American New Right, originals, philosophy, The Birds | 2 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Seven

Derek Hawthorne

5,283 words

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6

With the gulls now retreating, Mitch and Melanie leave the Tides restaurant and make their way up the hill to Annie’s house to retrieve Cathy. All is deathly quiet. As they approach the schoolhouse, they see that the crows are back and perched all over. “Look, the crows again!” Melanie says breathlessly. Read more …

Published: July 3, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, class conflict, complacency, das Ereignis, Dasein, Derek Hawthorne, die Lichtung, knowledge, Martin Heidegger, modernity, movie reviews, North American New Right, originals, philosophy, spirituality, The Birds, the bourgeoisie, tribalism, women | 4 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Six

Derek Hawthorne

4,963 words

Part 1, Part 2, Part 3, Part 4, Part 5

(Editor’s Note: Mr. Hawthorne apologizes for repeatedly announcing the conclusion of this series. He is making it up as he goes along.)

For the last two installments, I have been principally occupied with an exposition of the ideas of the later Heidegger, and with a Heideggerean interpretation of The Birds. There is much more to be said, Read more …

Published: June 12, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, das Ereignis, Derek Hawthorne, horror, hubris, knowledge, Martin Heidegger, movie reviews, North American New Right, originals, philosophy, religion, The Birds | 3 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Five

Derek Hawthorne

6,056 words

Part 1, Part 2, Part 3, Part 4

In the last installment, I began to explore the possibility that The Birds can be understood as an “existentialist” parable. I argued that the film depicts what Heidegger calls das Ereignis (the event): a sudden and fundamental transformation of the meaning of everything. Read more …

Published: June 3, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, apocalypse, articles, being, complacency, das Ereignis, Dasein, Derek Hawthorne, die Lichtung, environmentalism, hubris, knowledge, Martin Heidegger, modernism, mortality, nature, North American New Right, originals, philosophy, scientism, The Birds | 8 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Three

Derek Hawthorne

5,153 words

Part 1, Part 2

The police are called, and Mitch is asked to meet the sheriff at the Fawcett farm. Some detectives from Santa Rosa are going to join them there. Presumably, Mitch is expected to repeat his mother’s account of finding the corpse of Dan Fawcett, its eyes pecked out by homicidal birds. Read more …

Published: May 20, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, Derek Hawthorne, empiricism, horror movies, Jef Costello, Martin Heidegger, maturity, movie reviews, nature, North American New Right, originals, philosophy, relationships, scientism, The Birds | 1 Response

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Two

Derek Hawthorne

5,115 words

The next day, Melanie attends Cathy’s birthday party, as promised. It is held outdoors at the Brenner home, behind the house. A dozen or more children are present, along with some parents. Annie is also on hand, to help out. Colorful balloons have been strung up, and there is a long table covered in cake and other treats. Mitch and Melanie (still wearing her green suit) have been drinking and decide to leave the party briefly while the children play. Read more …