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Tucker Carlson and the New York Times Agree About the Great Replacement
The Anti-Defamation League is a Jewish organization that exists for the sole purpose of defaming whites. Its current CEO, Jonathan Greenblatt, resembles an egg with AIDS. (more…)
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The PJs was an animated television sitcom series that unfortunately ran for only three seasons, from 1999 to 2001. Shockingly by today’s standards, the series focused on lampooning inner-city blacks, depicting them as buffoons in a way that would only be acceptable today if the subjects were white. It was not so long ago that (more…)
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On the Counter-Currents Radio fundraiser livestream for July 26th, 2020, Greg Johnson is joined by special guest Morgoth to discuss culture, nostalgia, individualism, music, television, and the End of History. (more…)
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In tyrannies. . . to test the tyrant’s authority was to risk incarceration, torture, and death; in America’s democracy, by contrast, to contest the president’s authority was to win media attention, big book advances, posses of fellow-travelers, and lawyers such as Ken Starr crowding for business and prominence.
— Nigel Hamilton (more…)
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Written by Paddy Chayefsky and directed by Sidney Lumet, Network (1976) is a sardonic, dark-comic satire of America at the very moment that its trajectory of decline became apparent (to perceptive eyes, at least).
Network has an outstanding script and incandescent performances, which were duly recognized. Chayefsky won the Oscar for Best Screenplay. Peter Finch won the Oscar for Best Actor (more…)
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If the title of this review surprises you, it shouldn’t. Do not be disillusioned — this multi-part spy saga is transparent propaganda, promoted (if not partly financed, I suspect) by Israel. It’s as Kosher as Rosenfeld’s bagels.
But first, the story. It concerns a Sephardic Jewish man, Eli Cohen, born in Alexandria, Egypt. By posing as an importer of Argentinian products into Syria, he manages to ingratiate himself into Syrian political society. Using the name Kamel Thaabet, he befriends members of the Ba’ath political party, including Colonel Amin al-Hafez who would later become Syria’s president (more…)
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To kick off the new season of Guide to Kulchur, John Morgan and Survive the Jive rejoin Fróði Midjord to discuss David Cronenberg’s classic 1983 film, Videodrome, (more…)
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Robert Redford’s 1994 film Quiz Show tells the story of the Twenty-One game show scandal of the late 1950s. Featuring a superbly literate and psychologically subtle script and outstanding performances by Ralph Fiennes, Paul Scofield, John Turturro, and Rob Morrow, Quiz Show dramatizes important moral issues and explores the corrupting influence of television in American life.
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As luck would have it, I recently spent a day snowed-in at a hotel in a Midwestern city. Fortunately, there was complimentary cable. (more…)
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When asked to name my favorite film, I have a tough time choosing between Fight Club and Network. I was delighted, therefore, when I learned that Network had been turned into a Broadway play starring Bryan Cranston of Breaking Bad. What could possibly go wrong?
Well, everything, as it turned out.
Silvio Berlusconi addressing a People of Freedom rally in 2008
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Silvio Berlusconi, 76, the billionaire three-time Prime Minister of Italy (1994–’95, 2001–2006, 2008–2011), has a reputation as a “right-wing” television tycoon who utilized his broadcasting power to achieve and maintain political power.
The use of television as a political tool by the Left is ubiquitous and well-known, but cases like Berlusconi’s that depart marginally from the norm should be suggestive of alternative possibilities.
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Communications technologies powerfully impact how and what people think, what they view as right and wrong—even what they are capable of thinking and valuing.
Some Iraq network TV logos
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It is instructive to look at what Jewish-Leftist forces do when they overthrow nations. In particular, how do they use the media, especially television, in conquered countries to mold elites and masses to their will?
The American invasion and occupation of Iraq furnishes an example. (more…)
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If I had to put my finger on the defining feature of contemporary American life, it would be anger. Everyone is angry about something, and in many cases, it is often an individual’s most defining characteristic. Mainstream conservatives are convinced that they have somehow been cheated out of their birthright, because liberals just won’t get with the program, and mainstream liberals are convinced that America would transform into utopia overnight, were it not for those other people (more…)
Allen DuMont & Color Picture Tube
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Long ago, there was, believe it or not, a fourth American TV network in addition to the Jewish-owned CBS and NBC, and smaller rival ABC.
The fourth, forgotten, network was the DuMont Television Network, founded by a white television pioneer named Allen B. Du Mont. (His name is variously spelled DuMont and Du Mont, but never Dumont. I’ve used Du Mont for the man and DuMont for the names of his companies.) (more…)
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English original here
GJ: Pourriez-vous nous donner une brève autobiographie et nous dire comment vous vous êtes impliqué dans le Nationalisme Blanc ?
Harold Covington: Je suis né à Burlington, Caroline du Nord, en 1953. J’ai reçu ma première dose de réalité raciale à l’âge de 15 ans quand on me jeta dans un lycée [racialement] intégré, à Chapel Hill, NC qui était mauvais selon les standards de l’époque (1968) mais qui bien sûr était un jardin d’enfant comparé à la situation raciale qui existe dans nos écoles aujourd’hui. (more…)
„To boldly go, where no man has gone before“: der erste interrassische Kuß des Fernsehens in „Star Trek“
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Übersetzt von Deep Roots
English original here
Wenn die meisten Leute Weiße sehen, die mit Nichtweißen gehen, dann ist die sofortige Annahme die, daß mit dem Weißen etwas nicht stimmt. (more…)
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German translation here
Boldly going where no man has gone before: television's first interracial kiss on "Star Trek"
When most people see whites dating non-whites, the immediate assumption is that there is something wrong with the white. Usually the defects are obvious. We know why a homely or obese white woman is sleeping with blacks or Mexicans: They are willing to overlook her faults because she is white. (more…)
