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Tag: Stanley Kubrick

  • May 4, 2022 Steven Clark 4 comments Print

    Fail-Safe & Today’s Nuclear Crisis

    2,454 words

    Unlike many moviegoers, I was never that enthusiastic about Dr. Strangelove, Stanley Kubrick’s response to the arms race. I remember that back in the 1980s, a girlfriend and I saw the film and she thought it made light of a serious issue. This was at the height of President Reagan’s sending more missiles to Europe, his Star Wars missile defense plan, and everyone’s lugubrious viewing of The Day After. (more…)

  • April 5, 2021 Trevor Lynch 21 comments Print

    A Clockwork Orange

    1,503 words

    For years now, readers have been urging me to review Stanley Kubrick’s A Clockwork Orange (1971), which adapts Anthony Burgess’ 1962 novel of the same name. I have resisted, because although A Clockwork Orange is often hailed as a classic, I thought it was dumb, distasteful, and highly overrated, so I didn’t want to watch it again. But I had first watched it decades ago. (more…)

  • October 3, 2019 Trevor Lynch 43 comments Print

    Eyes Wide Shut

    4,473 words

    The day Jeffrey Epstein turned up dead in a New York jail cell, I decided I needed to write something about Eyes Wide Shut (1999), Stanley Kubrick’s last and weakest movie.

    Epstein has quickly faded from the headlines, so let me remind you briefly of who he was. Epstein was an American Jew who enjoyed immense wealth from unknown sources, hobnobbed with the global elite, including Bill Clinton and Prince Andrew, (more…)

  • October 3, 2019 James J. O'Meara 12 comments Print

    Six Degrees of Joe Turkel:
    Paranoiac-Critical Reflections on Kubrick’s Paths of Glory

    4,031 words

    Paths of Glory (1957)
    Directed by Stanley Kubrick
    Written by Stanley Kubrick, Calder Willingham, & Jim Thompson (based on the novel by Humphrey Cobb)
    Starring Kirk Douglas, Ralph Meeker, Adolphe Menjou, George Macready, Wayne Morris,
    Richard Anderson, Joe Turkel (as Joseph Turkel), Christiane Kubrick (as Susanne Christian), & Emile Meyer

    (more…)

  • July 9, 2019 Jef Costello 24 comments Print

    Soporific Cinema

    2,127 words

    I like to fall asleep in front of the TV, and I’ve established a ritual for it. After a hard day of writing inspirational articles for Counter-Currents (under various pennames), I mix myself a drink that consists of vodka, soda water, lots of lime juice, and lots of ice. I thought I had invented this carb-less drink until, to my embarrassment, I discovered it already had a name: “The Skinny Bitch.” Apparently, it is also enjoyed by rail-thin rich bitches sitting poolside at the country club (like that mother on Arrested Development). (more…)

  • February 28, 2019 John Morgan 23 comments Print

    Now in Audio Version!
    Ten Great Films Against the Modern World, Part I

    2,550 words / 15:56

    Part 1 of 2 (Part 2 here)

    To listen in a player, click here. To download the mp3, right-click here and choose “save link as” or “save target as.” To subscribe to the CC podcast RSS feed, click here.

    Some friends recently asked me to draw up a list of a few films that have made a lasting impression on me, aesthetically, emotionally, intellectually, or however, over the course of my life thus far. (more…)

  • January 21, 2019 Counter-Currents Radio 6 comments Print

    Guide to Kulchur, Episode 10
    Eyes Wide Shut

    77 words / 1:26:31

    Greg Johnson joins Fróði Midjord on the latest Guide to Kulchur to discuss Stanley Kubrick’s last movie, Eyes Wide Shut (1999), which is about elite societies involved in occult sex rituals in modern-day New York. (more…)

  • May 6, 2018 Me ne frego 5 comments Print

    Me ne frego
    Episode 28: Enoch Powell, & A Clockwork Orange

    122 words / 1:40:25

    Co-hosts Fróði Midjord and Jonas De Geer were joined by Counter-Currents Book Editor John Morgan for today’s broadcast, which commemorated two recent anniversaries: (more…)

  • October 30, 2017 Jef Costello 37 comments Print

    I Wake Up Screaming:
    My Top Ten Halloween Horror Flick Picks

    2,284 words

    It’s not clear why human beings enjoy being frightened. Indeed, in most circumstances we don’t. I find nothing particularly “thrilling,” for example, about the frightening threat posed by mass non-white migration into the lands of my ancestors. Nor do I enjoy how I feel when I’m the only white person on the J train at midnight. But I thoroughly enjoy the imaginary threats posed by ghosts, witches, and vampires. There’s a lot to be said here about the human fascination with the uncanny, and what it reveals about us. (more…)

  • June 5, 2017 Dylan Bonnar 7 comments Print

    Love & Death in the Sudetenland: The Golden City

    1,847 words

    Die goldene Stadt
    Directed by Veit Harlan
    Starring Kristina Söderbaum, Eugen Klöpfer, Rudolf Prack, & Paul Klinger
    1942

    Die goldene Stadt (The Golden City) premiered at the Venice Film Festival in 1942, where it won the Best Actress award as well as a special award for direction. It was an enormous commercial and critical success across a Europe that was undergoing the most brutal war in its history. (more…)

  • February 13, 2015 James J. O'Meara 20 comments Print

    Essential Films . . . & Others

    Edward Hopper, New York Theater,

    Edward Hopper, New York Movie, 1939

    3,774 words

    Looking over Trevor Lynch’s list of his “Ten Favorite Films” in his forthcoming collection, Son of Trevor Lynch’s White Nationalist Guide to the Movies, it occurred to me that I couldn’t possibly put together such a list, even if I could decide on a criterion or two.

    (more…)

  • June 9, 2014 Christopher Pankhurst 6 comments Print

    The Presence of the Past:
    From Ancestor Worship to Hauntology

    William Blake, "Hamlet and his Father's Ghost"

    William Blake, “Hamlet and his Father’s Ghost”

    5,903 words

    We never manage to bury the dead completely. Their words still echo down to us from beyond life’s event horizon in direct contravention of physical law. Our stance towards death is a determining factor in how the dead return to us; in what form and with what significance they haunt the living. Although they are always there, the ways in which they interact with us vary and shift through time. And, at the present time, there is a strange blend of residual religious funerary rites and atheistic materialism. It feels very much as though we go through the motions of dispatching the dead to the next world without believing a word of it. (more…)

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