1,503 words
For years now, readers have been urging me to review Stanley Kubrick’s A Clockwork Orange (1971), which adapts Anthony Burgess’ 1962 novel of the same name. I have resisted, because although A Clockwork Orange is often hailed as a classic, I thought it was dumb, distasteful, and highly overrated, so I didn’t want to watch it again. But I had first watched it decades ago. (more…)
4,473 words
The day Jeffrey Epstein turned up dead in a New York jail cell, I decided I needed to write something about Eyes Wide Shut (1999), Stanley Kubrick’s last and weakest movie.
Epstein has quickly faded from the headlines, so let me remind you briefly of who he was. Epstein was an American Jew who enjoyed immense wealth from unknown sources, hobnobbed with the global elite, including Bill Clinton and Prince Andrew, (more…)
4,031 words
Paths of Glory (1957)
Directed by Stanley Kubrick
Written by Stanley Kubrick, Calder Willingham, & Jim Thompson (based on the novel by Humphrey Cobb)
Starring Kirk Douglas, Ralph Meeker, Adolphe Menjou, George Macready, Wayne Morris,
Richard Anderson, Joe Turkel (as Joseph Turkel), Christiane Kubrick (as Susanne Christian), & Emile Meyer
2,127 words
I like to fall asleep in front of the TV, and I’ve established a ritual for it. After a hard day of writing inspirational articles for Counter-Currents (under various pennames), I mix myself a drink that consists of vodka, soda water, lots of lime juice, and lots of ice. I thought I had invented this carb-less drink until, to my embarrassment, I discovered it already had a name: “The Skinny Bitch.” Apparently, it is also enjoyed by rail-thin rich bitches sitting poolside at the country club (like that mother on Arrested Development). (more…)
2,550 words / 15:56
Part 1 of 2 (Part 2 here)
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Some friends recently asked me to draw up a list of a few films that have made a lasting impression on me, aesthetically, emotionally, intellectually, or however, over the course of my life thus far. (more…)
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Greg Johnson joins Fróði Midjord on the latest Guide to Kulchur to discuss Stanley Kubrick’s last movie, Eyes Wide Shut (1999), which is about elite societies involved in occult sex rituals in modern-day New York. (more…)
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Co-hosts Fróði Midjord and Jonas De Geer were joined by Counter-Currents Book Editor John Morgan for today’s broadcast, which commemorated two recent anniversaries: (more…)
2,284 words
It’s not clear why human beings enjoy being frightened. Indeed, in most circumstances we don’t. I find nothing particularly “thrilling,” for example, about the frightening threat posed by mass non-white migration into the lands of my ancestors. Nor do I enjoy how I feel when I’m the only white person on the J train at midnight. But I thoroughly enjoy the imaginary threats posed by ghosts, witches, and vampires. There’s a lot to be said here about the human fascination with the uncanny, and what it reveals about us. (more…)
1,847 words
Die goldene Stadt
Directed by Veit Harlan
Starring Kristina Söderbaum, Eugen Klöpfer, Rudolf Prack, & Paul Klinger
1942
Die goldene Stadt (The Golden City) premiered at the Venice Film Festival in 1942, where it won the Best Actress award as well as a special award for direction. It was an enormous commercial and critical success across a Europe that was undergoing the most brutal war in its history. (more…)
Edward Hopper, New York Movie, 1939
3,774 words
Looking over Trevor Lynch’s list of his “Ten Favorite Films” in his forthcoming collection, Son of Trevor Lynch’s White Nationalist Guide to the Movies, it occurred to me that I couldn’t possibly put together such a list, even if I could decide on a criterion or two.
William Blake, “Hamlet and his Father’s Ghost”
5,903 words
We never manage to bury the dead completely. Their words still echo down to us from beyond life’s event horizon in direct contravention of physical law. Our stance towards death is a determining factor in how the dead return to us; in what form and with what significance they haunt the living. Although they are always there, the ways in which they interact with us vary and shift through time. And, at the present time, there is a strange blend of residual religious funerary rites and atheistic materialism. It feels very much as though we go through the motions of dispatching the dead to the next world without believing a word of it. (more…)
4,887 words
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb
Director: Stanley Kubrick; written by Peter George, Stanley Kubrick, Terry Southern
Columbia Pictures (1964) (more…)