Tag Archives: Derek Hawthorne

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Nine

Derek Hawthorne

5,423 words

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8

Mitch gathers Melanie’s still unconscious body into his arms and carries her down the stairs. Lydia walks ahead of him, carrying an oil lamp. “Oh, poor thing! Poor thing!” she says. Her resentment toward Melanie now completely gone, she feels only pity. Lydia goes to fetch bandages, as Mitch lays Melanie on the living room sofa. He asks Cathy to get some brandy, Read more …

Published: July 17, 2020 | Posted in North American New Right | Also tagged 2020 American riots, Alfred Hitchcock, articles, being, Black Lives Matter, COVID-19, das Ereignis, die Lichtung, family, Martin Heidegger, modernity, movie reviews, North American New Right, originals, philosophy, scientism, The Birds | 16 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Eight

Derek Hawthorne

5,468 words

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7

At first, we hear the sound of birds singing. The sound is pretty and harmless. Is it the lovebirds in the kitchen? Then we hear fluttering and flapping. This grows louder and louder and the pretty singing of a moment before is replaced by angry cawing and screeching. It is one of the most interesting scenes in the entire film. Read more …

Published: July 13, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, being, das Ereignis, Dasein, die Lichtung, feminism, Martin Heidegger, modernity, movie reviews, North American New Right, originals, philosophy, The Birds, the uncanny | 2 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Seven

Derek Hawthorne

5,283 words

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6

With the gulls now retreating, Mitch and Melanie leave the Tides restaurant and make their way up the hill to Annie’s house to retrieve Cathy. All is deathly quiet. As they approach the schoolhouse, they see that the crows are back and perched all over. “Look, the crows again!” Melanie says breathlessly. Read more …

Published: July 3, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, class conflict, complacency, das Ereignis, Dasein, die Lichtung, knowledge, Martin Heidegger, modernity, movie reviews, North American New Right, originals, philosophy, spirituality, The Birds, the bourgeoisie, the uncanny, tribalism, women | 4 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Six

Derek Hawthorne

4,963 words

Part 1, Part 2, Part 3, Part 4, Part 5

(Editor’s Note: Mr. Hawthorne apologizes for repeatedly announcing the conclusion of this series. He is making it up as he goes along.)

For the last two installments, I have been principally occupied with an exposition of the ideas of the later Heidegger, and with a Heideggerean interpretation of The Birds. There is much more to be said, Read more …

Published: June 12, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, das Ereignis, horror, hubris, knowledge, Martin Heidegger, movie reviews, North American New Right, originals, philosophy, religion, The Birds, the uncanny | 3 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Five

Derek Hawthorne

6,056 words

Part 1, Part 2, Part 3, Part 4

In the last installment, I began to explore the possibility that The Birds can be understood as an “existentialist” parable. I argued that the film depicts what Heidegger calls das Ereignis (the event): a sudden and fundamental transformation of the meaning of everything. Read more …

Published: June 3, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, apocalypse, articles, being, complacency, das Ereignis, Dasein, die Lichtung, environmentalism, hubris, knowledge, Martin Heidegger, modernism, mortality, nature, North American New Right, originals, philosophy, scientism, The Birds, the uncanny | 8 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Four

Derek Hawthorne

4,672 words

Part 1, Part 2, Part 3

We ended our last installment in the midst of the pivotal scene in the Tides Restaurant. There, we met Mrs. Bundy, a droll parody of modern, Western, pig-headed scientism. With arch condescension, she refuses to believe Melanie’s stories about the bird attacks. “Impossible!” Mrs. Bundy declares. “Their brain pans aren’t large enough. . . Really, let’s be logical about this,” Read more …

Published: June 1, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, art, articles, being, das Ereignis, destiny, humanism, Martin Heidegger, modernity, movie reviews, nature, North American New Right, originals, paradigm shifts, philosophy, psychology, scientism, The Birds, Transcendence | 4 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Three

Derek Hawthorne

5,153 words

The police are called, and Mitch is asked to meet the sheriff at the Fawcett farm. Some detectives from Santa Rosa are going to join them there. Presumably, Mitch is expected to repeat his mother’s account of finding the corpse of Dan Fawcett, its eyes pecked out by homicidal birds. Read more …

Published: May 20, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, empiricism, horror movies, Jef Costello, Martin Heidegger, maturity, movie reviews, nature, North American New Right, originals, philosophy, relationships, scientism, The Birds, the uncanny | 1 Response

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part Two

Derek Hawthorne

5,115 words

The next day, Melanie attends Cathy’s birthday party, as promised. It is held outdoors at the Brenner home, behind the house. A dozen or more children are present, along with some parents. Annie is also on hand, to help out. Colorful balloons have been strung up, and there is a long table covered in cake and other treats. Mitch and Melanie (still wearing her green suit) have been drinking and decide to leave the party briefly while the children play. Read more …

Published: May 14, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, articles, horror, movie reviews, North American New Right, originals, Sigmund Freud, The Birds, the uncanny | 7 Responses

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The Birds
Or: Everything You Always Wanted to Know About Coronavirus (But Were Afraid to Ask Hitchcock & Heidegger), Part One

Derek Hawthorne

5,805 words

I watched Hitchcock’s The Birds the other night, for the first time in years. Alone in my apartment, isolated for weeks now due to Coronavirus, I had a sudden hankering to watch the film. Some little. . . um. . . bird was telling me this was what I needed to see, right now. See it I did, and I have carried away what it has to teach us about the current crisis and, strangely enough, how Heidegger is the key to understanding this enigmatic film, which has haunted me for years. Read more …

Published: May 8, 2020 | Posted in North American New Right | Also tagged Alfred Hitchcock, America in the 1960s, articles, electronic music, movie reviews, North American New Right, originals, The Birds | 8 Responses

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German Cinema Classics
Heimat (1938)

Derek Hawthorne

9,830 words

Heimat is one of the finest productions of Third Reich cinema, and by any standard it is an excellent film. The title means “homeland,” and in the minds of many the word Heimat is closely associated with National Socialist ideology. Indeed, a close study of this film can give us priceless insights into the true nature of that ideology. But the results may surprise you.

Published: June 23, 2014 | Posted in North American New Right | Also tagged articles, G. W. F. Hegel, individualism, movie reviews, National Socialism, North American New Right, originals, the bourgeoisie, Third Reich | 3 Responses

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D. H. Lawrence on the Metaphysics of Life

Derek Hawthorne

4,439 words

1. Life and the “Creative Mystery”

Lawrence believes that the chief thing modern science simply cannot explain is life itself. And he regards life as an irreducible, and ultimately inexplicable, primary. Read more …

Published: September 12, 2013 | Posted in North American New Right | Also tagged Aristotle, Arthur Schopenhauer, articles, D. H. Lawrence, Martin Heidegger, metaphysics, North American New Right, originals, philosophy, religion, self-actualization, vitalism | 2 Responses

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D. H. Lawrence’s Critique of Reductionism

Derek Hawthorne

peacock_peahen

Tobias Stranover, “Peacock, Peahen and Poultry in a Landscape,” 1684

3,141 words

In his essay “Why the Novel Matters,” Lawrence writes, “To the scientist, I am dead. He puts under the microscope a dead bit of me, and calls it me. He takes me to pieces, and says first one piece, and then another piece, is me.”[1] This is unfortunate because, as Lawrence never tires of repeating, “life, and life only, is the clue to the universe.”[2]

Published: September 11, 2013 | Posted in North American New Right | Also tagged articles, biology, D. H. Lawrence, North American New Right, originals, philosophy, reductionism, sex, vitalism | 6 Responses

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German Cinema Classics
Der Herrscher (1937)

Derek Hawthorne

4,843 words

Der Herrscher (The Sovereign) is a fascinating film for a variety of reasons. The popular idea of cinema in the Third Reich is that is that every film was rife with propaganda. In fact, most films of the period were purely escapist fare, with minimal propaganda content. When propaganda was present, it often took the form of allegory (as in Kolberg), rather than speechifying or preaching. Read more …

Published: August 29, 2013 | Posted in North American New Right | Also tagged Fritz Lang, movie reviews, National Socialism, North American New Right, originals, Veit Harlan | 10 Responses

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D. H. Lawrence’s Phallic Traditionalism

Derek Hawthorne

Sacred phalluses, Delos, Greece

Sacred phalluses, Delos, Greece

4,361 words

Sex and Religion

D. H. Lawrence argues that through the sex act, individuals participate in some kind of mysterious power running through nature. But does this momentary experience have any kind of long-term effect on them? Lawrence directly addresses this question. When the sex act is over, he writes, “The two individuals are separate again. But are they as they were before? Is the air the same after a thunderstorm as before? No. The air is as it were new, fresh, tingling with newness. Read more …

Published: August 21, 2013 | Posted in North American New Right | Also tagged articles, D. H. Lawrence, North American New Right, originals, pornography, promiscuity, sexuality, Tantrism, vitalism | 10 Responses

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D. H. Lawrence on the Meaning of Sex

Derek Hawthorne

Georgia O'Keeffe, "D. H. Lawrence Pine Tree," 1929

Georgia O’Keeffe, “D. H. Lawrence Pine Tree,” 1929

4,925 words

D. H. Lawrence is best known to the general public as a writer of sexy books. In his own time, his treatment of sex made him notorious and caused him to run afoul of the authorities on a number of occasions. I have no desire to rehearse in detail the well-known history of Lawrence’s troubles with censorship, Read more …

Published: August 19, 2013 | Posted in North American New Right | Also tagged Alain Daniélou, Arthur Schopenhauer, articles, North American New Right, originals, sexuality, Tantrism, the left hand path | 11 Responses

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D. H. Lawrence on Idealism & Evil

Derek Hawthorne

B.J.O. Nordfeldt, "D. H. Lawrence and the Three Fates"

B. J. O. Nordfeldt, “D. H. Lawrence and the Three Fates”

4,086 words

The Origin of Evil

D. H. Lawrence believed in the reality of evil, but he believed that its source lay in the human soul. “Abstraction is the only evil,” he wrote.[1] By abstraction he does not refer to the process of making generalizations or forming concepts. Instead, he means the tendency of human beings to abstract themselves from feeling, from intuition, from nature, and from the present. Abstraction is fundamentally evil, for Lawrence, because it makes most of humanity’s crimes possible. Read more …

Published: August 15, 2013 | Posted in North American New Right | Also tagged articles, Buddhism, D. H. Lawrence, evil, idealism, modernity, mysticism, North American New Right, originals, philosophy, vitalism, Zen | 9 Responses

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D. H. Lawrence’s Critique of Idealism

Derek Hawthorne

3,603 words

The Nature of Mind

“We are now in the last stages of idealism,” Lawrence writes in Psychoanalysis and the Unconscious, and he goes on to claim that psychoanalysis is conducting us through those last stages.[1] Furthermore, he also tells us that idealism is “the one besetting sin of the human race.”[2] What does Lawrence mean by idealism, and why is he so opposed to it?

Published: August 13, 2013 | Posted in North American New Right | Also tagged Adam Smith, articles, D. H. Lawrence, idealism, Immanuel Kant, North American New Right, originals, philosophy, vitalism | Leave a comment

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D. H. Lawrence on the Unconscious

Derek Hawthorne

7,659 words

Lawrence and Psychoanalysis

Without question, the most unusual books D. H. Lawrence ever produced were his two “psychological” works: Psychoanalysis and the Unconscious (1921) and, especially, Fantasia of the Unconscious (1922). These texts are absolutely crucial for understanding Lawrence, for in them he sets forth an entire philosophy.

Published: August 9, 2013 | Posted in North American New Right | Also tagged articles, C. G. Jung, D. H. Lawrence, North American New Right, originals, psychoanalysis, sexuality, Sigmund Freud, the unconscious | 11 Responses

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The Journey to Tilsit:
A Song of Two Movies

Derek Hawthorne

7,194 words

Many people consider F. W. Murnau’s Sunrise: Song of Two Humans (1927) to be the greatest film of the silent era. But most are unaware that it was remade under Hitler as Die Reise nach Tilsit (1939), and directed by the notorious Veit Harlan.

Both films were based upon a novella – titled Die Reise nach Tilsit (The Journey to Tilsit) – by Hermann Sudermann. Read more …

Published: July 30, 2013 | Posted in North American New Right | Also tagged articles, F. W. Murnau, Julius Evola, Kristina Söderbaum, movie reviews, North American New Right, originals, sexuality, the Third Reich, Traditionalism, Veit Harlan | 7 Responses

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Nacionalismo & Racialismo na Filosofia Alemã:
Fichte, Hegel & os Românticos

Derek Hawthorne

3,733 words

English original here

1 – Fichte e o Destino da Nação Alemã

J. G. Fichte (1762-1814), o primeiro dos grandes idealistas alemães pós-kantianos, é uma figura importante na ascensão do nacionalismo alemão – e tem sido muitas vezes acusado de ser um dos pais fundadores do Nacional-Socialismo.

Published: August 31, 2012 | Posted in North American New Right | Also tagged articles, G. W. F. Hegel, German Idealism, Germany, Immanuel Kant, in Portuguese, in translation, J. G. Fichte, Johann Gottfried von Herder, Martin Heidegger, nationalism, philosophy, race, reprints, Romanticism, the Counter-Enlightenment | Leave a comment

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Nationalism & Racialism in German Philosophy:
Fichte, Hegel, & the Romantics

Derek Hawthorne

Philipp Veit, "Germania," 1848

Philipp Veit, “Germania,” 1848

4,354 words

Portuguese translation here

1. Fichte and the Destiny of the German Nation

J. G. Fichte (1762–1814), the first of the great post-Kantian German Idealists, is an important figure in the rise of German nationalism – and has often been accused of being one of the founding fathers of National Socialism.

Published: August 20, 2012 | Posted in North American New Right | Also tagged articles, G. W. F. Hegel, German Idealism, Germany, Immanuel Kant, J. G. Fichte, Johann Gottfried von Herder, Martin Heidegger, National Socialism, nationalism, originals, philosophy, race, Romanticism, the Counter-Enlightenment, the Jewish question | 20 Responses

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Opfergang:
Masterpiece of National Socialist Cinema

Derek Hawthorne

Kristina Söderbaum in "Opfergang"

6,105 words

1. Introduction

I learned about Opfergang from an unlikely source: a documentary on the Slovenian philosopher Slavoj Žižek. In one segment he is shown browsing in Kim’s Video in Manhattan (at its old location on St. Mark’s Place). As he does throughout the documentary, Žižek engages in a kind of frantic monologue, and at one point he names his three favorite films: King Vidor’s The Fountainhead (this really surprised me), Sergei Eisenstein’s Ivan the Terrible, and Veit Harlan’s Opfergang. Read more …

Published: December 16, 2011 | Posted in North American New Right | Also tagged Friedrich Nietzsche, Joseph Goebbels, Kristina Söderbaum, movie reviews, National Socialism, North American New Right, originals, Slavoj Žižek, Veit Harlan | 5 Responses

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S.O.S. Iceberg

Derek Hawthorne

10,030 words

Editor’s Note:

This is the fourth and final part (for now) of Derek Hawthorne’s series on the German “mountain films” of the 1920s and 30s. See the author’s review of North Face for an overview of this genre, its principal characteristics, and why it should interest readers of Counter-Currents.

1. Introduction: From Vertical to Horizontal

S.O.S. Iceberg is not a mountain film. Read more …

Published: October 13, 2011 | Posted in North American New Right | Also tagged Adolf Hitler, Arnold Fanck, articles, Bergfilm, Ernst Udet, feminism, friendship, Leni Riefenstahl, manliness, mountain films, movie reviews, North American New Right, originals, Sepp Rist, sexuality, Traditionalism | 3 Responses

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Storm over Mont Blanc, Part 4

Derek Hawthorne

5,229 words

Part 4 of 4

11. Death on Mont Blanc

Act III of Storm over Mont Blanc begins in the aftermath of the death of Hella Armstrong’s father. Hella and Prof. Armstrong had come to visit Hannes, the lonely Wetterwart, atop Mont Blanc. Read more …

Published: August 22, 2011 | Posted in North American New Right | Also tagged Arnold Fanck, Bergfilm, Ernst Udet, Leni Riefenstahl, manliness, Mont Blanc essay, mountain films, North American New Right, originals, Sepp Rist, sexuality, Storm over Mont Blanc, technology | 3 Responses

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Storm over Mont Blanc, Part 3

Derek Hawthorne

3,750 words

Part 3 of 4

7. Ascending and Descending

Storm over Mont Blanc divides neatly into three acts. Read more …

Published: August 19, 2011 | Posted in North American New Right | Also tagged Arnold Fanck, Bergfilm, D. H. Lawrence, Ernst Udet, Leni Riefenstahl, manliness, Mont Blanc essay, mountain films, North American New Right, originals, Sepp Rist, sexuality, Storm over Mont Blanc, technology | 4 Responses

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Storm over Mont Blanc, Part 2

Derek Hawthorne

2,421 words

Part 2 of 4

3. Above the Clouds

Storm over Mont Blanc opens, appropriately, with shots of the mountain itself and of Hannes’s cabin, situated high above the clouds. (Fanck’s working title for the film was Über den Wolken, Above the Clouds.) Read more …

Published: August 17, 2011 | Posted in North American New Right | Also tagged Arnold Fanck, Bergfilm, Ernst Udet, Leni Riefenstahl, manliness, Mont Blanc essay, mountain films, North American New Right, originals, Sepp Rist, sexuality, Storm over Mont Blanc, technology | Leave a comment

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Storm over Mont Blanc, Part 1

Derek Hawthorne

2,154 words

Part 1 of 4

1. Introduction

Stürme über dem Mont Blanc (1930; literally, Storms over Mont Blanc) is my favorite of the Arnold Fanck mountain films. Read more …

Published: August 16, 2011 | Posted in North American New Right | Also tagged Arnold Fanck, Bergfilm, Ernst Udet, Julius Evola, Leni Riefenstahl, Mont Blanc essay, mountain films, North American New Right, originals, Otto Weininger, Sepp Rist, sexuality, Storm over Mont Blanc, Traditionalism | Leave a comment

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The White Hell of Pitz Palü, Part 2

Derek Hawthorne

5,257 words

Part 2 of 2

“It was only a narrow crevasse in the Palü Glacier,” Johannes Krafft says, “but it reached far down into the darkness.” In a flashback, we see Maria Krafft at the bottom of the crevasse. Is she unconscious, or dead? “There — an urgent cry for help came out from the icy depths — Maria was still alive!” We see Krafft peer over edge, but he can see nothing. He ties his rope to his pick, sticks it deep in the snow, and climbs down into the crevasse. Read more …

Published: August 2, 2011 | Posted in North American New Right | Also tagged Arnold Fanck, Bergfilm, D. H. Lawrence, Ernst Petersen, Julius Evola, Leni Riefenstahl, Luis Trenker, manliness, mountain films, movie reviews, North American New Right, originals, Otto Weininger, sexuality, The Holy Mountain, Traditionalism | 2 Responses

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The White Hell of Pitz Palü, Part 1

Derek Hawthorne

4,097 words

Part 1 of 2

1. Introduction

The White Hell of Piz Palü (Die weisse Hölle vom Piz Palü, 1929) is considered by many to be the finest of Arnold Fanck’s mountain films. As pure cinema, this may well be the case. Though the film does not have quite the philosophical richness of Fanck’s The Holy Mountain, there is definitely more here than meets the eye. Read more …

Published: August 1, 2011 | Posted in North American New Right | Also tagged Arnold Fanck, Bergfilm, Ernst Petersen, Leni Riefenstahl, Luis Trenker, manliness, mountain films, movie reviews, North American New Right, originals, sexuality, The Holy Mountain, Traditionalism | Leave a comment

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The Holy Mountain, Part 2

Derek Hawthorne

5,169 words

Part 2 of 2

4. “Diotima’s journey into the mountains”

Due to the film’s many delays and mishaps, UFA called Arnold Fanck back to Berlin at a certain point and informed him that The Holy Mountain was canceled. Read more …

Published: July 19, 2011 | Posted in North American New Right | Also tagged Adolf Hitler, Arnold Fanck, Bergfilm, Ernst Petersen, female psychology, Julius Evola, Leni Riefenstahl, Luis Trenker, manliness, mountain climbing, mountain films, movie reviews, National Socialism, North American New Right, originals, Otto Weininger, Plato, Sex and Character, sex roles, sexuality, The Holy Mountain, Traditionalism, white heroism | 2 Responses

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