2,812 words
Lynne Olson
Those Angry Days: Roosevelt, Lindbergh, and America’s Fight over World War II, 1939–1941
New York: Random House, 2013
The idea of America First policy is back after a long hiatus. The first proponent for such a policy was none other than George Washington. (more…)
Marinetti in the First World War.
176 words
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.
By Marinetti:
Marinetti in the First World War.
173 words
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this Website.
1. Marinetti’s own “Futurist Manifesto” of 1909.
2. Kerry Bolton’s essay “Filippo Marinetti,” which has also been published in his book Artists of the Right: Resisting Decadence. (Portuguese translation here.)
The Buran, the Soviet Union’s abandoned Space Shuttle from the 1980s, as it appears today.
2,830 words
I frequently see articles by race realists expressing a pro-futurist, pro-technology angle. I roll my eyes, but that’s fine. If you’re an optimist concerning technology, so be it. But if you don’t explore the underlying issues that would make that tech-future possible, you haven’t made your case. (more…)
150 words
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.
3,387 words
Sam Hyde
For decades upon decades, Jews have used irony and sarcasm to great effect in their war against whites. Their ancient hatred coupled with their undeniable dominance of the various entertainment industries has allowed for the mass expression of anti-white messages across the globe. (more…)
1,800 words
Interviewed by Edoardo Sylos Labini[1]
Translation: Túlio S. Borges de Oliveira
Edoardo Sylos Labini: Tell us about an OFF[2] episode from the beginning of your career?
Giordano Bruno Guerri: One day I published my book on [Giuseppe] Bottai, originally my thesis, through Feltrinelli. (more…)
Prampolini’s portrait of Filippo Marinetti, 1876-1944
155 words
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.
First, there is Marinetti’s “Futurist Manifesto” of 1909.
4,072 words
Daniel S. Forrest
Suprahumanism: European Man and the Regeneration of History
London: Arktos, 2014
Given my interests in topics covered in my Nietzsche’s Coming God book review, as well as my Overman High Culture essay, I thought it useful to take a look at Daniel Forrest’s new book, Suprahumanism.
11,050 words
Editor’s Note:
The following text is a transcript by V.S. of one of Jonathan Bowden’s most entertaining lectures, which was delivered to the 25th New Right meeting in London on February 13, 2010. Although Stewart Home is the principal subject, Bowden romps through a wide field of politically correct theories, ultra-Left sects, and decadent forms of modern art.
Ivo Pannaggi, Speeding Train (Treno in corsa), 1922.
3,864 words
English original here
“Nós não somos apenas mais revolucionários que vocês, estamos além de sua revolução” – F. T. Marinetti
“Vocês tem que saber que o sangue não possui valor ou esplendor a não ser que tenha sido liberado da prisão das artérias pelo ferro ou fogo” – F. T. Marinetti (more…)
Ivo Pannaggi, “Speeding Train” (Treno in corsa), 1922.
4,542 words
Portuguese translation here
“We are not only more revolutionary than you, but we are beyond your revolution.” – F. T. Marinetti[1]
“You must know that blood has no value or splendor unless it has been freed from the prison of the arteries by iron or fire.” – F. T. Marinetti[2] (more…)
Roy Halston Frowick, April 23, 1932–March 26, 1990
6,479 words
Part 1 of 2
Ultrasuede: In Search of Halston
Limelight
4,727 words
English original here
Filippo Marinetti, 1876-1944, era diferente da maior parte da vanguarda cultura do século XIX. Eles estavam rebelando-se contra o espírito de vários séculos de liberalismo, racionalismo, a ascensão das massas democráticas, o industrialismo, e o domínio da elite financeira. (more…)
Prampolini’s portrait of Filippo Marinetti, 1876 – 1944
109 words
In commemoration of the birthday of Filippo Marinetti, I would like to draw your attention to several writings on this website.
First, there is Marinetti’s “Futurist Manifesto” of 1909. (more…)
5,493 words
Portuguese translation here
Editor’s Note:
This much-expanded version of a previously-published essay on Filippo Marinetti is chapter 4 of Kerry Bolton’s Artists of the Right: Resisting Decadence, forthcoming from Counter-Currents.
Filippo Marinetti, 1876–1944, was unlike most of the post-19th century cultural avant-garde. (more…)
92 words
In commemoration of the birthday of Filippo Marinetti, I would like to draw your attention to several writings on this website.
First, there is Marinetti’s “Futurist Manifesto” of 1909.
Second, there is Kerry Bolton’s essay “Filippo Marinetti.”
2,006 words
We have been up all night, my friends and I, beneath mosque lamps whose brass cupolas are bright as our souls, because like them they were illuminated by the internal glow of electric hearts. And trampling underfoot our native sloth on opulent Persian carpets, we have been discussing right up to the limits of logic and scrawling the paper with demented writing.
Prampolini's portrait of Filippo Marinetti, 1876–1944
4,030 words
Filippo Marinetti is unlike most of the post-nineteenth Century cultural avant-garde who were rebelling against the spirit of several centuries of liberalism, rationalism, the rise of the democratic mass, industrialism, and the rule of the moneyed elite. (more…)
3,437 words
Mark Antliff
Avant-Garde Fascism:
The Mobilization of Myth, Art, and Culture in France, 1909–1939
Durham and London: Duke University Press, 2007
