8,232 words
As an American, I find European theories about this country and its character intriguing (or amusing) — particularly those formed from intimate experience. Of course, such theories presuppose that there is and has been such a thing as “the American people,” or “ethny” from which to draw an assessment. I submit two, not quite antithetical, but competing European judgments about the United States. (more…)
1,483 words 
When I saw Blue Velvet and Twin Peaks, I was convinced that David Lynch is an essentially conservative and religious filmmaker, with a populist and mystical bent. Arguing that thesis was an uphill battle as his work got increasingly dark in the nineties. Many people interpreted Lynch’s portrayals of quirky, salt-of-the-Earth white Americans as parody, his mysticism as arbitrary weirdness, and his depictions of evil and violence as inconsistent with having a conservative and religious moral center. (more…)
2,458 words
There needs to be formal recognition of the genre of TV shows where the protagonists “walk the Earth.” The best explanation of these was given by Jules (Samuel L. Jackson) to his partner Vincent (John Travolta) in the film Pulp Fiction:
Jules: First, I’m going to deliver this case to Marsellus, then, basically, I’m just going to walk the Earth.
2,530 words
Gordie Howe
Editor’s Note:
We are publishing the following piece on implicit whiteness in the Hockey Imperium to coincide with the Stanley Cup Finals.
The Landmark Deal
I had true modest heroes, well suited for a good life. (more…)