1,718 words
1,718 words
Author’s note: Tomorrow marks one year of my writing for Counter-Currents.
Folklore is Taylor Swift’s eighth studio album. It joined the hallowed halls of other so-called “isolation records” on July 24, 2020, in a surprise release (more…)
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Taylor Swift’s latest album, reputation, came out on November 10th. She has become an iconic figure for the Alt Right in recent years, so a review seems appropriate. We must tread lightly because Ms. Swift has recently been flashing her litigious claws (clause?). (more…)
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Future historians will be endlessly fascinated by the intertwined media phenomena of Taylor Swift and Donald Trump during 2015-2016. The parallels and symbiosis of the two have been noted by many, particularly in the precincts of Twitter and the Alt Right, although no one’s ever studied the thing in depth.
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Every time you turn around, someone’s hanging another Hakenkreuz on our Tay Tay. Latest and most famous culprit is Camille Paglia, that shooting star of the 1990s critical firmament. On Thursday this acerbic counter-feminist had a piece in the Hollywood Reporter in which she denounced Taylor Swift as a “Nazi Barbie” for swanning around with equally gorgeous female celebs. Almost immediately the story was picked up by The New Republic and New York magazine, as well as the NY Post, the Daily Mail, US magazine, and lord knows where else.
Checking the lights in Sydney
Checking the lights in Sydney
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It’s a big weekend for Taylor Swift. She winds up her record-breaking 1989 World Tour on Saturday, December 12, in Melbourne and reaches the ripe old age of 26 on Sunday, December 13. So now is a good time to sit back and think about what it all means.
What exactly is the significance of Taylor in pop music, modern aesthetics, and Western culture in general? (more…)