1,980 words

I’m one of those lonely people who red-pilled himself. It happened twice: Once in my early twenties and once in my early forties. And since a commenter on my previous article “The Tipping Point” asked for me to explain how that happened, I thought I’d share.

I became aware of the critical nature of race — vis-à-vis blacks and whites — in my early twenties after a few years of living on my own post-college. I can trace it back to the day I started paying my own taxes. (more…)

Harry Chapin

1,524 words

So what are the greatest acoustic guitar intros in pop music? Not exactly a conundrum I’ve pondered much until I stumbled across Rick Beato’s YouTube channel. Beato is a musician and producer whose breadth of musical knowledge I admire. He likes to do lists, and during his greatest acoustic guitar intros video, I had a revelation. (more…)

3,577 words

Part 4 of 4

Part 1 here, wherein I provide an introduction to this debate, a brief history, a recap of Kevin MacDonald’s counter-Semitic opus The Culture of Critique (hereafter, CofC), a summation of Nathan Cofnas’ major arguments against CofC, and a section which calls into question Cofnas’ objectivity in this debate.  (more…)

3,106 words

Part 3 of 4

[Updated: Nathan Cofnas correctly points out that I included remarks by MacDonald that had later been revised. I’ve corrected the relevant portions below.]

Part 1 here, wherein I provide an introduction to this debate, a brief history, a recap of Kevin MacDonald’s counter-Semitic opus The Culture of Critique (hereafter, CofC), (more…)

Nathan Cofnas

1,931 words

Part 2 of 4 (Part 1 here)

In the first part, I provide an introduction to this debate, a recap of Kevin MacDonald’s counter-Semitic opus The Culture of Critique (hereafter, CofC), a summation of Nathan Cofnas’ major arguments against CofC, and also call into question Cofnas’ objectivity in this debate. (more…)