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The singer Édith Piaf famously, and throatily, regretted nothing about anything. But the poet John Betjeman wished that he’d had more sex. And the economist John Maynard Keynes that he’d drunk more champagne. Me? I regret two things much more important than recreational sex or champagne. (more…)

Soviet propaganda poster from 1931 telling the workers that the 5-year plan can be completed in 4 years with enough enthusiasm.

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Part 1 here, Part 2 here

4. Doublethink

Among the many useful concepts bequeathed to us by Orwell, “doublethink” tops the list. It is a priceless tool for understanding how “normies” function within the repressive, PC societies of the West. The novel offers us two separate discussions of doublethink, which complement each other. The first occurs early in the story, and is the most famous passage dealing with the term:

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Part 2 (Part 1 here, Part 3 here)

3. The Denial of Reality and the Control of Language

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Part 1 (Part 2 here)

1. Introduction

Everyone thinks he knows what’s in Nineteen Eighty-Four. Is there really anything left to say? It’s as if George Orwell’s masterpiece has been sucked dry. At least, that’s what I thought until I recently reread it, for the first time in over thirty years. (more…)

O’Brien (Richard Burton) demonstrates that 2 + 2 doesn’t always equal 4.

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Did the international crises of 1947 and 1948 leave their mark on the writing of Nineteen Eighty-Four? I’ve spent a lot of time on this question, and so far as I can tell, the answer is – yes; but only obliquely. And George Orwell may not even have been conscious of the fact.

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Connolly, Burnham, Orwell, & “Corner Table”

“In the torture scenes, he is merely melodramatic: he introduces those rather grotesque machines which used to appear in terror stories for boys.”
—V. S. Pritchett, The New Statesman, June 18, 1949

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If you’re seeing a lot of Nineteen Eighty-Four editions showing up in bookstores these days, it’s because 2019 marks the seventieth anniversary of the novel’s publication. (more…)

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English original here

Ray Bradbury, spisovatel nejlépe známý díky románůmMarťanská kronika, 451 stupňů Fahrenheita, a autor stovek dalších povídek, zemřel 5. června 2012 ve věku 91 let. S jeho osobou ztrácí Amerika nejen jednoho ze svých nejlepších spisovatelů, ale také jednoho z našich posledních skutečných spisovatelů.

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Czech translation here

Ray Bradbury, the writer best known for his novels The Martian Chronicles and Fahrenheit 451, as well as a hundreds of short stories, passed away on Tuesday, June 5 at the age of 91. With him we have lost not only one of America’s greatest writers, but also one of our last genuine writers.

However, I don’t use either of these words – genuine or writer – lightly. (more…)

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Whatever happened to the Age of Anxiety? In the post-war years, intellectuals left and right were constantly telling us — left and right — that we were living in an age of breakdown and decay. (more…)

The poster for Michael Radford’s movie adaptation of “Nineteen Eighty-Four”

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George Orwell’s Nineteen Eighty-Four is probably the most important political novel of the 20th century, but the Trotskyite influence on it is underappreciated. The entire thesis about the Party’s totalitarianism is a subtle mixture of libertarian and Marxist contra Marxism ideas. One of the points which is rarely made is how the party machine doubles for fascism in Orwell’s mind—a classic Trotskyist ploy whereby Stalinism is considered to be the recrudescence of the class enemy. (more…)