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Tag: Goth music

  • July 15, 2021 Mark Gullick 18 comments Print

    Here are the Young Men:
    Remembering Ian Curtis
    (July 15, 1956–May 18, 1980)

    1,745 words

    Here are the young men.
    But where have they been?

    — Ian Curtis, “Decades”

    Everything resembles the truth, everything can happen to a man.

    — Nikolai Gogol, Dead Souls (more…)

  • April 10, 2020 Scott Weisswald 8 comments Print

    Sol Invictus’ In the Rain

    2,035 words

    Sol Invictus, fronted by Tony Wakeford, is one of the “neofolk” scene’s best-known groups, alongside Death in June and Current 93. Sol Invictus emerged following Wakeford’s departure from Death in June — and later departure from controversial Above the Ruins — with a sound that progressively became lighter and more classically-inspired than most of what can be considered “neofolk.” (more…)

  • July 20, 2016 David Yorkshire Print

    Tim Burton’s Batman:
    Putting the Gothic into Gotham

    2,774 words

    c7ce5d565bafd080d493ccfdef046f60Origins & Evolution of the Gothic in Film

    The gothic is a quintessentially European aesthetic. Moreover, it pertains and appeals more specifically to those of North-West European descent and is to be found in various modes and tropes throughout North-West European culture and contrasts with the Classicism of Southern Europe. Gothic as a term was first applied to medieval art and particularly architecture by Renaissance critics in similar propagandist fashion to how the term Dark Ages was also used to describe the period following the collapse of the Roman Empire. (more…)

  • November 1, 2013 Christopher Pankhurst 6 comments Print

    The Story of 4AD:
    Martin Aston’s Facing the Other Way

    Layout 11,631 words

    Martin Aston
    Facing the Other Way: The Story of 4AD
    London: The Friday Project, 2013

    Towards the end of Martin Aston’s monumental history of the 4AD record label he claims that one of the label’s later signings was “guilty of lacking transcendence” (p. 550). (more…)

  • June 27, 2013 Christopher Pankhurst 3 comments Print

    How Soon is Now?:
    The Madmen & Mavericks Who Made Independent Music 1975–2005

    howsoonisnow1,505 words

    Richard King
    How Soon Is Now?: The Madmen and Mavericks Who Made Independent Music, 1975–2005
    London: Faber & Faber, 2012

    Richard King’s How Soon is Now? is subtitled “The Madmen and Mavericks Who Made Independent Music 1975–2005,” and that is an accurate description of the book’s contents. The idea of charting the history of indie music from the perspective of the record companies and distribution networks, rather than the bands, is an interesting and novel one. (more…)

  • February 1, 2013 Christopher Pankhurst 5 comments Print

    Fire & Ice’s Fractured Man

    Fractured+Man1,047 words

    Insofar as Fire and Ice’s music can be described as “folk” it is the folk music of the ancient skalds and scops, far antecedent to the recent folk revival even if elements of tradition are latently present in that revival. Insofar as it is “gothic” music it is so in the sense described by Edred Thorsson in “The Secret of the Gothick God of Darkness” —  (more…)

  • August 13, 2012 Greg Johnson 14 comments Print

    Dead Can Dance, Berkeley, August 12, 2012

    1,081 words

    After we had dinner at Jupiter pizza, our Sikh cab driver deposited us outside the Greek Theatre in the Berkeley hills. We spread a blanket high on the lawn and looked out past the campanile on the Cal campus, watching our home town across the bay slowly submerging in a sea of fog. (more…)

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