After reading Doug Huntington’s insightful review of It Follows, David Robert Mitchell’s excellent horror film, I watched the movie for the first time. Set in Detroit, its austere, derelict cityscape was an eerie amalgam of crumbling industry and disused grandeur which was juxtaposed with a near-idyllic white suburbia.
Detroit’s dark inner-city denizens, distant shambling creatures, are relegated to the background; they are viewed in passing from afar by the film’s main characters as they drive into the city in search of answers. (more…)