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Morgoth (Substack, Odysee) was Greg Johnson‘s special guest on the latest broadcast of Counter-Currents Radio, where they discussed Denis Villeneuve’s new film Dune: Part Two and of course answered listener questions. In the second hour, they were joined by Endeavour (Substack). (See Trevor Lynch’s reviews of Dune and Dune: Part Two for Counter-Currents; also see our Frank Herbert commemoration for links to all our resources on Dune and Frank Herbert.) (more…)
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Frank Herbert’s original novel Dune (1965) is a brilliant synthesis of the futurism of science fiction and the archaism of fantasy literature. Denis Villeneuve’s continuing film adaptation Dune: Part Two is now in theaters. It is a bit better than the first part, but has all the same problems, and a few new ones, so I can’t recommend it. Like the first part, it is not terrible, just mediocre: dull to my eyes, grating to my ears, trying to my patience, an insult to my intelligence, and worst of all: just another Hollywood attack on white people. (more…)
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Denis Villeneuve’s Dune, Part I is now in theatres. I can’t recommend it. It isn’t terrible. It is merely mediocre. I found it dull to the eyes, grating to the ears, and a drag on my patience. Villeneuve spends 156 minutes and only gets halfway through the novel. David Lynch told the whole story in 137 minutes. Of course audiences are willing to sit through long movies if they are really good: Peter Jackson’s The Lord of the Rings trilogy, for instance. But this film isn’t in that league. (more…)
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If movies can have previews, why can’t movie critics release “pre-reviews”? I ask because September 9th was the release date of the first trailer for the first half of Denis Villeneuve’s adaptation of Frank Herbert’s Dune.
Dune is one of the most-anticipated movies of 2020. Trailers can build up a lot of excitement for a film, but they are immediately forgotten when the movie actually appears. (more…)
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Greg Johnson talks to Morgoth of Morgoth’s Review on the web, Bitchute, and YouTube about White Nationalist culture jamming, the Eternal Anglo vs. Tolkienism, Arts & Crafts, and Aestheticism, Roger Scruton, whiteness in classical and pop music, the 2019 UK General Election, (more…)
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David Lynch’s third feature film is his 1984 adaptation of Frank Herbert’s science fiction classic Dune. Herbert’s Dune is widely hailed as a masterpiece, while Lynch’s Dune has a much more mixed reputation, tending toward the negative. When I first saw Lynch’s Dune, I was deeply disappointed. Herbert’s novel had left a powerful and vivid impression on me, and Lynch’s vision was not my vision. (more…)
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It is dangerous work, making a sequel to a classic like Blade Runner, Ridley Scott’s 1982 magnum opus. French Canadian director Denis Villeneuve’s Blade Runner 2049 is a very good film, but it inevitably falls short of the original.
I first discovered Villeneuve’s work with his 2016 science fiction film Arrival (discussed with John Morgan here). Arrival impressed me as a highly imaginative science fiction film with an original visual style, told with an appealingly deliberate art-film pacing, with a stunning plot twist and a powerful emotional payoff. (more…)
