Tag: Robert de Niro

1,412 words

Part of every ideologically lonely dissident rightist’s life (or at least mine) is the consumption of horrible to mediocre pop culture minutiae for the purpose of critique, analysis, and simply keeping up with the enemy’s propaganda. (more…)

1,746 words

“You don’t make up for your sins in the church. You do it in the streets. You do it at home. The rest is bullshit and you know it.” — opening line of Mean Streets

Hollywood collapsed in the 1960s. It proved, if nothing else, that when it comes to big money, even Jews can screw up. A combination of anti-trust actions and the rise of television meant that studio lots fell silent, and the golden age of Hollywood was over. (more…)

2,241 words

I am inaugurating a series on Classics of Right-Wing Cinema with Martin Scorsese’s 1976 masterpiece Taxi Driver. For the purposes of this series, what makes a film “Right-wing” is its subject matter, its message, or simply how it resonates with people on the Right, regardless of the filmmaker’s intent. Please feel free to nominate films for this series in the comments below.

* * *

It began with Dylann Roof. (more…)

1,785 words

Note: Contains Spoilers

Audio Version: To listen in a player, click here. To download the mp3, right-click here and choose “save link as” or “save target as.”

One of the great things about Heath Ledger’s Joker in Christopher Nolan’s The Dark Knight is that he does not have an origin story. (more…)

Edward Hopper, New York Movie, 1939

3,774 words

Looking over Trevor Lynch’s list of his “Ten Favorite Films” in his forthcoming collection, Son of Trevor Lynch’s White Nationalist Guide to the Movies, it occurred to me that I couldn’t possibly put together such a list, even if I could decide on a criterion or two.

(more…)

7,450 words

Brian de Palma’s 1987 film, The Untouchables, from a script by David Mamet, is usually seen as a Hero’s Quest film, like Star Wars (or The Final Sacrifice), or at least an Epic in some way,[1] but I find it more interesting to see it as a film that, probably unconsciously, delineates the re-creation of the ancient Aryan Männerbund.[2]

(more…)