Tag Archives: industrial music

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Deutsch Amerikanische Freundschaft’s Alles ist gut

Scott Weisswald

1,349 words

In memory of Gabi Delgado-López (April 18, 1958 — March 22, 2020).

Deutsch Amerikanische Freundschaft, more concisely known as DAF, is a German electronic music band from Wuppertal consisting of Gabi Delgado-López and Robert Görl. Their name contains a light touch of irony, rendered into English as “German-American Friendship.” Read more …

Published: September 18, 2020 | Posted in North American New Right | Also tagged art, articles, DAF, Deutsch Amerikanische Freundschaft, EBM, electronic music, Germany, globalization, identity, language, modernity, music reviews, North American New Right, originals, Scott Weisswald, the Cold War | 3 Responses

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Nine Inch Nails’ Ghosts V & VI: Together & Locusts

Scott Weisswald

2,385 words

Nine Inch Nails released the albums Ghosts V: Together and Ghosts VI: Locusts simultaneously on March 26th, 2020 with a whopping price tag of free. Trent Reznor, the group’s central creative member, announced the surprise records with a Tweet: “Anyone out there?” Read more …

Published: March 30, 2020 | Posted in North American New Right | Also tagged ambient music, articles, contemplation, COVID-19, depression, music reviews, North American New Right, originals, Scott Weisswald, solitude | 2 Responses

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Remembering Genesis P-Orridge
(February 22nd, 1950 — March 14, 2020)

Scott Weisswald

Throbbing Gristle. From left: Sleazy, Genesis, Cosey, and Chris.

3,071 words

Visual artist, composer, singer, DJ, and general architect of chaos Genesis P-Orridge passed away on March 14, 2020. The Dissident Right shares a surprising amount of common ground with the counterculture icon — and owes some of its aesthetics and methods to them [1] as well.

Born February 22nd, 1950 in Manchester, Neil Andrew Megson adopted the name Genesis P-Orridge — a woo-ish corruption of the word “porridge” — while living in London. Read more …

Published: March 25, 2020 | Posted in North American New Right | Also tagged Aleister Crowley, articles, Britain in the 70s, commemorations, dance music, magick, neofolk, North American New Right, originals, punk music, Scott Weisswald | 15 Responses

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Poppy’s I Disagree

Scott Weisswald

1,973 words

Poppy, the mildly unsettling YouTube sensation-turned-bestselling pop singer, released her newest album on January 10th. It’s called I Disagree, and it’s an apt title — much of this record is a violent, abrasive eschewing of both Poppy’s previous work and the rules that govern music in general, much like the hyperpop sensibilities of breakthrough act 100 Gecs or veterans of the deconstruction genre like Grimes, Read more …

Published: January 22, 2020 | Posted in North American New Right | Also tagged articles, music reviews, North American New Right, originals, pop music, Scott Weisswald, the internet | 2 Responses

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Europe Endless:
Kraftwerk on Tour in 2018

6,221 words

Audio version: To listen in a player, use the one above or click here. To download the mp3, right-click here and choose “save link as” or “save target as.” To subscribe to the CC podcast RSS feed, click here. Read more …

Published: March 2, 2018 | Posted in Counter-Currents Radio, North American New Right | Also tagged Archeofuturism, articles, Budapest, concert reviews, electronic music, German art, John Morgan, Kraftwerk, North American New Right, originals, popular music, techno | 14 Responses

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Laibach’s Spectre

1,111 words

Laibach
Spectre
Mute, 2014

There have always been doubts about just who Laibach are and what they are up to. First who are they? The band is a collective so it is never too clear where “who” ends, Read more …

Published: March 14, 2014 | Posted in North American New Right | Also tagged Colin Liddell, Laibach, music reviews, North American New Right, originals, popular music, Spectre | 11 Responses

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Giacinto Scelsi:
A Soundtrack for Radical Traditionalism

Christopher Pankhurst

2,630 words

“Rome is the boundary between East and West. South of Rome, the East starts, and north of Rome, the West starts. This border-line now, runs exactly over the Forum Romanum. There’s my house, this explains my life and my music.” — Giacinto Scelsi

The music of Giacinto Scelsi is still relatively obscure, which is in keeping with the reclusive and esoteric character of the composer himself. Read more …

Published: December 7, 2012 | Posted in North American New Right | Also tagged Aleister Crowley, articles, Christopher Pankhurst, classical music, George Gurdjieff, Giacinto Scelsi, North American New Right, originals, popular music, postmodernism, Rene Guénon, the occult, Theodor Adorno, Traditionalism | 18 Responses

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Podcast No. 11
Greg Johnson, “Hegemony”
& “Volk Music” (on Laibach)

Counter-Currents Radio

time: 68:11

Audio Version: To listen in a player, click here. To download the mp3, right-click here and choose “save link as.”

To subscribe to our podcasts, click here.

Segment One

Greg Johnson reads “Hegemony” (16 minutes). Read more …

Published: April 8, 2012 | Posted in Counter-Currents Radio | Also tagged Counter-Currents Radion, Greg Johnson, hegemony, Laibach, nationalism, North American New Right, popular music, the Jewish question, white nationalism | 3 Responses

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A Música do Futuro

Christopher Pankhurst

Arno Breker, "Orpheus and Eurydice"

2,833 words

English original here

Um interregnum é um tempo de máxima possibilidade. Aprumados como estamos entre o fim da velha cultura europeia e a possibilidade de uma nova e renascida cultura europeia é útil refletir um pouco sobre a direção que nossa nova cultura deve tomar. Read more …

Published: February 28, 2012 | Posted in North American New Right | Also tagged articles, Black Metal, Christopher Pankhurst, classical music, cultural renewal, decadence, in Portuguese, in translation, music, North American New Right, Oswald Spengler, philosophy of culture, philosophy of history, popular music, reprints, vitalism | Leave a comment

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Musique du futur

Christopher Pankhurst

Arno Breker : « Orphée et Eurydice »

3,096 words

English original here

Un interrègne est une époque de possibilité ultime. Positionnés comme nous le sommes entre la fin de l’ancienne culture européenne et la possibilité d’une nouvelle culture européenne renaissante, il est utile de réfléchir quelque peu à la direction que notre nouvelle culture devrait prendre. Read more …

Published: February 28, 2012 | Posted in North American New Right | Also tagged articles, Black Metal, Christopher Pankhurst, classical music, cultural renewal, decadence, in French, in translation, music, North American New Right, originals, Oswald Spengler, philosophy of culture, philosophy of history, popular music, vitalism | Leave a comment

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Soumrak Západu:
Recenze knihy Boyda Rice Twilight Man

1,047 words

English original here

Boyd Rice
Twilight Man
Heartworm Press, 2011

Nejčerstvější memoárový román Boyda Ricea je něčím víc než pouhým humorným souhrnem jeho příhod v pozici pracovníka s poplašnými systémy, již vykonával v průběhu 80. let v San Franciscu. Read more …

Published: December 13, 2011 | Posted in North American New Right | Also tagged book reviews, Boyd Rice, in Czech, in translation, North American New Right, originals, popular music, Will Franklin | Leave a comment

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Rammstein

3,121 words

Generally, I find it impossible to like popular music unless I was exposed to a particular performer or group before I turned 21. A large part of the problem is that my tastes have been “corrupted” by classical music. Read more …

Published: December 5, 2011 | Posted in North American New Right | Also tagged articles, German Nationalism, Germany, Greg Johnson, Laibach, music reviews, National Socialism, North American New Right, originals, popular music, Rammstein, the Jewish question | 16 Responses

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Twilight of the West:
A Review of Boyd Rice’s Twilight Man

1,179 words

Czech translation here

Boyd Rice
Twilight Man
Heartworm Press, 2011

Boyd Rice’s latest novel/memoir is more than just a funny account of his adventures working as an alarm agent in San Francisco in the 1980s — it’s an account of his formative years, and goes a long way in explaining the dark, misanthropic, “fascist” persona we have come to know and love. Read more …

Published: November 28, 2011 | Posted in North American New Right | Also tagged book reviews, Boyd Rice, North American New Right, originals, popular music, Will Franklin | 3 Responses

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Music of the Future

Christopher Pankhurst

Arno Breker, “Orpheus and Eurydice”

2,958 words

Translations: French, Portuguese

An interregnum is a time of ultimate possibility. Poised as we are between the end of the old European culture and the possibility of a new, reborn, European culture it is useful to give some thought to the direction that our new culture should take. Read more …

Published: November 23, 2011 | Posted in North American New Right | Also tagged articles, Black Metal, Christopher Pankhurst, classical music, cultural renewal, decadence, music, neofolk, North American New Right, originals, Oswald Spengler, philosophy of culture, philosophy of history, popular music, vitalism | 11 Responses

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Gustav Mahler: Death & Resurrection

1,909 words

One hundred years ago today, on May 18, 1911, Gustav Mahler died in Vienna. Born on July 7, 1860, Mahler is one of the great composers of the late Romantic era, along with such figures as Edward Elgar (1857–1934), Giacomo Puccini (1858–1924), Richard Strauss (1864–1949), Jean Sibelius (1865–1957), Ralph Vaughan Williams (1872–1958), and Sergei Rachmaninoff (1873–1943).

Mahler is also the only Jewish composer among the first rank of European classical composers. Read more …

Published: May 18, 2011 | Posted in North American New Right | Also tagged articles, classical music, commemorations, Laibach, music reviews, North American New Right, originals, popular music, Richard Wagner, the Jewish question | 8 Responses

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Volk Music (in Czech)

Poster for Laibach/Bach "Kunst der Fuge" concert

2,671 words

English original here

Laibach je světoznámá slovinská hudební skupina založená v roce 1980 v komunistické Jugoslávii. Ačkoli se jejich tvorba často klasifikuje jako „industrial“, nereflektuje to plně jejich hudební a koncepční mnohost. Read more …

Published: May 2, 2011 | Posted in North American New Right | Also tagged Christianity, European identity, Greg Johnson, in Czech, in translation, J. S. Bach, Laibach, music reviews, National Socialism, non-dualism, popular culture, popular music, reprints, white nationalism, white subcultures | Leave a comment

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30 Years of Laibach (II)

Martin Lichtmesz

1,894 words

Translated by Andreas Faust

Just a few remarks on the 30 year jubilee of Laibach, of whom I have recently confessed myself a fan in this blog. Since their formation in 1980 the world has greatly changed, but so have the group themselves (musically rather to their disadvantage), and from their original lineup only frontman Milan Fras and Ivan Novak remain.

Published: December 21, 2010 | Posted in North American New Right | Also tagged articles, fascism, Laibach, Martin Lichtmesz, music reviews, North American New Right, originals, popular music, translations | 2 Responses

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Death in June’s Peaceful Snow

1,433 words

Death in June
Peaceful Snow / Lounge Corps
NER 2010

Death in June emerged from the English post-punk scene of the early 1980s. Death in June was originally a trio, but two of the founding members left in 1984 and 1985, so now the group consists of Douglas Pearce along with a shifting set of collaborators. Pearce, now 54, currently lives in Australia.

Published: December 15, 2010 | Posted in North American New Right | Also tagged Death in June, Douglas Pearce, Greg Johnson, music reviews, neofolk, North American New Right, originals, popular music | 3 Responses

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30 Years of Laibach:
Total Totalitarian Retro-Avantgardists

426 words

Translated by Andreas Faust

Editor’s Note:

Although the author of this article does not like Laibach as much as I do, this is just the first of several pieces occasioned by Laibach’s recent 30th anniversary. Stay tuned.

Published: December 5, 2010 | Posted in North American New Right | Also tagged articles, fascism, Laibach, music reviews, North American New Right, originals, popular music, translations | 1 Response

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Uneasy Listening:
Boyd Rice’s Standing in Two Circles

2,290 words

Boyd Rice
Standing In Two Circles: The Collected Works of Boyd Rice
Ed. Brian M. Clark
Washington, D.C.: Creation Books, 2008

Boyd Rice (b. 1956) is a remarkable figure. He is a composer, poet, artist, essayist, photographer, filmmaker, actor, and self-educated scholar of both pop culture and Western esotericism, particularly Grail lore. Read more …

Published: July 21, 2010 | Posted in North American New Right | Also tagged book reviews, Boyd Rice, decadence, fascism, Friedrich Nietzsche, Greg Johnson, left-hand path, music reviews, National Socialism, non-dualism, North American New Right, Oswald Spengler, pantheism, philosophy of history, popular culture, Ragnar Redbeard, reprints, Savitri Devi, social Darwinism, white subcultures | 2 Responses

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Volk Music

3,155 words

Czech translation here

Laibach
Volk
London: Mute Records, 2006

Laibach
Kunst Der Fuge
Ljubljana: Dallas Records, 2008

Published: July 17, 2010 | Posted in North American New Right | Also tagged Christianity, European identity, Greg Johnson, J. S. Bach, Laibach, music reviews, National Socialism, non-dualism, popular culture, popular music, reprints, white nationalism, white subcultures | Leave a comment

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