Not every Merchant-Ivory film is a visually lush period drama based on novels by prestigious writers like E. M. Forster and Henry James, but the most memorable ones are, including The Europeans (1979), The Bostonians (1984), A Room with a View (1985), Maurice (1987), and Howards End (1992). Another in this vein is The Remains of the Day (1993), based on a novel by Kazuo Ishiguro. (more…)
Tag: Henry James
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1,722 words
Having followed Mad Men from the start, with initial enthusiasm[1] gradually tempered by the increasingly exposed triumphalist
agenda,[2] I found the series finale, pumped (or pimped) by the network as “the end of an era,” (more…)
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“The human individual is, at one and the same time, much more and much less than is ordinarily supposed in the West; he is greater by reason of his possibilities of indefinite extension beyond the corporeal modality, . . . but he is also much less since, far from constituting a complete and sufficient being in himself, he is only an exterior manifestation, a fleeting appearance clothing the true being, which in no way affects the essence of the latter in its immutability.” (more…)
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Although apparently written back in 2008, long before I began writing about James and Lovecraft, I only recently stumbled across this quote from pioneer Lovecraft scholar S. T. Joshi, which might be said to encapsulate my concern in this series of articles:
The history of Lovecraft’s reputation—his initial rejection by Edmund Wilson and others as a pulp hack; the championing of his work by Derleth, Fritz Leiber, and George T. Wetzel; (more…)
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We’ve been very pleased by the response to our essay “The Eldritch Evola,” which was not only picked up by Greg Johnson (whose own Confessions of a Reluctant Hater is out and essential reading) for his estimable website Counter-Currents, but even managed to lurch upwards and lay a terrible, green claw on the bottom rung of the “Top Ten Most Visited Posts” there in January.