202 words / 2:03:09
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On the Counter-Currents Radio fundraiser livestream for July 26th, 2020, Greg Johnson is joined by special guest Morgoth to discuss culture, nostalgia, individualism, music, television, and the End of History. (more…)
1,120 words
Watching Carol Morley’s new film, The Falling, I found myself wondering, slightly obsessively, exactly which year it was set in. I settled on 1970 because the visual cues in the home of the main character, Lydia, suggested that strange point in time where hallucinatory sixties psychedelia ossified into lurid home furnishings. Subsequent googling revealed that it was set in 1969. (more…)
1,703 words
In the summer of 1969 the members of Fairport Convention were gathered together at a country house in Farley Chamberlayne in picturesque Hampshire. There they were to record their most celebrated album, Liege & Lief, the definitive statement in English folk-rock. The country retreat setting was partly therapeutic as the band had earlier that year been involved in a tragic road accident whilst on their way back from a gig in Birmingham. The drummer, Martin Lamble, and guitarist Richard Thompson’s girlfriend, Jeannie Taylor, were both killed. Clearly, the remaining members of Fairport were looking for a new musical direction as they sought to put the past behind them. (more…)
2,176 words
Mark Fisher
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures
Winchester, UK: Zero Books, 2014
Jacques Derrida’s Specters of Marx was an attempt to resurrect Marxism. Published in 1993, just after the fall of the Berlin Wall and the collapse of communism across Eastern Europe, Specters of Marx was an attempt to disrupt the apparent flow of historical progression (more…)
William Blake, “Hamlet and his Father’s Ghost”
William Blake, “Hamlet and his Father’s Ghost”
5,903 words
We never manage to bury the dead completely. Their words still echo down to us from beyond life’s event horizon in direct contravention of physical law. Our stance towards death is a determining factor in how the dead return to us; in what form and with what significance they haunt the living. Although they are always there, the ways in which they interact with us vary and shift through time. And, at the present time, there is a strange blend of residual religious funerary rites and atheistic materialism. It feels very much as though we go through the motions of dispatching the dead to the next world without believing a word of it. (more…)
