1,627 words
Changes can be considered the very first example of a neofolk band. Formed in 1969 by cousins Robert N. Taylor and Nicholas Tesluk, Changes has its roots in the earliest days of the folk revival and hippie scenes in the United States. (more…)
1,428 words
American popular culture is vile, degenerate, and a substance so toxic that it should only be kept within the Level 5 containment vault of the Centers for Disease Control in Atlanta next to the Petri dish that contains the only remaining sample of smallpox. The typical Hollywood movie is an offense to morality, the senses, and the intellect. Only a handful of post-1960 movies can be said to achieve the status of art. Curiously, one of these is the original Blade Runner of 1982.
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Michael Pacher, The Devil showing St. Augustine the Book of Vices, ca. 1480
3,892 words
Alan Judd
The Devil’s Own Work
London: HarperCollins, 1991
New York: Knopf, 1994
Richmond, Va.: Valancourt, 2015; with an Introduction by Owen King and an Afterword by Alan Judd
Oh boy, another weird novella unearthed and republished by the folks at Valancourt![1]
Well, not really unearthed, as The Devil’s Own Work is a 1991 novella by Alan Judd which won the Guardian Fiction Award. (more…)
1,744 words
English original here
L’article suivant est une élaboration d’une partie d’un discours du Dr. William Pierce devant la Convention Générale de la National Alliance en septembre 1978, intitulé « La vision-du-monde de la National Alliance ». (more…)
1,608 words
French translation here
The following article is an elaboration of a portion of an address by Dr. William Pierce to the General Convention of the National Alliance in September, 1978, entitled “The World View of the National Alliance.” (more…)
2,179 words
Youth Without Youth
(2007) is Francis Ford Coppola’s stunning film adaptation of a novella of the same name
by Mircea Eliade (1907–1986), the Romanian scholar of comparative religion and Iron Guard sympathizer. I highly recommend this beautiful, mysterious, endlessly captivating movie. In style, it is classic; in substance, it is eternal.
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