Tag Archives: culture jamming

185 words / 59:55

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Greg Johnson talks to Morgoth of Morgoth’s Review on the web, Bitchute, and YouTube about White Nationalist culture jamming, the Eternal Anglo vs. Tolkienism, Arts & Crafts, and Aestheticism, Roger Scruton, whiteness in classical and pop music, the 2019 UK General Election, Read more …

Published: January 24, 2020 | Posted in Counter-Currents Radio | Also tagged 2019 UK National Elections, aestheticism, Arts and Crafts movement, classical music, Counter-Currents Radio, Denis Villeneuve, Dune, England, Frank Herbert, implicit whiteness, interviews, J. R. R. Tolkien, Labour Party, liberal education, Morgoth, Oscar Wilde, pedophilia, podcasts, popular culture, popular music, rape, Roger Scruton, Rotherham, Scotland, Scottish Independence | 8 Responses

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The Alt Right & the Arts

David Yorkshire

2,386 words

Vig Scholma, Furor Teutonicus

The Road to Alt Right Artistry

Since Hillary Clinton’s mention of the Alternative Right in one of her speeches, there have been countless discussions about what the Alt Right is and represents, with everyone and anyone, no matter how inappropriate, suddenly declaring they are part of the Alt Right. I think it is quite easy to define what the Alt Right is: it is the postmodern manifestation of what Julius Evola termed the True Right. Read more …

Published: November 2, 2016 | Posted in North American New Right | Also tagged Andy Nowicki, Ann Sterzinger, articles, Charles Krafft, David Yorkshire, Italian futurism, Juleigh Howard-Hobson, metapolitics, modern art, National Socialism, North American New Right, originals, political correctness, satire, Seventh Son, the Alternative Right, the arts, The Daily Shoah, The Right Stuff, Tito Perdue | 10 Responses

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Make Weimerica Grate Again:
A Review of the “Daddy Will Save Us” Art Show

Julia Rouget

796 words

Last Saturday night in Manhattan, a few good shitlords made art history. At the “Daddy Will Save Us” art show, event organizer Lucian Wintrich stated that this was “the first conservative art show in America.” But there really wasn’t anything typically “conservative” about this event — rather, it was the most radically avant-garde art show possible in The Current Year. If this was conservatism, it was revolutionary conservatism. Read more …