4,239 slov

English original here

Strážci (Watchmen) patří k těm nejpravicovějším – dokonce s fašismem flirtujícím – dílům popkultury posledních let, a to vše i navzdory řádně a plně v souladu s duchem doby levicovému smýšlení tvůrců původního komiksu: autora příběhu Alana Moorea, ilustrátora Davea Gibbonse i Zacka Snydera, autora filmové adaptace, již osobně považuji za ten vůbec nejlepší snímek o superhrdinech, který své předloze nejen že dělá čest, ale dokonce ji v mnoha důležitých ohledech vylepšuje. (more…)

11,114 words

Mr. Reagan is not going to make it to the year 1987, I can tell you that much. Now you mark that down.

— Brother Stair, 1987

We don’t reckon time the same way, do we, Clarice?

— Silence of the Lambs

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4,217 words

As much as I feared that this series, which departs significantly from the Alan Moore canon, would be weighed down by the usual PC nonsense, I never imagined its very first episode would revel in visceral anti-white sentiment and Leftist Id-expression fantasies. If we extrapolate from this show’s first episode, HBO’s Watchmen may turn out to be the Left’s spin on the imagined future events of The Turner Diaries. (more…)

4,703 words

Czech version here

Watchmen is one of the most thoroughly Right-wing, even fascistic works of recent popular culture, despite the right-thinking Leftism of the creators of the original graphic novel, Alan Moore, who wrote the story, and Dave Gibbons, who illustrated it—and of Zack Snyder, who directed the movie adaptation, which to my mind is the greatest superhero movie of all time, a movie that not only does justice to the original novel but actually improves upon it in fundamental ways.

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83:37 / 100 words

Whatever happened to the American Dream? It came true. You’re looking at it. Greg Johnson and John Morgan join Richard Spencer to discuss the universe of Watchmen and what it reveals about modern America, the contractions of liberals, and the implicit “fascist” mentality that underlies Superhero myths.

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