They never stopped marching, as I like to say. Hardly were German soldiers out of uniform in 1945 than they were marching again — only this time across cinema screens. It certainly cannot be claimed that German post-war film productions did not deal with recent history. The Trümmerfilme, or “rubble films,” a (thankfully!) short-lived genre that I personally admire very much, tell raw stories of their time amidst real ruins and real losses. In 1955 the first of many film adaptations about the July 20 plot, aka the Stauffenberg plot, premiered; at the time it was still a topic of some debate in Germany. (more…)
Counter-Currents