Tag: Stephenie Meyer

596 words

Breaking Dawn, Part 2 is the fifth and final movie of Mormon novelist Stephenie Meyer’s phenomenally popular Twilight Saga. I think that the Twilight Saga is highly significant, because it offers a systematic argument for traditional — and biological — sexual roles and morality in the form of a Gothic teen romance story involving vampires and werewolves. (I best summarize my take on the Twilight Saga in my review of Breaking Dawn, Part 1.) I also found the movies highly entertaining.

Breaking Dawn, Part 2, however, is a major disappointment. (more…)

1,850 words

Twilight: Breaking Dawn, Part 1, is the fourth and penultimate movie of The Twilight Saga, based on Stephenie Meyer’s phenomenally popular series of novels. Worldwide, the Twilight novels have now sold more than 100 million copies; they have been translated into 37 languages; The Twilight Saga movies have grossed more than $2 billion. (more…)

1,431 words

Note: Since more people watch movies than read Nietzsche and Spengler, I have vowed to write a weekly movie review. Hold me to it, dear reader. Nag me if necessary. And send me your requests and recommendations.

Twilight: Eclipse is the third movie based on Stephenie Meyer’s phenomenally popular four volume Twilight Saga. (more…)

1,644 words

Catherine Hardwicke’s movie Twilight is based on the first novel of a series by Stephenie Meyer. The books mostly appeal to young women, and the advertisements for the movie screamed “chick flick,” so I gave it a pass when it was released in theaters. But I admire Joss Whedon’s series Angel, about a vampire with a soul, and when I heard that Twilight centers around a similar character, I was intrigued enough to order it on DVD.

(more…)

1,038 words

The news is: the movie of New Moon, the second installment of Stephenie Meyer’s Twilight Saga, doesn’t suck—in the vulgar, colloquial, non-vampire sense of the word—although all the signs were certainly there.

First, the book of New Moon is terrible: nearly 600 pages of pedestrian prose, glacially paced, padded to excruciating lengths not with fluff, but with damp, insipid, indigestible literary sawdust. (more…)