This is the fourth and final part (for now) of Derek Hawthorne’s series on the German “mountain films” of the 1920s and 30s. See the author’s review of North Face for an overview of this genre, its principal characteristics, and why it should interest readers of Counter-Currents.
1. Introduction: From Vertical to Horizontal
S.O.S. Iceberg is not a mountain film. (more…)