I think the most disagreeable part I ever had was in The Aryan. It was hard for me to really feel it, being that of a white man, forswearing his race, makes outlaw Mexicans his comrades and allows white women to be attacked by them. It is difficult to put all one’s decent instincts aside and live and think as such a despicable character must have done. But by allowing myself only to think of the terrible wrong that the white race had done me — pure imagery — I settled into it, and I am sure Bessie Love at the time believed I was the typical brute. — William S. Hart (more…)
Tag: pro-white cinema
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It’s always nice when the stars align for a particular film, even when the planets and everything else in the sky do not, and the stars in question are hard to see. Regarding the 2013 Tom Cruise science fiction film Oblivion, one telescope reveals 4D levels of Eurocentric defiance against the modern world, while another tells us that such conclusions are probably the signs of an overzealous critic. The film could also be seen as a subtle allegory for the Jewish Question — one profound enough to even provide an answer. In any event, Oblivion offers two hours of inspiring — if somewhat uneven — entertainment, which will be hard to forget once one connects all the twinkling dots in the sky, regardless if the filmmakers had put them there on purpose. (more…)
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No Time to Die is a magnificent film. This review will contain major spoilers after the fifth paragraph, as they are necessary to meaningfully analyze the film, though only those relevant to the points made. For a spoiler-free review, listen to Counter-Currents Radio Podcast No. 380, where Greg Johnson bravely attempts to discuss the film without giving away plot details, and where Endeavour somewhat brazenly attempts to discuss it without having seen it at all. (more…)