In “They Don’t Make Them Like They Used To,” Angelo Plume’s paean to the film First Knight, he gives us a blow-by-blow account of the film, lamenting that such films don’t get made anymore. Sad but true for the West. After reading the review, I had my Saturday night pizza, popped open a beer (Sam Adams), and dug into my archives to watch King Arthur, the 2004 film about the once and future king; decidedly different than First Knight, but it has its own flavor and goes very good with popcorn . . . and mead. (more…)
Tag: King Arthur
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This is the first in a series of film reviews wherein I’ll be looking at works of cinema that were made when subversion—whether of expectations, morals, facts, or source material—was not the filmmakers’ objective. The objective was simply to tell a story on celluloid. These will not be “classic” films, however. No one needs to read another review of Gone With The Wind or other famous, monumental movies from the past. In fact, many of the films in this series might even be light-hearted, middle-brow, pop culture entertainment. (more…)
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The editors of Counter-Currents have recently shared their findings that, among other interesting facts, females make up about one-third of the readership here. There are apparently quite a few Dissident-Right women who swim in our waters, and therefore a need exists for some un-feminist, but “woman-positive” readings that mine our traditional canon and seek to shape the future of femininity.
I don’t usually write about “female things,” and that’s not really on purpose. I find history, war, and a mostly male cast of authors interesting, and I always have. (more…)
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Throughout Europe and the United States, the chill mornings and blossoming trees of spring are giving way to summer’s warmth and abundance. As the midway point between spring and summer, the month of May has historically been a season of great importance to the peoples of Europe, a joyful time of sowing, revelry, feasting, and courtship. (more…)



