London’s Leicester Square has always been the heart of England’s cinema-land. With premiers, red carpets, and the full imported, tariff-free quota of Hollywood razzmatazz, it used to be quite possible to walk across the Square and see De Niro or Kate Winslet swanning around in front of a bank of photographers all trying to get the star to look their way. However, nestled in the historic Square’s environs were a brace of independent cinemas that the discerning cinema-goer felt a bit smug for knowing about. (more…)
Tag: John Carpenter
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David Yorkshire and Neil Westwood, in this episode of Mjolnir at the Movies (affiliated with Mjolnir Magazine), discuss John Carpenter’s “Apocalypse Trilogy”: The Thing, Prince of Darkness, and In the Mouth of Madness. They also examine Carpenter in general and discuss why a director who has always identified himself with the political Left has always appealed to Rightists. They also show how Carpenter uses simple techniques to belie his budget constraints, offering good advice for independent filmmakers financing their own small-budget films.
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Looking over Trevor Lynch’s list of his “Ten Favorite Films” in his forthcoming collection, Son of Trevor Lynch’s White Nationalist Guide to the Movies, it occurred to me that I couldn’t possibly put together such a list, even if I could decide on a criterion or two.
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Jews and Aryans—indeed, Jews and Gentiles—do not think alike. Psychologically and morally, Jews are radically different from other peoples. Jews are correct in recognizing that the first and most important division between human groups is not black and white or any other racial category, but Jew versus Gentile. Everything else is secondary. There is a profound sense in which all Gentiles are human beings, while Jews are not. Or, to state the matter from an ultra-Orthodox perspective: (more…)



