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The memoirs of Aleksandr Solzhenitsyn are unique in his vast body of work given that they serve more as metadata than data regarding the man’s impact upon the culture and perspective of the political Right. I’m sure this could be the case with the memoirs of any important person. However, with Solzhenitsyn, so often his work was his life. He drew directly from his experiences as a zek to develop his early works, such as his prison plays, his unproduced screenplay The Tanks Know the Truth (about a gulag uprising), (more…)