Salvador Dalí, Perpignan Train Station
5,557 words
Part 3 of 3 (Part 1 here, Part 2 here)
With Young Virgin Auto-Sodomized by Her Own Chastity, Dalí returned to his paranoiac-critical concerns (i.e., autoeroticism), but now transformed. The paranoiac origin is Dalí’s obsession with Vermeer’s The Lacemaker, which in turn he believed to “consist” in rhinoceroses’ horns. (more…)
3,353 words
Jef Costello
The Importance of James Bond & Other Essays
San Francisco: Counter-Currents, 2017
“Where was that stooped and mealy-colored old man I used to call Poppa when the merry-go-round broke down?”[1]
“This guy can’t possibly live up to the song they wrote about him… probably just an accountant named Wallace.”[2] (more…)
2,136 words
Readers of this site are aware of my great love for Breaking Bad (see here and here). Just about every like-minded man I know who saw the series found the story of Walter White, high school chemistry teacher turned drug king pin, to be as inspirational as I did. Weirdly inspirational, of course. But these are weird times. Walt’s story was not intended to be a glorification of crime (though, well, it does kind of turn out to be). It’s the story of a man becoming a man; becoming what he is. It’s the televisual, inspirational equivalent of Fight Club. (more…)
7,344 words
Breaking Bad
Created and produced by Vince Gilligan.
January 20, 2008 – September 29, 2013 (62 episodes)
Touch of Evil
Written, directed, and starring Orson Welles
“Preview” version (108 min., released on DVD 1993); Theatrical release, 1958 (93 min.)
“Restored” version, 1998 (112 min.)[1]
Based on the novel Badge of Evil by Whit Masterson (more…)
2,130 words
This past Sunday AMC aired the final episode of Breaking Bad. I wasn’t expecting to feel this way, but it’s as if a chapter in my life has come to an end.
2,527 words
1. Yo biyotch, this show is the bomb!
Breaking Bad is the greatest television series ever made.
