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Tag: Wagner Bicentennial Symposium

  • April 14, 2015 Deems Taylor

    O monstro

    Wagner_Caricature_25

    Wagner_Caricature_251,685 words

    English original here

    Translated by Lawrence

    Ele era um homenzinho pequenino, com uma cabeça grande demais para seu corpo — um homenzinho adoentado. Ele sofria dos nervos. Ele tinha problemas de pele. Para ele, era uma agonia ter que usar qualquer coisa próximo à pele que fosse mais áspera do que a seda. E ele tinha ilusões de grandeza.  (more…)

  • July 9, 2013 Collin Cleary 5 comments

    Wagner Bicentennial Symposium  
    Wagner’s Place in the Germanic Tradition
    Part 8: Gelassenheit

    brunnhildesimmolation

    brunnhildesimmolation2,275 words

    Part 8 of 8

    Gelassenheit

    We can say that the plot of the Ring is simply this: Western man, in the person of Wotan, finally awakens to the destructiveness of his thumotic nature, and wills his own end. (See my review of Duchesne’s Uniqueness of Western Civilization for a discussion of how Western man is preeminently thumotic man.) (more…)

  • July 8, 2013 Collin Cleary

    Wagner Bicentennial Symposium  
    Wagner’s Place in the Germanic Tradition
    Part 7: Siegfried & Götterdämerung

    siegfriedandrhinemaidens

    siegfriedandrhinemaidens3,645 words

    Part 7 of 8

    Siegfried

    If Wotan is the main character of the Ring, Siegfried is its hero. However, in dealing with the character of Siegfried we do not depart from our discussion of Wotan at all. This is because Siegfried, like many of the other characters in the Ring, is a kind of hypostatization of an aspect of Wotan himself.  (more…)

  • July 5, 2013 Collin Cleary 1 comment

    Wagner Bicentennial Symposium  
    Wagner’s Place in the Germanic Tradition
    Part 6: Das Rheingold & Die Walküre

    Arthur Rackam - Die Gotterdammerung__sqs

    Arthur Rackam - Die Gotterdammerung__sqs2,707 words

    Part 6 of 8

    Das Rheingold

    When the events of Das Rheingold begin, the Wotan-Loge relationship is already well-established, and the primeval crimes described earlier are long past. However, the opera begins with yet another crime against nature: Alberich’s theft of the Rhinegold. (more…)

  • July 4, 2013 Collin Cleary

    Wagner Bicentennial Symposium  
    Wagner’s Place in the Germanic Tradition
    Part 5: The One-Eyed God

    pagan

    pagan2,522 words

    Part 5 of 8

    The story of the Ring involves four ages, similar to those taught in Tradition.

    The Age of Titans is the period represented by figures somehow more primordial than the gods: Erda, the Norns, and possibly the Rhine daughters. Events in this age are not depicted in the Ring; they are merely referred to (primarily in Götterdämmerung).

    (more…)

  • July 3, 2013 Collin Cleary

    Wagner Bicentennial Symposium  
    Wagner’s Place in the Germanic Tradition
    Part 4: Wotan & the Faustian West

    WagnerFestage

    WagnerFestage2,783 words

    Part 4 of 8

    Wotan and the Faustian West

    As noted in the Introduction to this essay, at the time of the Ring’s conception Wagner was an anarchist revolutionary. Major influences on his thinking included Bakunin, Feuerbach, Hegel, and possibly Marx (though of these only Bakunin was an anarchist). (more…)

  • June 4, 2013 Collin Cleary 1 comment

    Wagner Bicentennial Symposium  
    Wagner’s Place in the Germanic Tradition
    Part 3: Wagner’s Use of Source Materials for the Ring

    rackham_valkyrie

    rackham_valkyrie3,473 words

    Part 3 of 8

    Wagner’s Use of Sources for the Ring

    As a brief summary of how Wagner makes use of the major sources discussed in section three above, I don’t think one could do any better than this paragraph from an article by Elizabeth Magee:

    Looking back, we can see how the Eddas supplied most of Das Rheingold, (more…)

  • June 3, 2013 Collin Cleary 2 comments

    Wagner Bicentennial Symposium  
    Wagner’s Place in the Germanic Tradition
    Part 2: The Story of Der Ring des Nibelungen

    wotanfarewell13

    wotanfarewell133,462 words

    Part 2 of 8

    The Story of Der Ring des Nibelungen

    For the uninitiated, I will now tell the story of the Ring, confining myself to essentials. Even the initiated would do well to read this summary, just to re-familiarize themselves with the story, as the account of Wagner’s use of the source material to follow will presuppose that one is well-acquainted with the events of all four operas. (more…)

  • May 31, 2013 Collin Cleary 2 comments

    Wagner Bicentennial Symposium  
    Wagner’s Place in the Germanic Tradition
    Part 1: The Origins of Der Ring des Nibelungen

    4282-the-dream-of-ossian-jean-auguste-dominique-ingres

    4282-the-dream-of-ossian-jean-auguste-dominique-ingres5,716 words

    Part 1 of 8

    1. Introduction

    Richard Wagner is the man principally responsible for keeping the Germanic mythological tradition alive in the modern world. Countless individuals have been exposed to that tradition through Wagner’s Der Ring des Nibelungen, and it is safe to say that at any given moment somewhere in the world some portion of the Ring is being played or performed. (more…)

  • May 28, 2013 Christopher Pankhurst 6 comments

    Wagner Bicentennial Symposium  
    Parsifal & the Possibility of Transcendence

    hacker

    hacker4,392 words

    In 1878 Nietzsche sent a copy of his book Human, All Too Human to Richard Wagner. At the same time Wagner sent Nietzsche a copy of the verse for his opera Parsifal. Nietzsche was later to write that when received this text, “I felt as if I heard an ominous sound – as if two swords had crossed.”[1] (more…)

  • May 27, 2013 Kurwenal

    Wagner Bicentennial Symposium  
    Wagner, Nietzsche, & the New Suprahumanist Myth, Part 3

    brekerstudio

    brekerstudio2,835 words

    Part 3 of 3

    IV.

    (more…)

  • May 24, 2013 Kurwenal

    Wagner Bicentennial Symposium  
    Wagner, Nietzsche, & the New Suprahumanist Myth, Part 2

    Wagner-Death-Mask-Syberberg-Parsifal

    Wagner-Death-Mask-Syberberg-Parsifal2,373 words

    Part 2 of 3

    III.

    Given the concept of “tendency,” it is easy to see an intimate relation between the work of Wagner and of Nietzsche. (more…)

  • May 23, 2013 Kurwenal 2 comments

    Wagner Bicentennial Symposium  
    Wagner, Nietzsche, & the New Suprahumanist Myth, Part 1

    Richard Wagner, Gem. von Franz v.Stuck - Richard Wagner, Paint. by Franz v.Stuck -

    4,140 words

    Richard Wagner, Gem. von Franz v.Stuck - Richard Wagner, Paint. by Franz v.Stuck -Part 1 of 3

    “I simply said to you that Wagner was the greatest man who ever lived. I didn’t say that he was God himself, but I was tempted . . .”

    — Pierre Louÿs (letter to Debussy)

    “‘Let us look one century ahead, and let us suppose my attack against two thousand years of unnaturalness and the desecration of man should succeed. (more…)

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