Translated by Guillaume Durocher
Translator’s Note: This article is translated from the French version in Emil Cioran, Apologie de la Barbarie: Berlin–Bucharest (1932-1941) (Paris: L’Herne, 2015). (more…)
Translated by Guillaume Durocher
Translator’s Note: This article is translated from the French version in Emil Cioran, Apologie de la Barbarie: Berlin–Bucharest (1932-1941) (Paris: L’Herne, 2015). (more…)
Translated by Guillaume Durocher
Translator’s Note: This article is translated from the French version in Emil Cioran, Apologie de la Barbarie: Berlin – Bucharest (1932-1941) (Paris: L’Herne, 2015), pp. 67-71. (more…)
A Swedish documentary, with English subtitles, about the life and ideas of Ernst Jünger, including extensive interviews with him that were made only a year prior to his death at age 102. (more…)
Translated by Guillaume Durocher
Translator’s Note: The following are excerpts from the preface to a collection of early articles by Emil Cioran translated from Romanian into French. I found this very interesting concerning the young Cioran’s embrace of fascism as embodying the “barbarism” he considered necessary to halt decadence. I have broken up some of the paragraphs. (more…)
1,740 words
There is no disputing Adolf Hitler was of tremendous importance in determining the course of the twentieth century. Thus, whether one believes the German Führer was the most evil man to have ever lived or if one takes a more nuanced perspective, it is important to try to understand him both as a personality and as representing a world-historical phenomenon. (more…)
Frederic Spotts
Hitler and the Power of Aesthetics
New York: The Overlook Press, 2003
Leaders throughout history have frequently deployed the arts as a means by which to display their power. Hitler is unusual, however, in that art was central to his political vision. He was intensely interested in the arts (painting, sculpture, music, and architecture) and dreamed of forging a state whose artistic and cultural achievements would rival those of ancient Greece and Rome. (more…)
2,221 words
Otto Dix was a German artist who is now celebrated as one of the great painters of the twentieth century, probably in no small part because he was put on the National Socialists’ list of degenerate artists, as, to the unthinking postmodern Left, anything the National Socialists hated is automatically considered good. Equally though, the postmodern cultureless cartoon Nazis of today’s corrupted Right consider him a degenerate artist also simply because his artworks were deemed Entartete Kunst by the NSDAP. (more…)
Hungarian translation here; Czech translation here
Audio version: To listen in a player, use the one above or click here. To download the mp3, right-click here and choose “save link as” or “save target as.” To subscribe to the CC podcast RSS feed, click here.
If I could choose to be anyone from the twentieth century, I would not hesitate for a moment to pick Ernst Jünger. The man did just about everything it was possible to do in his time, and stretched the limits of what one individual can accomplish in a lifetime to their breaking point. (more…)
English original here; Hungarian translation here
Kdybych mohl být kýmkoliv z dvacátého století, ani na vteřinu bych neváhal s volbou Ernsta Jüngera. Tento muž totiž ve svém vymezeném čase vyzkoušel takřka všechno a napnul hranice toho, čeho může jednotlivec v životě dosáhnout, až na úplné maximum. Jeho nesmírně dlouhý život (zemřel měsíc před svými 103. narozeninami) překlenul Kaiserreich, německou revoluci, Výmarskou republiku, Třetí říši, Spolkovou republiku Německo a konečně v poslední dekádě jeho života také sjednocené Německo – a v každém z těchto období aktivně působil. (more…)
32 words / 57:32
A Swedish documentary, with English subtitles, about the life and ideas of Ernst Jünger, including extensive interviews with him that were made only a year prior to his death at age 102.
https://www.youtube.com/watch?v=0Ju5HFoD20U
4,024 words
Vertaald door Otharus; English original: here
Noot van de redacteur:
Wat volgt is de tekst van een toespraak die dhr. Costello hield voor een kleine groep not-fully-red-pilled nieuwelingen. – Greg Johnson
Men vroeg mij aandacht te besteden aan de vraag, “wat is de leidende mythe van de moderne tijd?” Om deze vraag te beantwoorden, moeten we onderscheid maken tussen twee betekenissen van het woord “mythe”. (more…)